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1,092 stories by "Victor Gluck, Editor-In-Chief"

Miles for Mary by Victor Gluck, Editor-in-chief

Playwrights Horizons has a real winner with the first entry in its new Redux Series bringing back worthy Off Off Broadway plays for a longer run Off Broadway. First up is "Miles for Mary," a…

SOURCE: www.theaterscene.net at 4:40pm on February 9, 2018

Imperfect Love by Victor Gluck, Editor-in-chief

We are never told the name of the play being rehearsed or who the characters in the play within the play are. In the second act, the performers dressed in their costumes for Gabriele's play …

SOURCE: www.theaterscene.net at 3:10pm on February 7, 2018

He Brought Her Heart Home in a Box by Victor Gluck, Editor-in-chief

Whereas Kennedy became famous with plays that use myth, history, surrealism and Theater of the Absurd to tell their stories, this play tells a realistic tale in poetic form, its very brevity…

SOURCE: www.theaterscene.net at 3:40pm on February 6, 2018

Hindle Wakes by Victor Gluck, Editor-in-chief

Stanley Houghton's once controversial "Hindle Wakes" explodes everything you have ever been taught about the double standard and the place of women in society. The irrefutable logic of the c…

SOURCE: www.theaterscene.net at 8:19pm on February 4, 2018

Cardinal by Victor Gluck, Editor-in-chief

Greg Pierce, the author of "Slowgirl" and "Kid Champion," has often tackled hot button issues. Here in Cardinal being given its world premiere at Second Stage Theater, he takes on urban rene…

SOURCE: www.theaterscene.net at 9:49am on February 2, 2018

Hallelujah, Baby! by Victor Gluck, Editor-in-chief

While the new cut-down version (performed concert style with book in hand) with nine actors instead of the original 36, now covers 100 years, rather than the sixty in the original show, it s…

SOURCE: www.theaterscene.net at 4:45pm on January 31, 2018

Party Face by Victor Gluck, Editor-in-chief

The best reason to see Isobel Mahon's "Party Face" is to see the ever-lovely Hayley Mills who used to play mischievous teens and now is playing busy-body mothers. The play is diverting thoug…

SOURCE: www.theaterscene.net at 12:30pm on January 31, 2018

Jericho by Victor Gluck, Editor-in-chief

The problem with Laura Braza's production is the lack of chemistry between Vasile Flutur's Jericho and Hannah Sloat's Julie. While Jericho should be charming and seductive, Flutur is only si…

SOURCE: www.theaterscene.net at 11:54am on January 26, 2018

Disco Pigs by Victor Gluck, Editor-in-chief

John Haidar's energized production turns this material into a tour de force for Campbell and Lynch who are continually moving about spewing volumes of words, almost choreographed by movement…

SOURCE: www.theaterscene.net at 11:41pm on January 18, 2018

BrouHaHa by Victor Gluck, Editor-in-chief

Washington, D.C.'s acclaimed Happenstance Theater is making is New York debut with its 2015 show "BrouHaHa," which has been seen previously in Baltimore, Maine and New Haven. Taking for its …

SOURCE: www.theaterscene.net at 12:48am on January 8, 2018

H.M.S. Pinafore (NYGASP) by Victor Gluck, Editor-in-chief

Along with some contemporary updating which always gets a laugh, Albert Bergeret's direction is sharp and shrewd and his conducting of Sullivan's sprightly and animated score is equally assu…

SOURCE: www.theaterscene.net at 9:59pm on December 30, 2017

Farinelli and the King by Victor Gluck, Editor-in-chief

Giving a performance of the caliber of his earlier Shakespeare's Globe portrayals of the Countess Olivia in "Twelfth Night" and the title role of "Richard III" which also played Broadway's B…

SOURCE: www.theaterscene.net at 12:12am on December 23, 2017

Twelfth Night, or What You Will (Fiasco Theater) by Victor Gluck, Editor-in-chief

