DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
1,092 stories by "Victor Gluck, Editor-In-Chief"

Divine Comedy by Victor Gluck, Editor-in-chief

The problem with Peter Dobbins' productions is not the quaint spiritual underpinnings of the plays but the fact that they are directed too leisurely and consequently do not generate any laug…

SOURCE: www.theaterscene.net at 11:35pm on October 9, 2016

Twenty Thousand Leagues under the Sea by Victor Gluck, Editor-in-chief

The live action elements of the show are performed on various platforms and screens on which are projected Deco Dawson's designs which give the dramatization a 3-D look. In addition to 2 -D …

SOURCE: www.theaterscene.net at 1:58pm on October 6, 2016

Marie and Rosetta by Victor Gluck, Editor-in-chief

The two women size each other up, first by Sister Rosetta singing such gospel numbers as "This Train," "Rock Me" and "Sit Down," while Marie demonstrates her style with "Were You There When …

SOURCE: www.theaterscene.net at 3:13pm on September 30, 2016

Hamlet (Mobile Unit 2016) by Victor Gluck, Editor-in-chief

The single disadvantage of director Patricia McGregor's approach is that in cutting so much text, the events of the play seem to occur one on top of each other, making the play a bit melodra…

SOURCE: www.theaterscene.net at 8:38pm on September 24, 2016

Fiorello! by Victor Gluck, Editor-in-chief

Under Bob Moss' vigorous and energetic direction, the cast of 20 young actors grab hold of the show and never let up for a moment playing a multitude of colorful New York types with energy a…

SOURCE: www.theaterscene.net at 5:36pm on September 24, 2016

A Taste of Honey by Victor Gluck, Editor-in-chief

Director Austin Pendleton made some choices which don't help the now creaky play. Although Peter is described as ten years younger than Helen, Pendleton has cast the ever reliable Bradford C…

SOURCE: www.theaterscene.net at 3:56pm on September 22, 2016

What Did You Expect? " Play 2 of The Gabriels: Election Year in the Life of One Family by Victor Gluck, Editor-in-chief

Like his "Apple Family Plays," Nelson's "The Gabriel" cycle all take place in a kitchen on a specific day in almost real time using the same six actors to play the family members. These are …

SOURCE: www.theaterscene.net at 5:36pm on September 21, 2016

The Birds by Victor Gluck, Editor-in-chief

Unlike the original short story which was set on a rural farm in Cornwall, England, and the film which was reset in Bodega Bay, California, the play takes place entirely in the main room of …

SOURCE: www.theaterscene.net at 11:48pm on September 16, 2016

Aleko & Pagliacci (New York City Opera) by Victor Gluck, Editor-in-chief

While the New York City Opera's staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been seen…

SOURCE: www.theaterscene.net at 2:52pm on September 12, 2016

Toruk " The First Flight (Cirque du Soleil) by Victor Gluck, Editor-in-chief

The show includes pole vaulting, giant flowers that rise up out of the ground, the building of the bone structure of the totemic Thanator, the high flying of the Toruk, a flock of birds play…

SOURCE: www.theaterscene.net at 9:50pm on September 10, 2016

The Layover by Victor Gluck, Editor-in-chief

Following "Bachelorette" and "Assistance," Leslye Headland's latest play, The Layover, is a taut psychological thriller told in an updated film noir style. Trip Cullman, who has directed all…

SOURCE: www.theaterscene.net at 11:52pm on September 6, 2016

Twelfth Night (Public Works) by Victor Gluck, Editor-in-chief

Taub's eclectic score to original lyrics includes jazz, rhythm and blues, pop, Broadway and ragtime. Among Kwei-Armah's ingenious touches were his use of a series of community cameo groups p…

SOURCE: www.theaterscene.net at 11:00pm on September 5, 2016

The Trojan Women by Victor Gluck, Editor-in-chief

Written in 415 B.C. as a criticism of the Athenian capture of Melos and the subjugation of its population earlier that year, "The Trojan Women" has remained relevant throughout the last 2,50…

