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1,091 stories by "Victor Gluck, Editor-In-Chief"

Transgression by Victor Gluck, Editor-in-chief

As directed by Avra-Fox Lerner and written by Curtis Fox, the production has many problems, the first being its leisurely slow pace which makes the play seem longer and less dramatic than it…

SOURCE: www.theaterscene.net at 7:42pm on July 20, 2025

Heathers the Musical by Victor Gluck, Editor-in-chief

Andy Fickman's polished production with its highly effective choreography by Gary Lloyd (additional choreography by Stephanie Klemons) is a Broadway-style production in a smaller house. If "…

SOURCE: www.theaterscene.net at 10:50pm on July 18, 2025

Dilaria by Victor Gluck, Editor-in-chief

How far would you go to be famous on social media? Julia Randall's "Dilaria" is a stunning exposé of Gen Z 20-year olds, brought up on and addicted to TikTok and Instagram, who spend all th…

SOURCE: www.theaterscene.net at 4:38pm on July 14, 2025

Angry Alan by Victor Gluck, Editor-in-chief

John Krasinski, best known for his role as the charming and amiable Jim Halpert on NBC's sitcom The Office, is inspired casting for Penelope Skinner's Angry Alan, a perfect showcase for his …

SOURCE: www.theaterscene.net at 12:08pm on July 11, 2025

Machinal by Victor Gluck, Editor-in-chief

"Machinal" makes use of all of these Expressionistic techniques. However, the current production has added tap dancing, practical foley and heightened movement created by choreographer Hilli…

SOURCE: www.theaterscene.net at 10:11pm on July 5, 2025

Lowcountry by Victor Gluck, Editor-in-chief

"Lowcountry" by Abby Rosebrock, author of 'Blue Ridge" seen at Atlantic Theater Company in 2019, has a great deal going for it: a fine cast, a play told in real time, scenic design in keepin…

SOURCE: www.theaterscene.net at 7:22pm on July 4, 2025

Duke & Roya by Victor Gluck, Editor-in-chief

'Duke & Roya" is an engrossing rom-com with a geo-political background, the sort of story that Hollywood specialized in during World War II. Charles Randolph-Wright's new play makes use …

SOURCE: www.theaterscene.net at 9:31pm on June 30, 2025

Mike & Mindy's Wild Weekend Jam by Victor Gluck, Editor-in-chief

"Mike and Mindy's Wild Weekend Jam," the musical returning Off Broadway in a bigger version than before, has a sophisticated score and unsophisticated book. The title is a bit of a misnomer …

SOURCE: www.theaterscene.net at 10:41pm on June 28, 2025

Bear Grease by Victor Gluck, Editor-in-chief

Already seen at 200 venues across North America, "Bear Grease," the all Indigenous musical, arrives in New York for a three-month residency. While its subtitle declares that it is a "reimagi…

SOURCE: www.theaterscene.net at 5:16pm on June 27, 2025

Beau The Musical by Victor Gluck, Editor-in-chief

"Beau The Musical" is not only absorbing as a story, the songs help to move the story along, something few musicals accomplish these days. The multi-talented cast is splendid, while the stor…

SOURCE: www.theaterscene.net at 5:25pm on June 26, 2025

Passengers by Victor Gluck, Editor-in-chief

Montréal's physical theater troupe The 7 Fingers has made their third visit to New York with Passengers and the wait has been worth it. Using circus events, music, dance and monologues, "Pa…

SOURCE: www.theaterscene.net at 10:49pm on June 22, 2025

Prosperous Fools by Victor Gluck, Editor-in-chief

"Prosperous Fools" is like those 1960s and 70s East Village happenings where one never knew what was coming next. Taylor Mac's tremendous imagination could use some reining in but his satire…

SOURCE: www.theaterscene.net at 4:28pm on June 20, 2025

Lunar Eclipse by Victor Gluck, Editor-in-chief

A farming couple who have been married 50 years go out into their western Kentucky field to watch a lunar eclipse. Nothing much happens but, on the other hand, they review their entire lives…

