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1,090 stories by "Victor Gluck, Editor-In-Chief"

Monte Cristo by Victor Gluck, Editor-in-chief

Sierra Boggess and Adam Jacobs in a scene from the York Theatre's production of the musical "Monte Cristo" at Theatre at St. Jean's (Photo credit: Carol Rosegg) After the musicals based on t…

SOURCE: www.theaterscene.net at 10:53pm on March 30, 2026

Antigone (This Play I Read in High School) by Victor Gluck, Editor-in-chief

The world premiere of Anna Ziegler's new play, "Antigone (This Play I Read in High School)" now at The Public Theater, is one of four ambitious attempts to update Sophocles' tragedy playing …

SOURCE: www.theaterscene.net at 2:00pm on March 30, 2026

The Paparazzi by Victor Gluck, Editor-in-chief

Ryan Howell's Art Deco unit set with the outline of the Chrysler Building gives the story a midtown feel but does not make clear when all this is happening. The costumes by Cathy Small are c…

SOURCE: www.theaterscene.net at 11:46pm on March 28, 2026

Blood/Love by Victor Gluck, Editor-in-chief

"Blood/Love," the Vampire Pop Opera, may just have the most energy of any musical in town. Dynamic, obsessive and seductive this rock opera is the kind they don't seem to write any more. Thi…

SOURCE: www.theaterscene.net at 11:13pm on March 25, 2026

The Silent Serenade by Victor Gluck, Editor-in-chief

Mannes Opera's production of "The Silent Serenade" now seems retro with its lilting score, a combination of Johann Strauss II and Jerome Kern who was working in Hollywood during Korngold's t…

SOURCE: www.theaterscene.net at 11:53pm on March 24, 2026

Burnout Paradise by Victor Gluck, Editor-in-chief

"Burnout Paradise" is the most unique show in New York right now and enormous fun. A sort of athletic performance piece, it is also an interactive circus competition. Four members from the A…

SOURCE: www.theaterscene.net at 6:41pm on March 22, 2026

Trash by Victor Gluck, Editor-in-chief

James Caverly and Andew Morrill's Trash is a provocative play about two late 20s deaf roommates who have nothing in common except sharing an apartment. However, what is most intriguing about…

SOURCE: www.theaterscene.net at 11:49pm on March 19, 2026

Bigfoot! A New Musical by Victor Gluck, Editor-in-chief

The latest show about intolerance and social outcasts is the delightful "Bigfoot! A New Musical," now at New York City Center Stage I. Similar in plot to "Bat Boy: The Musical" but with a ha…

SOURCE: www.theaterscene.net at 4:25pm on March 17, 2026

Zack by Victor Gluck, Editor-in-chief

While not the classic that "Hobson's Choice" has become, Harold Brighouse's follow-up play "Zack" proves to be a charming Edwardian comedy drama in the Mint Theater Company's production whic…

SOURCE: www.theaterscene.net at 10:03pm on March 14, 2026

Our House by Victor Gluck, Editor-in-chief

Billed as a "comedy in two acts" on its title page, it is not funny nor does it deal with comic material, though the direction tries to emphasize its bitchier moments. Its plot involves homo…

SOURCE: www.theaterscene.net at 10:53pm on March 10, 2026

Chinese Republicans by Victor Gluck, Editor-in-chief

Unlike "Glengarry Glen Ross" which also begins at luncheon meetings in a Chinese restaurant but then took us to the office in its second act, "Chinese Republicans" is mostly set at the month…

SOURCE: www.theaterscene.net at 10:23pm on March 8, 2026

The Reservoir by Victor Gluck, Editor-in-chief

Alcoholism and Alzheimer's wouldn't seem to have much in common. However, Jake Brasch cleverly links the two in his comedy drama "The Reservoir," the story of a recovering drunk on leave fro…

SOURCE: www.theaterscene.net at 3:55pm on March 7, 2026

The Waterfall by Victor Gluck, Editor-in-chief

Not only does Phanésia Pharel's "The Waterfall" have a great deal to say, it is also very revealing of immigrant views on the American Dream. A tour de force for two actresses, Taylor Reyno…