SOURCE: www.theaterscene.net at 6:26pm on September 4, 2016

A Day by the Sea by Victor Gluck, Editor-in-chief

Now that we have been through all the angry play movements, literate writers like N.C. Hunter and Terence Rattigan are once again ripe for revival. While in his own time, Hunter was criticiz…

SOURCE: www.theaterscene.net at 3:09pm on August 30, 2016

Touch by Victor Gluck, Editor-in-chief

Toni Press-Coffman's "Touch" is a rather challenging play both in that a great deal of it is narrated in recollection and also that it deals with much naked emotion. The cast led by Peter Mc…

SOURCE: www.theaterscene.net at 8:19pm on August 27, 2016

LUNT AND FONTANNE: "The Celestials of Broadway" (The New York International Fringe Festival 2016) by Victor Gluck, Editor-in-chief

While "LUNT AND FONTANNE: The Celestials of Broadway" is a fine and concise review of their careers for people who have never heard of them, Murphy and Lang make them seem more superficial t…

SOURCE: www.theaterscene.net at 10:11pm on August 20, 2016

NIGHT OF THE LIVING N-WORD!! (The New York International Fringe Festival 2016) by Victor Gluck, Editor-in-chief

Laden with jokes, sight gags and flamboyant characters, Mr. Free's well-constructed and startling work combines the outrageous sensibilities of John Waters' films with the social consciousne…

SOURCE: www.theaterscene.net at 3:17pm on August 18, 2016

Summer Shorts 2016 " Series B by Victor Gluck, Editor-in-chief

Richard Alfredo's 'The Dark Clothes of Night," a brilliant parody/homage to film noir and hardboiled fiction, the third play of Summer Shorts " Series B, is so good it alone is worth the pri…

SOURCE: www.theaterscene.net at 9:32pm on August 15, 2016

Troilus and Cressida by Victor Gluck, Editor-in-chief

While "Troilus and Cressida" is rarely staged, Daniel Sullivan's production full of bombs and smoke suggests that in our time of endless wars it speaks to us again, and the play's cynicism a…

SOURCE: www.theaterscene.net at 1:24pm on August 12, 2016

Summer Shorts 2016 " Series A by Victor Gluck, Editor-in-chief

As might be expected LaBute's new one act, "After the Wedding," contains a shocker. However, when it arrives in Maria Mileaf's production, it is so matter-of-fact that it has little or no im…

SOURCE: www.theaterscene.net at 10:29pm on August 1, 2016

A Class Act by Victor Gluck, Editor-in-chief

While "A Class Act" covers material dramatized elsewhere, Norman Shabel's play, seen at The Playroom earlier this year, is always absorbing, always unpredictable. The seven member cast is to…

SOURCE: www.theaterscene.net at 11:53pm on July 30, 2016

Small Mouth Sounds by Victor Gluck, Editor-in-chief

Inspired by the playwright's attending a silent spiritual retreat at an upstate New York institute in the woods, this is an absorbing play which immediately causes the viewers to listen inte…

SOURCE: www.theaterscene.net at 3:29pm on July 27, 2016

Privacy by Victor Gluck, Editor-in-chief

Playing his most mature role to date, Radcliffe, late of Harry Potter, is charming as he begins as an introverted, reticent Englishman and then slowly panics as he realizes the extent to whi…

SOURCE: www.theaterscene.net at 10:51pm on July 26, 2016

2 by Tennessee Williams: "27 Wagons Full of Cotton" & "Kingdom of Earth" by Victor Gluck, Editor-in-chief

While the play can be a tour de force, Kathryn Luce Garfunkel is so one dimensional that her Flora has little weight. She exudes languidness and laziness, but fails to make Flora anything ot…

SOURCE: www.theaterscene.net at 3:34pm on July 21, 2016

Simon Says by Victor Gluck, Editor-in-chief

Three-time Tony nominee Brian Murray returns to the New York stage for the first time in four years as a retired professor of parapsychology who has put aside his own career to foster that o…

SOURCE: www.theaterscene.net at 11:20pm on July 13, 2016
« Previous 25   Page 37 of 44   Next 25 »