While not as memorable as several previous Fiasco Theater productions, this "Twelfth Night" takes a while to get where it is going. After winding up the plot in the first half, it settles do…

SOURCE: www.theaterscene.net at 9:55pm on December 21, 2017

Bulldozer: The Ballad of Robert Moses by Victor Gluck, Editor-in-chief

Moses' famously crowded and contentious career is glossed over except for his final battle with Jacobs over the Lower Manhattan Expressway. "Bulldozer" doesn't even give a good summary of hi…

SOURCE: www.theaterscene.net at 5:42pm on December 20, 2017

Describe the Night by Victor Gluck, Editor-in-chief

The themes of Rajiv Joseph's latest political play are not only valid but relevant in today's climate. However, "Describe the Night" is too convoluted for its own good and attempts to make c…

SOURCE: www.theaterscene.net at 4:20pm on December 15, 2017

Downtown Race Riot by Victor Gluck, Editor-in-chief

Anton Chekhov once advised that if you show an audience a gun you are required to have it go off. Set on September 8, 1976, Seth Zvi Rosenfeld's new play, "Downtown Race Riot," being given i…

SOURCE: www.theaterscene.net at 3:18pm on December 15, 2017

Shadowlands by Victor Gluck, Editor-in-chief

William Nicholson's "Shadowlands" is one of those subtle plays that grows on you as it evolves and weaves its own spell. Based on a true story of one the most improbable love stories of the …

SOURCE: www.theaterscene.net at 1:43pm on December 13, 2017

The Parisian Woman by Victor Gluck, Editor-in-chief

Inspired by Henri Becque's notorious 1885 "La Parisienne," credited as the first Naturalistic French play, Willimon has taken its plot, characters and themes of sex, adultery, betrayal and p…

SOURCE: www.theaterscene.net at 1:38pm on December 12, 2017

Indians by Victor Gluck, Editor-in-chief

In the central character of Buffalo Bill Cody, Michael Hardart plays only the one role. The play seems to be his coming to terms with the mythologizing of his achievements. Although twice he…

SOURCE: www.theaterscene.net at 10:01am on December 4, 2017

20th Century Blues by Victor Gluck, Editor-in-chief

There is nothing much very wrong with Susan Miller's '20th Century Blues" that a few more revelations or dustups wouldn't solve. Beth Dixon, Franchelle Stewart Dorn, Polly Draper, Kathryn Gr…

SOURCE: www.theaterscene.net at 3:29pm on November 30, 2017

Pride and Prejudice by Victor Gluck, Editor-in-chief

While this is not a Bedlam production as was Hamill's hugely successful stage version of Austen's second published novel, "Sense and Sensibility," director Amanda Dehnert has staged the play…

SOURCE: www.theaterscene.net at 3:56pm on November 27, 2017

Peter Pan (Bedlam) by Victor Gluck, Editor-in-chief

Such changes as Captain Hook being a woman or Tinker Bell speaking French are neither explained nor meaningful, while some of the doubling simply makes the play hard to follow as the charact…

SOURCE: www.theaterscene.net at 11:56am on November 25, 2017

Office Hour by Victor Gluck, Editor-in-chief

Not only is Julia Cho's "Office Hour" rivetingly acted by Sue Jean Kim and Ki Hong Lee, it is one of the few plays in recent memory to tackle a major social problem and offer an explanation …

SOURCE: www.theaterscene.net at 9:27pm on November 20, 2017

Illyria by Victor Gluck, Editor-in-chief

The conversations revolve around the topics of the New York Shakespeare Festival's poor finances in 1958, Vaughan's defection to the Phoenix Theatre which was paying a living wage while the …

SOURCE: www.theaterscene.net at 8:48am on November 17, 2017

M. Butterfly by Victor Gluck, Editor-in-chief

Inspired by the true case of an affair between French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu from 1960 " 1986 which led to a trial for espionage, Hwang's problem in 2…

SOURCE: www.theaterscene.net at 3:12pm on November 15, 2017
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