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1,091 stories by "Victor Gluck, Editor-In-Chief"

Leopoldstadt by Victor Gluck, Editor-in-chief

Tom Stoppard's "Leopoldstadt" is a powerful achievement, a history of our time as well as a cautionary tale. In depicting Jewish life in Vienna from 1899 - 1955, It also reveals a way of lif…

SOURCE: www.theaterscene.net at 11:53pm on October 17, 2022

Everything's Fine by Victor Gluck, Editor-in-chief

Actor/writer/director Douglas McGrath is a charming storyteller and his one-man show "Everything's Fine" is a total delight. He tells the entertaining and poignant story of his eventful 14th…

SOURCE: www.theaterscene.net at 8:48pm on October 16, 2022

Baldwin & Buckley At Cambridge by Victor Gluck, Editor-in-chief

"Baldwin & Buckley at Cambridge" should stir up controversy as their 1965 topic is still relevant. Such a debate today would have a great deal more ammunition than either of these men ha…

SOURCE: www.theaterscene.net at 1:50pm on October 14, 2022

The Sea Lady by Victor Gluck, Editor-in-chief

Neith Boyce's "The Sea Lady," a Broadway-bound play in 1935, only now having its world premiere at Metropolitan Playhouse is an attempt at a Shavian play of ideas. Based on a 1901 novel by s…

SOURCE: www.theaterscene.net at 10:33am on October 11, 2022

Washington Square by Victor Gluck, Editor-in-chief

On what is either a shoestring budget or a conscious effort to strip Henry James' novel down to its essentials, Randy Sharp's new adaptation of "Washington Square" is both exciting theater a…

SOURCE: www.theaterscene.net at 7:58pm on October 10, 2022

I'm Revolting by Victor Gluck, Editor-in-chief

There are two truisms in life in addition to the one about death and taxes: it takes all kinds of people to make a world and something will get everyone in the end. The world premiere of Gra…

SOURCE: www.theaterscene.net at 10:38pm on October 5, 2022

Weightless by Victor Gluck, Editor-in-chief

"Weightless" is an engaging little indie rock musical, little in the sense that it has only three characters plus a narrator and runs only 75 minutes of playing time. The show features the B…

SOURCE: www.theaterscene.net at 3:47pm on October 4, 2022

This Beautiful Future by Victor Gluck, Editor-in-chief

If you like your W.W. II history unadulterated, you may object to a love story between a French teenage girl and a Nazi soldier even if they are inexperienced and innocent and unaware of wha…

SOURCE: www.theaterscene.net at 3:39pm on September 25, 2022

Fauna by Victor Gluck, Editor-in-chief

Is it possible to be completely truthful in attempting to tell the life of a famous author in a biofilm? That is the premise of Argentinian novelist and playwright Romina Paula's "Fauna" now…

SOURCE: www.theaterscene.net at 10:46pm on September 24, 2022

Burn by Victor Gluck, Editor-in-chief

Although Alan Cumming is a charismatic performer, the distracting video design, the often overpowering music, and the often flashing lighting by Tim Lutkin, gets in the way of viewing the sh…

SOURCE: www.theaterscene.net at 4:10pm on September 22, 2022

Sacco and Vanzetti: A New American Opera by Victor Gluck, Editor-in-chief

The finished score by Lehrman is 50% music he created based on themes by Blitzstein: pieces of his unproduced 1932 opera "The Condemned" (an earlier work about Sacco and Vanzetti), a march, …

SOURCE: www.theaterscene.net at 3:46pm on September 20, 2022

Our Man in Santiago by Victor Gluck, Editor-in-chief

Mark Wilding's "Our Man in Santiago" is billed as a "raucous political farce" but it is neither loud and noisy nor hilariously funny. Inspired by Gabriel Garcia Marquez's 1974 article in Har…

SOURCE: www.theaterscene.net at 5:49pm on September 19, 2022

Remember This: The Lesson of Jan Karski by Victor Gluck, Editor-in-chief

Aside from his ability to create multiple characters with his voice and body language, Strathairn's physicality is remarkable in aging from a young man to a senior citizen before our eyes as…

