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1,092 stories by "Victor Gluck, Editor-In-Chief"

The Crucible by Victor Gluck, Editor-in-chief

Van Hove sets his version in a modern classroom. When the curtain goes up we first see the girls who will later accuse various people in Salem, Massachusetts, of having bewitched them, seate…

SOURCE: www.theaterscene.net at 10:10pm on April 20, 2016

The Father by Victor Gluck, Editor-in-chief

Florian Zeller is the most famous French playwright you probably never heard of. He won France's highest theatrical honor, the Moliere Award, in 2011 for his play, "The Mother," and the Moli…

SOURCE: www.theaterscene.net at 4:35pm on April 18, 2016

Blackbird by Victor Gluck, Editor-in-chief

The problem with the staging begins from the outset. Daniels' Ray, tense and rigid, pushes demanding, triumphant Una into a corporate break room. He is upset to see her, and she is all confi…

SOURCE: www.theaterscene.net at 4:22pm on April 14, 2016

Head of Passes by Victor Gluck, Editor-in-chief

Tarell Alvin McCraney's "Head of Passes" is an advance over his earlier work seen in New York ("The Brother/Sister Plays," "Wig Out," "Choir Boy") in its attempt to take on bigger themes and…

SOURCE: www.theaterscene.net at 11:45pm on April 12, 2016

The Effect by Victor Gluck, Editor-in-chief

"The Effect" investigates the emotional, physical and ethical effects of drug testing, certainly a hot button issue in our time when we have come to expect a pill to solve all of our problem…

SOURCE: www.theaterscene.net at 11:29pm on April 8, 2016

Wonderful Town by Victor Gluck, Editor-in-chief

"Wonderful Town" is one of those musical comedies which seem to get better as they age due in this case to the classic quality of the Bernstein/ Comden & Green score and the witty book …

SOURCE: www.theaterscene.net at 3:55pm on April 8, 2016

Dry Powder by Victor Gluck, Editor-in-chief

Thomas Kail (one of the geniuses behind Hamilton) has staged the world premiere of Sarah Burgess' riveting "Dry Powder" in as cool a fashion as Rachel Hauck's cobalt blue set with its cubes …

SOURCE: www.theaterscene.net at 11:55pm on April 3, 2016

Stupid Fu**ing Bird by Victor Gluck, Editor-in-chief

Posner has turned Chekhov's four-act play into two-part meta-theater: not only do the actors acknowledge the audience and solicit our participation, but they each have a monologue addressed …

SOURCE: www.theaterscene.net at 9:35pm on April 1, 2016

Hold On to Me Darling by Victor Gluck, Editor-in-chief

In the hands of someone other than Timothy Olyphant, Strings McCabe might be a self-pitying monster too extreme to take seriously. However, this brilliantly accomplished actor has just the r…

SOURCE: www.theaterscene.net at 4:47pm on March 31, 2016

Straight by Victor Gluck, Editor-in-chief

The authors of "Straight" would have you believe that in 2016 26-year-old straight- acting investment banker Ben, living in Boston where same sex marriages have been legal for the last eight…

SOURCE: www.theaterscene.net at 4:04pm on March 31, 2016

The Royale by Victor Gluck, Editor-in-chief

The staging is unusual in that no punches are thrown. When the actors are supposed to be delivering their blows, they stamp their feet which is actually more sinister and startling. The cast…

SOURCE: www.theaterscene.net at 3:33pm on March 27, 2016

Wolf in the River by Victor Gluck, Editor-in-chief

Directed by the author, "Wolf in the River" is an environmental production as the audience is invited to sit in folding chairs around a mound of earth with forlorn flowers, garbage and debri…

SOURCE: www.theaterscene.net at 11:34pm on March 26, 2016

Do Re Mi by Victor Gluck, Editor-in-chief

One problem with reviving musicals from the pre-Sondheim era is that they were often created around the talent of a big, unique star like Ethel Merman, Bob Hope, Mary Martin, Al Jolson, Fann…

SOURCE: www.theaterscene.net at 3:00pm on March 25, 2016

Southern Comfort by Victor Gluck, Editor-in-chief

"Southern Comfort" is an ambitious and admirable attempt to depict a community that till now has been left off of our stages. Though the material at times seems tamer that the content would …

SOURCE: www.theaterscene.net at 9:55am on March 20, 2016

Hungry: Play I of The Gabriels by Victor Gluck, Editor-in-chief

"Hungry" is both an occasional play (written for this moment in time) and a chamber play. Not much happens but a great deal is implied. It will not please all theatergoers. However, it will …

SOURCE: www.theaterscene.net at 9:16am on March 19, 2016

Red Speedo by Victor Gluck, Editor-in-chief

The play is made up of a series of six confrontations in which the dialogue is delivered like bullets flying back and forth. While the story is engrossing, the individual conversations all g…

SOURCE: www.theaterscene.net at 8:39am on March 18, 2016

Women Without Men by Victor Gluck, Editor-in-chief

Thompson's direction is taut, nuanced and compelling and she found the ensemble to not only make their characters entirely distinct but to make us feel these women have lived together for ye…

SOURCE: www.theaterscene.net at 8:03am on March 15, 2016

Walk Hard by Victor Gluck, Editor-in-chief

Imani's production of 'Walk Hard" for Metropolitan Playhouse is an exciting piece of theater from an eye-opening rediscovery. Historically, it comes nine years after Clifford Odets' 'Golden …

SOURCE: www.theaterscene.net at 1:25pm on March 14, 2016

Babes in Arms by Victor Gluck, Editor-in-chief

The musical known for its "Let's put on a show!" plot has a great deal more going for it than one might expect. First off, it has one of the greatest scores ever written for a Broadway music…

SOURCE: www.theaterscene.net at 4:42pm on March 10, 2016

The Body of an American by Victor Gluck, Editor-in-chief

The inspiration for the play began when poet and playwright Dan heard the Fresh Air interview. Paul was already famous as the photographer who took the now iconic 1993 picture of U.S. Staff …

SOURCE: www.theaterscene.net at 11:16pm on March 9, 2016

A Room of My Own by Victor Gluck, Editor-in-chief

The most colorful character in more ways that one is Uncle Jackie (Cantone) who lives upstairs. A closeted gay man in a society that doesn't accept him, he has become an angry, self-loathing…

SOURCE: www.theaterscene.net at 11:50pm on March 8, 2016

Pericles (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

Nunn's adaptation rearranges some of the scenes and adds material from a prose version of the work by George Wilkins, believed to be Shakespeare's collaborator. Using music, song, dancing, j…

SOURCE: www.theaterscene.net at 11:02pm on March 7, 2016

Nice Fish by Victor Gluck, Editor-in-chief

Todd Rosenthal's remarkably atmospheric and evocative setting is waiting for the audience when they come into the theater: a huge expanse of a corrugated ice flow in Northern Minnesota in fo…

SOURCE: www.theaterscene.net at 3:13pm on March 4, 2016

Smokefall by Victor Gluck, Editor-in-chief

The play seems to be saying that life is full of suffering but love will conquer all, not a very new or profound message. One flashback (Violet and Daniel's first date) is replayed at least …

SOURCE: www.theaterscene.net at 1:49pm on March 2, 2016

Tennessee Williams 1982 by Victor Gluck, Editor-in-chief

Under the umbrella title "Tennessee Williams 1982" (the year of both play's composition the year as well as that of playwright's death), The Playhouse Creatures Theatre Company is presenting…

SOURCE: www.theaterscene.net at 4:53pm on March 1, 2016
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