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1,091 stories by "Victor Gluck, Editor-In-Chief"

Switzerland by Victor Gluck, Editor-in-chief

Mystery writer Patricia Highsmith ("Strangers on a Train," "Carol," "The Talented Mr. Ripley") was famously alcoholic, depressive, misogynistic and racist. She was unique as an international…

SOURCE: www.theaterscene.net at 11:02pm on February 22, 2019

The Light by Victor Gluck, Editor-in-chief

With the audience sitting ringside on three sides of the new theater, and performed by Masden and Belcher at the top of their game, The Light is thrilling theater. Their Gen and Rashad are b…

SOURCE: www.theaterscene.net at 8:46pm on February 20, 2019

The Dance of Death by Victor Gluck, Editor-in-chief

Clark has chosen to direct the play as though it were drawing room comedy. Beginning and ending the play with a game of cards, there is the suggestion that for Edgar and Alice this is all a …

SOURCE: www.theaterscene.net at 4:59pm on February 16, 2019

To Kill a Mockingbird by Victor Gluck, Editor-in-chief

It has been well publicized that the Harper Lee estate filed a lawsuit in February 2018 alleging that the play deviated too much from the novel. They should not have worried. As directed by …

SOURCE: www.theaterscene.net at 3:18pm on February 16, 2019

The Trial of the Catonsville Nine by Victor Gluck, Editor-in-chief

The 1970 play was originally adapted by playwright Saul Levitt (who previously turned the Pulitzer Prize winning novel "Andersonville" into a successful trial play) from Berrigan's free vers…

SOURCE: www.theaterscene.net at 11:15pm on February 14, 2019

The Day Before Spring by Victor Gluck, Editor-in-chief

The York production has been directed and adapted by Marc Acito who has condensed the original two act script into a long one-acter. Realizing that the original setting of 1948 for a tenth y…

SOURCE: www.theaterscene.net at 11:52pm on February 12, 2019

God Said This by Victor Gluck, Editor-in-chief

If this family seems familiar, Winkler wrote about them in her 2016 play, "Kentucky," set seven years ago, when Hiro returned home for the first time from NYC in order to stop her sister's w…

SOURCE: www.theaterscene.net at 7:56pm on February 11, 2019

A Man for All Seasons by Victor Gluck, Editor-in-chief

In recent years the play has not fared with such acclaim. A 2008 Broadway revival starring Frank Langella eliminated the narrator character of The Common Man, the play's cleverest device, an…

SOURCE: www.theaterscene.net at 11:31pm on February 8, 2019

Carmelina by Victor Gluck, Editor-in-chief

Though not in the same class with Alan Jay Lerner's masterpiece, "My Fair Lady," "Carmelina" has a similar theme: how a young woman reinvents herself. While the three soldiers are under the …

SOURCE: www.theaterscene.net at 11:25pm on January 31, 2019

The Convent by Victor Gluck, Editor-in-chief

While Jessica Dickey's "The Convent" may not have any new answers and may cover familiar material, it does so with such vitality and theatricality, that it becomes a memorable experience. U…

SOURCE: www.theaterscene.net at 2:45pm on January 31, 2019

Wickedest Woman by Victor Gluck, Editor-in-chief

Six actors, three men and three women, in a company of seven, play many roles in this fluid production designed by Anna Driftmier that uses several different doorways,  on-stage props and…

SOURCE: www.theaterscene.net at 11:41pm on January 24, 2019

About Alice by Victor Gluck, Editor-in-chief

Humorist and journalist Calvin Trillin has made his wife Alice Stewart Trillin, educator, writer, mother and muse, famous from such books as "Alice, Let's Eat," "Travels with Alice" and "Fam…

SOURCE: www.theaterscene.net at 5:18pm on January 24, 2019

On Blueberry Hill by Victor Gluck, Editor-in-chief

Irish actors Niall Buggy and David Ganly returning to their original roles play two murderers sharing a cell in Dublin's Montjoy Jail. The fiftyish PJ (Ganly) and the sixtyish Christy (Buggy…