SOURCE: www.theaterscene.net at 3:55pm on June 12, 2025

Zemlinskys Zimmer/Zemlinsky's Room by Victor Gluck, Editor-in-chief

Conducted expertly by Tiffany Chang in a new chamber orchestration by Roland Freisitzer, this three-character opera is inspired by the lush romantic sound of Richard Wagner and Richard Strau…

SOURCE: www.theaterscene.net at 1:40pm on June 10, 2025

The Imaginary Invalid by Victor Gluck, Editor-in-chief

Creating his third outstanding and needed adaptation in conjunction with director Jesse Berger ("The Government Inspector," 2017; "The Alchemist," 2021), Jeffrey Hatcher has salvaged yet ano…

SOURCE: www.theaterscene.net at 3:36pm on June 9, 2025

Nine Moons by Victor Gluck, Editor-in-chief

Although Cobb makes references to Iago, Othello's, second-in-command, and Barbary, the maid to Desdemona's late mother who brought her up, Nine Moons does not tell us anything we don't alrea…

SOURCE: www.theaterscene.net at 4:19pm on June 6, 2025

Goddess by Victor Gluck, Editor-in-chief

In the title role, Amber Iman makes a sensational return to Off Broadway after her Tony Award and Drama League-nominated performance in "Lempicka" last season. This beautiful statuesque actr…

SOURCE: www.theaterscene.net at 10:00am on May 31, 2025

The Last Bimbo of the Apocalypse by Victor Gluck, Editor-in-chief

And what does it all mean? The new musical takes on pop fandom, celebrity, the Internet, MTV, pop culture, influencers, Gen Z and everything in between. "The Last Bimbo of the Apocalypse" is…

SOURCE: www.theaterscene.net at 11:20pm on May 19, 2025

Outraged Hearts: "The Pretty Trap" & "Interior: Panic" by Victor Gluck, Editor-in-chief

Unfortunately, The Fire Weeds' production directed by Jaclyn Bethany (who appears in both plays) is very uneven. An attempt at expressionism handled differently in each does not work for the…

SOURCE: www.theaterscene.net at 12:08am on May 19, 2025

Maddie: A New Musical by Victor Gluck, Editor-in-chief

The show at The Players Theatre is not exactly the same show that played in London's West End with book by Shaun McKenna and Steven Dexter which like the original novel was set in San Franci…

SOURCE: www.theaterscene.net at 10:36pm on May 14, 2025

Real Women Have Curves by Victor Gluck, Editor-in-chief

Not only is the show authentically written with Spanish sprinkled throughout, (much of it perfectly obvious as to its meaning,) but Sergio Trujillo's superb production which he has both dire…

SOURCE: www.theaterscene.net at 1:55pm on May 9, 2025

Pirates! The Penzance Musical by Victor Gluck, Editor-in-chief

Not seen on Broadway since 1982 but racking up 26 productions up to that time since its New York premiere in 1879, the Roundabout Theatre Company's new version of the Gilbert and Sullivan cl…

SOURCE: www.theaterscene.net at 11:31pm on May 6, 2025

Ceremonies in Dark Old Men by Victor Gluck, Editor-in-chief

At this vantage point 55 years after its premiere, like the Wilson plays which intentionally cover the previous 100 years, "Ceremonies in Dark Old Men" feels like an historical play wedded t…

SOURCE: www.theaterscene.net at 1:32pm on April 30, 2025

Floyd Collins by Victor Gluck, Editor-in-chief

Unfortunately, while the carnival atmosphere in the field above the cave increases, the musical is mostly a waiting game: if and when Floyd Collins will be brought up from the deteriorating …

SOURCE: www.theaterscene.net at 12:31pm on April 29, 2025

Smash by Victor Gluck, Editor-in-chief

At times the show directed by Stroman seems to be a satire or a parody, while the choreography by Bergasse mostly looks like ersatz Bob Fosse which seems inappropriate for the Marilyn Monroe…

SOURCE: www.theaterscene.net at 11:30pm on April 26, 2025
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