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1,091 stories by "Victor Gluck, Editor-In-Chief"

A Commercial Jingle for Regina Comet by Victor Gluck, Editor-in-chief

While Marshall Pailet's direction is breezy and fastpaced, the dialogue has too many Borscht belt jokes ("Take my Grandma, for instance. No really take her-," Camp Rosenblatt, "As my Grandma…

SOURCE: www.theaterscene.net at 1:45pm on October 5, 2021

Bedlam's Persuasion by Victor Gluck, Editor-in-chief

Bedlam's 2014 production of "Sense and Sensibility," adapted by Kate Hamil from the novel by Jane Austen, and directed by Eric Tucker, set the bar so high for cleverness, originality and wit…

SOURCE: www.theaterscene.net at 5:35pm on September 29, 2021

Sanctuary City by Victor Gluck, Editor-in-chief

Martyna Majok writes powerfully and brilliantly about marginalized people, particularly undocumented immigrants living in Northern New Jersey, as in "Ironbound" and her 2018 Pulitzer Prize-w…

SOURCE: www.theaterscene.net at 10:35pm on September 28, 2021

Yeah, But Not Right Now by Victor Gluck, Editor-in-chief

Holmes' songs include clever lyrics particularly "Facebook," "I Can Be That Guy" and "Beautiful Girl in the Front Row." His expert playing on the keyboard allows him to have duets with himse…

SOURCE: www.theaterscene.net at 1:19am on September 25, 2021

Sun & Sea by Victor Gluck, Editor-in-chief

Performed by a cast of 15 singers and enacted in pantomime by numerous local volunteers all dressed in swimwear, Sun & Sea is a typical day at the beach in which we hear the thoughts of …

SOURCE: www.theaterscene.net at 11:35am on September 17, 2021

What Happened? The Michaels Abroad by Victor Gluck, Editor-in-chief

The new play, ironically, does not take place in Rhinebeck, New York, like the preceeding 11 plays but as explained in its subtitle it concerns "Conversations in Angers, France," the home of…

SOURCE: www.theaterscene.net at 7:09pm on September 12, 2021

Ni Mi Madre by Victor Gluck, Editor-in-chief

As his mother Bete (pronounced Bet"chi), Soria is bigger than life without a great deal of assistance from props, costuming or make-up. When he enters carrying an offering to the stage which…

SOURCE: www.theaterscene.net at 11:40pm on September 6, 2021

Semblance by Victor Gluck, Editor-in-chief

Written and directed by White who is the Obie and Lily Award winning director of "Our Dear Dead Drug Lord" (WP Theater) and "What to Send Up When It Goes Down" (Public Theater, BAM Fisher an…

SOURCE: www.theaterscene.net at 5:10pm on August 18, 2021

Friends! The Musical Parody by Victor Gluck, Editor-in-chief

The problem with the show now at The Jerry Orbach Theater is director Tim Drucker's frenetic, over-the-top staging and the artificially broad presentational style of the acting, similar to -…

SOURCE: www.theaterscene.net at 10:39pm on July 28, 2021

The Wake of Dorcas Kelly by Victor Gluck, Editor-in-chief

Early in the play, songs are sung by various members of the cast including the anachronistic "The House of the Rising Sun," (sung twice) set in New Orleans in the twentieth century. The cast…

SOURCE: www.theaterscene.net at 5:25pm on July 17, 2021

The Alcestiad by Victor Gluck, Editor-in-chief

Aside from the unevenness of the acting, Drance's production has no consistent tone, shifting from comedy to drama to tragedy and back again. Not all of his interesting ideas are carried thr…

SOURCE: www.theaterscene.net at 2:11pm on June 19, 2021

Blindness by Victor Gluck, Editor-in-chief

Read by unseen British stage star Juliet Stevenson, "Blindness" is as timely as Albert Camus' "The Plague" with its story of an epidemic which affects first a community, then a city and fina…

SOURCE: www.theaterscene.net at 10:57pm on June 9, 2021

Lilies, or The Revival of a Romantic Drama by Victor Gluck, Editor-in-chief

"Lilies" is an attempt at old-fashioned theater or to couch a modern story in old-fashioned trappings. The problem with the play for modern audiences may be stated in its subtitle, "The Revi…

