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1,092 stories by "Victor Gluck, Editor-In-Chief"

King Lear (Royal Shakespeare Company) by Victor Gluck, Editor-in-chief

The Royal Shakespeare Company's latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contempora…

SOURCE: www.theaterscene.net at 3:19pm on April 20, 2018

ms. estrada by Victor Gluck, Editor-in-chief

The Q Brothers Collective (made up of GQ, JQ, Jackson Doran and Postell Pringle) is best known in New York for their hip hop variations on Shakespeare: "Othello: The Remix" in 2016 and "The …

SOURCE: www.theaterscene.net at 4:41pm on April 18, 2018

Lobby Hero by Victor Gluck, Editor-in-chief

Ethical integrity versus moral turpitude is the theme of Kenneth Lonergan's "Lobby Hero" now having its Broadway debut at The Second Stage's newly renovated home, The Helen Hayes Theater. Al…

SOURCE: www.theaterscene.net at 1:19pm on April 16, 2018

The Edge of Our Bodies by Victor Gluck, Editor-in-chief

Rapp's plays are so different from each other that it is difficult to classify him. As of now he has written conventional dramas, experimental plays, futuristic and science fiction plays, an…

SOURCE: www.theaterscene.net at 2:35pm on April 12, 2018

Frozen by Victor Gluck, Editor-in-chief

Disney Theatrical Productions' long anticipated stage version of the beloved animated film "Frozen" has arrived on Broadway in a lavish and faithful version of the screenplay by Jennifer Lee…

SOURCE: www.theaterscene.net at 1:35pm on April 10, 2018

Feeding the Dragon by Victor Gluck, Editor-in-chief

Under the assured direction of Maria Mileaf in a production which started at the Hartford Stage earlier this year, Sharon Washington is a captivating and entertaining presence both as she na…

SOURCE: www.theaterscene.net at 11:34pm on April 8, 2018

The Stone Witch by Victor Gluck, Editor-in-chief

Lauria, best known for his work on "The Wonder Years," makes Simon an immensely private and enigmatic figure. His erratic behavior changes by the moment, keeping Peter (and us) guessing. We …

SOURCE: www.theaterscene.net at 4:31pm on April 6, 2018

Bedlam's Pygmalion by Victor Gluck, Editor-in-chief

Scenic designer John McDermott has turned the black box space at the Sheen Center into an intimate amphitheater with the audience sitting around three sides of Higgins' laboratory/study with…

SOURCE: www.theaterscene.net at 12:30am on April 4, 2018

Babette's Feast by Victor Gluck, Editor-in-chief

aithful to the story and like the film, this stage adaptation uses narration from Dinesen's story. However, not only are the actors used as storytellers, some of the characters also narrate …

SOURCE: www.theaterscene.net at 4:16pm on April 2, 2018

Admissions by Victor Gluck, Editor-in-chief

"Admissions" is often very funny like when Sherri has to try to explain why Melville's Moby Dick is not being taught anymore (a book about a white whale by a dead white guy) and when Charlie…

SOURCE: www.theaterscene.net at 3:16pm on March 27, 2018

Education by Victor Gluck, Editor-in-chief

"Education," Brian Dykstra's new play, is an incendiary investigation into censorship, free speech and responsibility in electric theater. It purports to be about Art as a Weapon but its the…

SOURCE: www.theaterscene.net at 11:29pm on March 26, 2018

The Low Road by Victor Gluck, Editor-in-chief

Bruce Norris' plays are so different from each other that you have to take his fingerprints to recognize his hand. His recent New York plays have dealt with racism and gentrification ("Clybo…

SOURCE: www.theaterscene.net at 4:32pm on March 20, 2018

Calamity Jane by Victor Gluck, Editor-in-chief

It would be a pleasure to say that Musicals Tonight! is going out on a high but that would not be accurate. While the book by Ronald Hanmer and Phil Park based on the play by Charles K. Free…

