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1,093 stories by "Victor Gluck, Editor-In-Chief"

Tennessee Williams 1982 by Victor Gluck, Editor-in-chief

Under the umbrella title "Tennessee Williams 1982" (the year of both play's composition the year as well as that of playwright's death), The Playhouse Creatures Theatre Company is presenting…

SOURCE: www.theaterscene.net at 4:53pm on March 1, 2016

Smart People by Victor Gluck, Editor-in-chief

The satire begins early: it turns out that although the department likes having Brian doing his research proving that whites are genetically racist, they are not happy with his conclusions. …

SOURCE: www.theaterscene.net at 3:32pm on February 24, 2016

Prodigal Son by Victor Gluck, Editor-in-chief

Television and film actor Timothée Chalamet (Showtime's "Homeland" and Christopher Nolan's "Interstellar") makes an impressive New York stage debut as the play's young protagonist. The role…

SOURCE: www.theaterscene.net at 11:44pm on February 16, 2016

The Woodsman by Victor Gluck, Editor-in-chief

The forest setting by Ortiz seems to envelop the audience as does the sound design which is created by the actors in tandem with violinist Naomi Florin who plays Edward W. Hardy's melancholy…

SOURCE: www.theaterscene.net at 10:57pm on February 15, 2016

Fiddler on the Roof by Victor Gluck, Editor-in-chief

Do not expect an exact reproduction of the original which after four revivals is probably to the good. With the consent of lyricist Sheldon Harnick, the only surviving creator, Sher has adde…

SOURCE: www.theaterscene.net at 2:10pm on February 10, 2016

Broadway & the Bard by Victor Gluck, Editor-in-chief

At the top of the show Cariou tells us that he made his Broadway debut in the Stratford Connecticut Shakespeare Festival's transfer of "Henry V" in 1969 and six months later in the spring of…

SOURCE: www.theaterscene.net at 11:25pm on February 9, 2016

Utility by Victor Gluck, Editor-in-chief

Schwend's dialogue is realistic, believable, and true to life, as are the characters. As a play, however, it is a bit of a downer as we watch Amber become wearier without any relief in sight…

SOURCE: www.theaterscene.net at 11:27pm on February 8, 2016

O, Earth by Victor Gluck, Editor-in-chief

Nevertheless, Wills' production is continually taking us by surprise both by his casting and his choices. His transgendered characters are played by transgendered actors. Moran's Wilder and …

SOURCE: www.theaterscene.net at 11:34pm on February 7, 2016

I and You by Victor Gluck, Editor-in-chief

So begins a remarkable comedy-drama of two very opposite teenagers who shouldn't have met and wouldn't have if Anthony had not chosen the reclusive, mysterious Caroline for his partner. The …

SOURCE: www.theaterscene.net at 6:40pm on February 4, 2016

Tonight/Jungle: Two Plays by Philip Ridley by Victor Gluck, Editor-in-chief

Both teenagers are desperate for our approval and understanding of their lives and what they did, unlike the tabloids which have apparently had headlines branding them as monsters. Listening…

SOURCE: www.theaterscene.net at 3:39pm on January 31, 2016

Noises Off by Victor Gluck, Editor-in-chief

While Frayn's roles are juicy parodies of very specific kinds of people, for the laughs to roll in one on top of the other, the play must be performed fast enough that we don't have time to …

SOURCE: www.theaterscene.net at 11:35pm on January 29, 2016

A Dream of Red Pavilions by Victor Gluck, Editor-in-chief

A Dream of Red Pavilions is set in 18th century China during the reign of Emperor Qianlong. The framing story which gives the plot its mythic quality involves a stone and a flower that are r…

SOURCE: www.theaterscene.net at 5:56pm on January 29, 2016

The Gambler by Victor Gluck, Editor-in-chief

Director Lordi-Kirkham has unaccountable staged the play as though it were a radio play or a reading, making it more talky and static than it needs to be. While the text is faithful to the R…

