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1,092 stories by "Victor Gluck, Editor-In-Chief"

Liberty: A Monumental New Musical by Victor Gluck, Editor-in-chief

The production team uses most of the same people who were involved with the show's 2014 run at Theater 80 St. Marks as well as four of the eight actors. Directing again, Evan Pappas keeps th…

SOURCE: www.theaterscene.net at 2:55pm on July 13, 2016

Runaways by Victor Gluck, Editor-in-chief

The most remarkable thing about the Encores! Off-Center revival of the late Elizabeth Swados' 1978 musical "Runaways" is that it is as fresh as when it was written almost four decades ago. T…

SOURCE: www.theaterscene.net at 11:23pm on July 12, 2016

The Healing by Victor Gluck, Editor-in-chief

Samuel D. Hunter's latest play, "The Healing," is a commission by Theater Breaking Through Barriers, dedicated to advancing the work of performers with disabilities. Not surprisingly, the pl…

SOURCE: www.theaterscene.net at 10:05am on June 28, 2016

I'll Say She Is by Victor Gluck, Editor-in-chief

Only a 30 page treatment and five songs remained from the original show by the Johnstone brothers, writer Will B. and composer Tom. Diamond has written new lyrics for music by Tom Johnston a…

SOURCE: www.theaterscene.net at 11:09pm on June 21, 2016

Hero's Welcome by Victor Gluck, Editor-in-chief

Now having its American premiere in repertory with "Confusions," one of Ayckbourn's earliest plays, with the same actors in both, the production which is directed by the author is from the S…

SOURCE: www.theaterscene.net at 11:51pm on June 20, 2016

The Taming of the Shrew (Shakespeare in the Park) by Victor Gluck, Editor-in-chief

Aside from the obvious misogyny of Shakespeare's comedy for modern audiences, there is the problem of the heroine's unpalatable final speech in which she berates women for not being more sub…

SOURCE: www.theaterscene.net at 1:33am on June 18, 2016

The Purple Lights of Joppa Illinois by Victor Gluck, Editor-in-chief

Adam Rapp's plays are often about loners and people outside of mainstream society. "The Purple Lights of Joppa Illinois" now at Atlantic Stage 2 in a production directed by the author falls …

SOURCE: www.theaterscene.net at 3:32pm on June 17, 2016

O'Neill (Unexpected): Two Early Plays by Eugene O'Neill by Victor Gluck, Editor-in-chief

"Now I Ask You" turns out to be comedy of pretentious New York bohemians in 1916, while "Recklessness" is a Strindbergian psychological revenge play. While both have hints of the more famous…

SOURCE: www.theaterscene.net at 10:31pm on June 15, 2016

2016 Tony Awards Bestow Much Love on "Hamilton" by Victor Gluck, Editor-in-chief

Although "Hamilton" had been nominated for 16 awards in 13 categories, it failed to break the record of Mel Brooks' "The Producers" which remains the all-time winner with a total of 12. Hami…

SOURCE: www.theaterscene.net at 3:37pm on June 13, 2016

Universal Robots by Victor Gluck, Editor-in-chief

'Universal Robots" uses historic characters like journalist and playwright Capek and President Masaryk of Czechoslovakia, characters taken from Capek's play like Rossum, Helena and Radius, a…

SOURCE: www.theaterscene.net at 5:17pm on June 12, 2016

A Doll's House & The Father (TFANA) by Victor Gluck, Editor-in-chief

Maggie Lacey as Nora Helmer and John Douglas Thompson as Torvald Helmer in a scene from "A Doll's House" (Photo credit: Gerry Goodstein) Was Swedish playwright August Strindberg a misogynist…

SOURCE: www.theaterscene.net at 11:36am on June 7, 2016

Incognito by Victor Gluck, Editor-in-chief

This is heady theater and demands concentration. However, the excellent cast of four made of Geneva Carr (Theatre World Award winner for "Hand to God"), Charlie Cox (Netflick's" Daredevil"),…