SOURCE: www.theaterscene.net at 7:26pm on March 18, 2018

Is God Is by Victor Gluck, Editor-in-chief

On the basis of "Is God Is," Aleshea Harris is a new voice in the American theater whose work bears watching in the future. The play is the latest in a long line of revenge stories from the …

SOURCE: www.theaterscene.net at 11:50pm on March 14, 2018

Amy and the Orphans by Victor Gluck, Editor-in-chief

Casting of Brewer (best known for her several roles on "American Horror Story"), an individual with Down syndrome, is a real coup as she doesn't have to be inventing a role she knows intimat…

SOURCE: www.theaterscene.net at 12:35pm on March 13, 2018

Good for Otto by Victor Gluck, Editor-in-chief

Except for the frustration level of the characters, there does not seem to be a movement towards change or catharsis which may partly explain why the play seems so long. Harris and Madigan r…

SOURCE: www.theaterscene.net at 5:58pm on March 12, 2018

Jerry Springer " The Opera by Victor Gluck, Editor-in-chief

"Jerry Springer - The Opera" is not for opera purists nor is for people who are easily offended by four letter words and other bad language of which there is a multitude. However, its irreve…

SOURCE: www.theaterscene.net at 4:51pm on March 9, 2018

A Marriage Contract by Victor Gluck, Editor-in-chief

Originally titled "A Test Case" when the play had its premiere in New York in 1892, it is one of Daly's many adaptations of European successes, this one based on a German comedy of Blumentha…

SOURCE: www.theaterscene.net at 11:35pm on March 7, 2018

The Amateurs by Victor Gluck, Editor-in-chief

Jordan Harrison's "The Amateurs" is certainly an ambitious new play acted to the hilt by its cast of six. However, at times it bites off more than it can handle, at other times its anachroni…

SOURCE: www.theaterscene.net at 10:43pm on March 3, 2018

Subways Are for Sleeping by Victor Gluck, Editor-in-chief

"Subways Are for Sleeping" is a valentine to New York and projection designer Lacey Erb has created atmospheric slides and streaming video of such iconic locations as Grand Central Station, …

SOURCE: www.theaterscene.net at 1:48pm on March 1, 2018

A Walk With Mr. Heifetz by Victor Gluck, Editor-in-chief

Although an interesting idea, James Inverne's "A Walk With Mr. Heifetz" has lofty ambitions which it is unable to fulfill. While the advertisement proclaims that these two encounters "change…

SOURCE: www.theaterscene.net at 3:13pm on February 22, 2018

X: Or, Betty Shabazz V. the Nation by Victor Gluck, Editor-in-chief

Marcus Gardley's "X: Or, Betty Shabazz V. The Nation" is a powerful indictment of forces within a movement which help to destroy it. Performed by The Acting Company under the direction of Ia…

SOURCE: www.theaterscene.net at 11:27pm on February 20, 2018

The Boys from Syracuse by Victor Gluck, Editor-in-chief

The cast seems to have been mostly chosen for their comic skills rather than their singing skills. Nevertheless, Josh Waldren and Matthew Fairless as the visiting travelers turn "Dear Old Sy…

SOURCE: www.theaterscene.net at 11:53pm on February 18, 2018

[Porto] by Victor Gluck, Editor-in-chief

Stop me if you've heard this one before: three people walk into a bar where they are known by the drinks they order. Only in Kate Benson's new play "[Porto]," the unnamed bar is in a gentrif…

SOURCE: www.theaterscene.net at 7:29pm on February 16, 2018

Bar Mitzvah Boy by Victor Gluck, Editor-in-chief

"Bar Mitzvah Boy" may not be a top-drawer Jule Styne musical, but Jack Rosenthal's original story and David Thompson's new book are excellently observed to have the ring of truth. The family…

SOURCE: www.theaterscene.net at 3:43pm on February 15, 2018
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