SOURCE: www.theaterscene.net at 11:41pm on January 27, 2016

Collaborators by Victor Gluck, Editor-in-chief

Ross DeGraw as Joseph Stalin and Brian J. Carter as Mikhail Bulgakov in a scene from John Hodge's "Collaborators" (Photo credit: Michael Abrams) Victor Gluck, Editor-in-Chief Although satiri…

SOURCE: www.theaterscene.net at 4:45pm on January 22, 2016

The Changeling by Victor Gluck, Editor-in-chief

The interpretations are also open to question. Although she should be demure before her sexual awakening, Sara Topham plays Beatrice as experienced and sophisticated which allows her nowhere…

SOURCE: www.theaterscene.net at 5:28pm on January 13, 2016

School of Rock " The Musical by Victor Gluck, Editor-in-chief

Though the stage show does not have the imitable and irrepressible Jack Black, it does have rising stars Alex Brightman and Sierra Boggess who make the roles of hero Dewey Finn and Principal…

SOURCE: www.theaterscene.net at 4:53pm on December 31, 2015

The Pirates of Penzance by Victor Gluck, Editor-in-chief

The cast includes beloved NYGASP favorites as well as some less familiar faces. Coloratura soprano Sarah Caldwell Smith's Mabel wins a justly earned ovation signing her aria, "Poor Wandering…

SOURCE: www.theaterscene.net at 5:37pm on December 30, 2015

2 Across by Victor Gluck, Editor-in-chief

Jerry Mayer's "2 Across" will remind of a great many other romantic comedies but in the hands of Andrea McArdle and Kip Gilman, it is a charming light-hearted evening in the theater. At leas…

SOURCE: www.theaterscene.net at 10:15pm on December 29, 2015

Lazarus by Victor Gluck, Editor-in-chief

Although this is the eighth show minimalist director Ivo van Hove has directed for New York Theatre Workshop, one would be hard put to recognize it as his. The production uses Tal Yarden's a…

SOURCE: www.theaterscene.net at 1:00pm on December 25, 2015

A View from the Bridge by Victor Gluck, Editor-in-chief

Belgian"born director Ivo van Hove has brought his London Young Vic revival of Arthur Miller's" A View from the Bridge" to Broadway in a production so stripped down to its essentials that it…

SOURCE: www.theaterscene.net at 4:41pm on December 23, 2015

The Great Divorce by Victor Gluck, Editor-in-chief

This post is by Victor Gluck, Editor-in-Chief While C.S. Lewis' famous theological allegory, "The Great Divorce," is written as a series of conversations, you might not expect that it would …

SOURCE: www.theaterscene.net at 4:34pm on December 11, 2015

Gigantic by Victor Gluck, Editor-in-chief

This post is by Victor Gluck, Editor-in-Chief "Gigantic," the new feel-good musical, is a dynamic up-to-date show about teenagers at a summer weight-loss camp. Previously seen as Fat Camp in…

SOURCE: www.theaterscene.net at 11:41pm on December 8, 2015

New York Animals by Victor Gluck, Editor-in-chief

This post is by Victor Gluck, Editor-in-Chief The new musical is similar to Sater's "Spring Awakening" in that it takes a group of people in a specific historic time and place (here New York…

SOURCE: www.theaterscene.net at 8:19pm on December 8, 2015

Rose, The Kennedy Story as Told by the Woman Who Lived It All by Victor Gluck, Editor-in-chief

This post is by Victor Gluck, Editor-in-Chief The legendary stage actress Kathleen Chalfant is appearing in her second one-woman show, a follow-up to her "Mrs. Dalloway" in The Party, from t…

SOURCE: www.theaterscene.net at 11:19pm on December 4, 2015

Nora by Victor Gluck, Editor-in-chief

This post is by Victor Gluck, Editor-in-Chief Pendleton has made some strange directorial choices. Characters appear on stage and stand silently long before their entrances. This is distract…

SOURCE: www.theaterscene.net at 3:11pm on December 2, 2015
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