SOURCE: www.theaterscene.net at 5:03pm on June 5, 2016

Peer Gynt by Victor Gluck, Editor-in-chief

As with many CSC productions, the modern dress costumes (here designed by Ann Hould-Ward) are entirely in black and white. A small handful of props are used (a tin of buttons, an onion) but …

SOURCE: www.theaterscene.net at 12:04pm on May 31, 2016

The Judas Kiss by Victor Gluck, Editor-in-chief

British film star Rupert Everett gives a bravura performance as playwright and author Oscar Wilde in the Chichester Festival Theater revival of "The Judas Kiss" by David Hare now at the BAM …

SOURCE: www.theaterscene.net at 4:01pm on May 29, 2016

Princess Ida (2016) by Victor Gluck, Editor-in-chief

Completing New York Gilbert & Sullivan Players' 40th Season was a rare revival of 1884 "Princess Ida," the team's eighth operetta and the only one in which the dialogue is in blank vers…

SOURCE: www.theaterscene.net at 10:45pm on May 28, 2016

Indecent by Victor Gluck, Editor-in-chief

The production of "Indecent" now on the stage of the Vineyard is remarkable on many levels, not the least which is how engrossing it is considering the events are all historical record and t…

SOURCE: www.theaterscene.net at 12:56am on May 21, 2016

American Psycho The Musical by Victor Gluck, Editor-in-chief

Stylish and stylized, the stage design includes Es Devlin's white box of a set which transforms instantaneously into apartments, offices, restaurants, discos, a health club, a locker room, a…

SOURCE: www.theaterscene.net at 11:10pm on May 16, 2016

Port Cities NYC by Victor Gluck, Editor-in-chief

On the ferry, audience members listen to a previously downloaded soundscape which includes a voice-over by Katie (played by Emma Meltzer) who has always seen ghosts and ends up investigating…

SOURCE: www.theaterscene.net at 11:42pm on May 10, 2016

Tuck Everlasting The Musical by Victor Gluck, Editor-in-chief

The problem with the new show with a libretto by first timers Claudia Shear and Tim Federle now at the Broadhurst Theatre is that it is all so bland - which is not true of the novel which ha…

SOURCE: www.theaterscene.net at 3:46pm on May 8, 2016

Dido and Aeneas by Victor Gluck, Editor-in-chief

Staged by director/choreographer Doug Varone, "Dido and Aeneas" was amusingly presented in modern dress with Varone's dancers playing the ensemble in both operas and pantomiming unseen props…

SOURCE: www.theaterscene.net at 10:24pm on May 7, 2016

The School for Scandal by Victor Gluck, Editor-in-chief

Red Bull Theater which has specialized in Elizabethan and Jacobean tragedies has moved on to the 18th century with Marc Vietor's exquisite and stylish revival of "The School for Scandal," Ri…

SOURCE: www.theaterscene.net at 11:38am on April 30, 2016

The Dingdong by Victor Gluck, Editor-in-chief

Shanahan's adaptation has a great many delicious one-liners and double-entendres ("I don't go out for mutton when I can have filet mignon at home;" "Keep referring to me as a plate of food a…

SOURCE: www.theaterscene.net at 1:59pm on April 29, 2016

Revolt. She Said. Revolt Again. by Victor Gluck, Editor-in-chief

While many of the scenes are right on target, others seem too metaphoric and anarchic to make much impression, while others take on too many targets to make their point. The best ones deal w…

SOURCE: www.theaterscene.net at 3:52pm on April 26, 2016

When I Was a Girl I Used to Scream and Shout by Victor Gluck, Editor-in-chief

You might wonder why Morag, Fiona's mother, in Sharman Macdonald's groundbreaking Scottish play, "When I Was a Girl I Used to Scream and Shout," is so repressive about sex. What the program …

SOURCE: www.theaterscene.net at 11:45pm on April 21, 2016

King and Country: Shakespeare's Great Cycle of Plays by Victor Gluck, Editor-in-chief

The Royal Shakespeare Company's "King and Country: Shakespeare's Great Cycle of Kings" is a magnificent achievement and a fitting tribute in this 400th anniversary of the bard's death. Not o…

SOURCE: www.theaterscene.net at 11:02pm on April 20, 2016
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