SOURCE: www.theaterscene.net at 11:24pm on January 20, 2019

Blue Ridge by Victor Gluck, Editor-in-chief

Ireland gives a big performance that is almost larger than life. From the moment we meet her, she commands the stage. Watch how intently she listens to the others or how you can hear her tho…

SOURCE: www.theaterscene.net at 11:42pm on January 19, 2019

Clueless, The Musical by Victor Gluck, Editor-in-chief

While "Clueless, The Musical" is never less than slick and professional in the best possible way, for those who know the iconic film it offers no surprises so slavishly does it follow …

SOURCE: www.theaterscene.net at 12:48pm on December 29, 2018

Slave Play by Victor Gluck, Editor-in-chief

Nothing is what it seems in Jeremy 0. Harris' startling and explosive "Slave Play" which investigates where race and sexual relationships intersect. What we have been watching in the play's …

SOURCE: www.theaterscene.net at 9:51pm on December 28, 2018

Nassim by Victor Gluck, Editor-in-chief

In the course of this unusual performance piece, the actor and the audience learn a bit of Farsi, the author's native language, and actor and author share stories of their lives and likes, a…

SOURCE: www.theaterscene.net at 12:52pm on December 25, 2018

The Mendelssohn Electric by Victor Gluck, Editor-in-chief

Intended for young people and their families, the jokey dialogue will amuse teenagers as well as teach them about the glass ceiling that talented women have had to fight against up until the…

SOURCE: www.theaterscene.net at 2:48pm on December 24, 2018

Network by Victor Gluck, Editor-in-chief

Director Ivo Van Hove's stage version of the Paddy Chayefsky cult film "Network" gives Bryan Cranston the role of a lifetime as Howard Beale, the UBS news commentator who has a nervous break…

SOURCE: www.theaterscene.net at 9:55pm on December 21, 2018

Christmas in Hell by Victor Gluck, Editor-in-chief

The holiday season is in for an irreverent satirizing in Gary Apple's musical comedy "Christmas in Hell," a rude and entertaining fable for adults. With book, music and lyrics by Apple, a wr…

SOURCE: www.theaterscene.net at 10:33pm on December 19, 2018

The Apple Boys: A Barbershop Quartet Musical by Victor Gluck, Editor-in-chief

The world premiere of "The Apple Boys: A Barbershop Quartet Musical" is a delightful show that pays tribute to this uniquely American art form. In a mash-up of history it also recognizes a g…

SOURCE: www.theaterscene.net at 1:20pm on December 13, 2018

The Hello Girls by Victor Gluck, Editor-in-chief

One of the beauties of the book by Mills and Reichel is that all of the characters in the large dramatis personae are very well defined and we have no trouble knowing who is who. Reichel's d…

SOURCE: www.theaterscene.net at 3:02pm on December 12, 2018

The Hard Problem by Victor Gluck, Editor-in-chief

Tom Stoppard, our most cerebral modern playwright, has finally written a play that one would have expected from him all along. "The Hard Problem," his first play in ten years, is literally a…

SOURCE: www.theaterscene.net at 11:35pm on December 6, 2018

Quicksand by Victor Gluck, Editor-in-chief

"Quicksand," Nella Larsen's 1928 award-winning first novel, has been given an ambitious, epical stage adaptation by Everyday Inferno Theatre Company working out of the IRT Theater. While Reg…

SOURCE: www.theaterscene.net at 4:21pm on December 5, 2018

The Lifespan of a Fact by Victor Gluck, Editor-in-chief

In a time of fake news, these timely and topical questions are raised in the delightful new Broadway play "The Lifespan of a Fact," a dramatization by Jeremy Kareken & David Murrell and…

SOURCE: www.theaterscene.net at 1:00pm on November 30, 2018
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