SOURCE: www.theaterscene.net at 3:03pm on May 19, 2021

Tennessee Rising: The Dawn of Tennessee Williams by Victor Gluck, Editor-in-chief

While the chronology is somewhat convoluted as the text occasionally skips around grouping some similar events (such as two trips to New York City), if you follow along, the script depicts W…

SOURCE: www.theaterscene.net at 5:14pm on May 17, 2021

Two Sisters and a Piano by Victor Gluck, Editor-in-chief

Directed by the author, "Two Sisters and a Piano" reveals its roots as a radio play from its reliance on poetry and language: this is a cat-and-mouse game in which the participants use words…

SOURCE: www.theaterscene.net at 3:18pm on April 26, 2021

Girl from the North Country (Broadway) by Victor Gluck, Editor-in-chief

Set in a dark time, "Girl from the North Country" creates a community on stage as do the best plays and musicals. Its tale of lost souls attempting to keep their heads above water is univers…

SOURCE: www.theaterscene.net at 3:43pm on March 19, 2020

Coal Country by Victor Gluck, Editor-in-chief

For "Coal Country," an investigation into the April 5, 2010 West Virginia disaster at Massey Energy's Upper Big Branch coal mine which killed 29 men, authors Jessica Blank and Erik Jensen ba…

SOURCE: www.theaterscene.net at 11:36pm on March 17, 2020

The Unsinkable Molly Brown by Victor Gluck, Editor-in-chief

Although director/choreographer Kathleen Marshall has given the Transport Group production staged at The Abroms Arts Center a rousing production, the major problem still exists with the stor…

SOURCE: www.theaterscene.net at 11:41pm on March 15, 2020

About Love by Victor Gluck, Editor-in-chief

The inspiration for "About Love" is Ivan Turgenev's "First Love," one of the greatest of all novellas. Subtitled "a play with songs and music," that is exactly what it is: a dramatic present…

SOURCE: www.theaterscene.net at 1:02am on March 12, 2020

Mr. Toole by Victor Gluck, Editor-in-chief

Vivian Neuwirth's "Mr. Toole" is a fitting tribute to a charismatic teacher and a brilliant author. However, the play, in the form it currently is in, seems to have been shoehorned into a sh…

SOURCE: www.theaterscene.net at 5:04pm on March 10, 2020

Cambodian Rock Band by Victor Gluck, Editor-in-chief

Mixing fiction and fact, new Signature Theatre Residency playwright Lauren Yee's "Cambodian Rock Band" is an engrossing, entertaining and appalling  investigation into the Khmer Rouge's g…

SOURCE: www.theaterscene.net at 11:54pm on March 8, 2020

No Strings by Victor Gluck, Editor-in-chief

Following its opening production of Cy Coleman's equally rarely seen "Seesaw," J2 Spotlight Musical Theater Company is presenting a fully staged version of "No Strings" as the second product…

SOURCE: www.theaterscene.net at 12:15am on March 3, 2020

All the Natalie Portmans by Victor Gluck, Editor-in-chief

MCC Theater's New York premiere of C.A. Johnson's new play "All the Natalie Portmans" is a lovely work which resembles other such modern coming of age plays from Carson McCullers' "The Membe…

SOURCE: www.theaterscene.net at 1:01am on March 2, 2020

Blues for an Alabama Sky by Victor Gluck, Editor-in-chief

Pearl Cleage's "Blues for an Alabama Sky" gets a belated New York premiere courtesy of Keen Company in its 20th season. Although seen in many regional theaters since its 1995 premiere at the…

SOURCE: www.theaterscene.net at 2:48pm on February 26, 2020

Dracula (Classic Stage Company) by Victor Gluck, Editor-in-chief

As the centerpiece of its spring season, Classic Stage Company is presenting a repertory of adaptations of two legendary Gothic horror stories: Bram Stoker's "Dracula" and Mary Shelley's "Fr…

SOURCE: www.theaterscene.net at 4:04pm on February 24, 2020
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