SOURCE: www.theaterscene.net at 10:35pm on September 17, 2022

My Onliness by Victor Gluck, Editor-in-chief

"My Onliness," Robert Lyons' latest stage work, is a musical homage to Polish avant-garde playwright Stanislaw Ignacy Witkiewicz (active 1918-1934) but who resurfaced during the 1960's when …

SOURCE: www.theaterscene.net at 10:58am on September 10, 2022

Los Otros by Victor Gluck, Editor-in-chief

A fresh antidote to the usual brassy, loud rock musicals of today, "Los Otros" slows down the tempo and the sound level with a story of the experiences of two people who learn to love, cope …

SOURCE: www.theaterscene.net at 5:28pm on September 5, 2022

As You Like It (Public Works) by Victor Gluck, Editor-in-chief

Public Works' musical adaptation of "As You Like It" is an enchanting evening of summer fun under the stars. Trimmed to a long one act, the story is accessible for both those who know the Sh…

SOURCE: www.theaterscene.net at 10:11pm on September 3, 2022

HYPROV: Improv Under Hypnosis by Victor Gluck, Editor-in-chief

'Hyprov" is a delightful and surprising evening as there is no telling how it will turn out. Will the Hyprovisers be good at their improvs? Will they stay in character? How will they deal wi…

SOURCE: www.theaterscene.net at 8:45pm on August 23, 2022

Titanique by Victor Gluck, Editor-in-chief

"Titantique" is the most hilarious musical parody to play New York in many a year. Since international superstar Céline Dion only got to sing one song at the end of James Cameron's blockbus…

SOURCE: www.theaterscene.net at 10:47pm on August 22, 2022

macbitches by Victor Gluck, Editor-in-chief

It is not until the last 15 minutes of Sophie McIntosh's new play, "macbitches," that a dramatic event takes place. Up until then the play is mostly the chit chat of acting majors talking ab…

SOURCE: www.theaterscene.net at 9:31pm on August 21, 2022

The Inconvenient Miracle: A Mysterious Birth Musical by Victor Gluck, Editor-in-chief

Samantha Streich and Deijah Faulkner in a scene from "The Inconvenient Miracle: A Mysterious Birth Musical" at The Episcopal Actors Guild (Photo credit: Ahron R. Foster) Victor Gluck, Editor…

SOURCE: www.theaterscene.net at 8:38pm on August 15, 2022

Oresteia (Almeida Theatre) by Victor Gluck, Editor-in-chief

If you have ever seen a play by Aeschylus, you know how static and slow they are, made up entirely of monologues and choral odes with hardly any action. It was Sophocles and Euripides who ad…

SOURCE: www.theaterscene.net at 7:38pm on July 30, 2022

Hit the Wall by Victor Gluck, Editor-in-chief

Jake Shore's "Hit the Wall," though limited in its range, is very successful in its goals. It gives Adam Files and Alexandra Guerrero juicy roles as the aging mentor and the younger student …

SOURCE: www.theaterscene.net at 9:17pm on July 29, 2022

Cat on a Hot Tin Roof by Victor Gluck, Editor-in-chief

While the play is rooted in its original 1955 period (its language, social mores, references, three-act form), this revival directed by Joe Rosario has attempted to place it in the present f…

SOURCE: www.theaterscene.net at 10:17pm on July 26, 2022

The Kite Runner by Victor Gluck, Editor-in-chief

The second problem is the performance of Amir Arison, star of nine seasons on NBC's "The Blacklist," and eight Off Broadway dramas, playing both "The Kite Runner"'s narrator and its protagon…

SOURCE: www.theaterscene.net at 4:13pm on July 25, 2022

Into the Woods by Victor Gluck, Editor-in-chief

Patina Miller as The Witch in a scene from the New York City Center Encores! Production of "Into the Woods" at the St. James Theatre (Photo credit: Matthew Murphy and Evan Zimmerman for Murp…

SOURCE: www.theaterscene.net at 3:04pm on July 20, 2022
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