SOURCE: www.theaterscene.net at 12:48pm on February 24, 2026

The Monsters by Victor Gluck, Editor-in-chief

Written and directed by Ngozi Anyanwu, author of "The Last of the Love Letters" (Atlantic Theater Company) and "Good Grief" (Vineyard Theatre), 'The Monsters" is a tour de force for two acto…

SOURCE: www.theaterscene.net at 6:19pm on February 22, 2026

The Dinosaurs by Victor Gluck, Editor-in-chief

Like Beth Wohl's Liberation, Jacob Perkins' "The Dinosaurs" follows a group of women who meet weekly to discuss a problem that interests them, in this case alcoholic addiction. Covering many…

SOURCE: www.theaterscene.net at 8:19pm on February 21, 2026

The Tragedy of Coriolanus (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

Tata's staging is also problematic making  almost every scene look like every other. The mob scenes have been reduced to five actors (other than the lead characters) which does not sugges…

SOURCE: www.theaterscene.net at 5:28pm on February 19, 2026

The Other Place by Victor Gluck, Editor-in-chief

Going along with leaving much unsaid, Zeldin in his direction has kept things rather slow and leisurely so that the play's 80 minutes seems much longer. Also much of the backstory is missing…

SOURCE: www.theaterscene.net at 11:31pm on February 16, 2026

Just Desserts: A Musical Bake-Off by Victor Gluck, Editor-in-chief

"Just Desserts" is an entertaining satire on competitions, "a musical bake-off." With witty songs and colorful characters this show with book and lyrics by Barbara Campbell and music by Brad…

SOURCE: www.theaterscene.net at 10:30pm on February 15, 2026

An Ideal Husband by Victor Gluck, Editor-in-chief

After a several year hiatus, The Storm Theatre, one of the last classical theater companies left in New York, is back with an elegant and polished production of Oscar Wilde's rarely seen com…

SOURCE: www.theaterscene.net at 10:36pm on February 10, 2026

Ulysses by Victor Gluck, Editor-in-chief

The company of Elevator Repair Service's production of "Ulysses" in partnership with 2026 Under the Radar Festival at The Public Theater (Photo credit: Joan Marcus) Unlike the Elevator Repai…

SOURCE: www.theaterscene.net at 11:53pm on February 8, 2026

Anonymous by Victor Gluck, Editor-in-chief

Spit & Vigor Theatre Company has an interesting approach to stagecraft at least with its return engagement of Nick Thomas' Anonymous, now at their new home at the Tiny Baby Black Box The…

SOURCE: www.theaterscene.net at 7:18pm on February 5, 2026

Blackout Songs by Victor Gluck, Editor-in-chief

Joe White's "Blackout Songs" direct from London with its original cast is a tour de force for two actors. It is also a challenge for the audience both because its single topic is addiction a…

SOURCE: www.theaterscene.net at 10:51pm on February 3, 2026

DATA by Victor Gluck, Editor-in-chief

Mathew Libby's riveting "DATA" is drawn from tomorrow's headlines " or is this frightening story depicting events that are already happening? As directed by Tyne Rafaeli, this techno-thrille…

SOURCE: www.theaterscene.net at 10:04am on January 31, 2026

The Disappear by Victor Gluck, Editor-in-chief

Watching these creative people misbehave is part of the fun though a great deal must be taken on faith: Julie's tremendous talent, Raf's inordinate fame and highly emotional depth, Ben's gen…

SOURCE: www.theaterscene.net at 11:27pm on January 28, 2026

Cimino's Defeat by Victor Gluck, Editor-in-chief

Eric Faris' "Cimino's Defeat" seems under researched while attempting to make a play from a few salient facts. At times the play seems endless, at others repetitious with all the arguments t…

SOURCE: www.theaterscene.net at 11:01pm on January 25, 2026
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