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1,091 stories by "Victor Gluck, Editor-In-Chief"

Our Town by Victor Gluck, Editor-in-chief

Wilder's experimental play uses no scenery except for two tables, some chairs, a piano and usually two ladders for the upstairs bedroom windows of the young people. Here, however, Leon and s…

SOURCE: www.theaterscene.net at 11:45pm on October 26, 2024

Deep History by Victor Gluck, Editor-in-chief

Directed by Annette Mees, "Deep History" is a real eye opener but it is not depressing. Finnigan is so upbeat and compelling a storyteller it is not possible not be pulled into events as he …

SOURCE: www.theaterscene.net at 1:32pm on October 23, 2024

Franklinland by Victor Gluck, Editor-in-chief

Lloyd Suh writes quirky historical plays from a unique perspective as ironic comedies. In "Franklinland," the latest entry in the EST/Sloan Project, commissioning and developing plays about …

SOURCE: www.theaterscene.net at 2:17pm on October 22, 2024

Good Bones by Victor Gluck, Editor-in-chief

James Ijames' new play now at The Public Theater is quite different from his satiric Pulitzer Prizing-winning "Fat Ham" which appeared there two years ago.  "Good Bones" is a realistic de…

SOURCE: www.theaterscene.net at 12:55pm on October 21, 2024

Sump'n Like Wings by Victor Gluck, Editor-in-chief

While "Sump'n Like Wings" is a lovely little play about a feisty 16-year-old girl who wants her independence in the 1913-16 period just after Oklahoma became a state, unfortunately Raelle My…

SOURCE: www.theaterscene.net at 3:47pm on October 17, 2024

McNeal by Victor Gluck, Editor-in-chief

As in Ayad Akhtar's plays "Disgraced," "JUNK" and "The Who and the What," all of which have been produced by the Lincoln Center Theater, "McNeal" is always interesting, always arresting. Unf…

SOURCE: www.theaterscene.net at 2:53pm on October 15, 2024

InunDATEd by Victor Gluck, Editor-in-chief

The problem with the show is two-fold: first, it doesn't have anything new to say about dating other than trying to turn it into a cabaret commentary, and visually the show looks the same th…

SOURCE: www.theaterscene.net at 12:57pm on October 9, 2024

Fatherland by Victor Gluck, Editor-in-chief

While the play is compelling, the question is what is the message? Is the play asking would we have done what the son did? The father is quoted by the son as calling him a traitor while the …

SOURCE: www.theaterscene.net at 12:05pm on October 3, 2024

Forbidden Broadway: Merrily We Stole a Song by Victor Gluck, Editor-in-chief

The spate of Sondheim shows both this past season and opening this fall is given prime place in this musical revue. Unsurprisingly, the new "Merrily We Roll Along" which ran all of last seas…

SOURCE: www.theaterscene.net at 6:13pm on September 30, 2024

Medea Re-Versed by Victor Gluck, Editor-in-chief

Quintero who obviously knows his Greek plays and Greek mythology is extremely faithful to the original myth and to Euripides' play. What he has added is a contemporary vernacular all in rhym…

SOURCE: www.theaterscene.net at 6:53pm on September 26, 2024

Monte Cristo by Victor Gluck, Editor-in-chief

However, in the sweeping new musical epic retitled Monte Cristo, canny and adept librettist Peter Kellogg ("Desperate Measures," "Penelope") has streamlined the story, reduced the number of …

SOURCE: www.theaterscene.net at 10:56am on September 25, 2024

That Parenting Musical by Victor Gluck, Editor-in-chief

While "That Parenting Musical" will not tell you anything you didn't already know, it is a pleasant and undemanding way to spend an evening. The six attractive performers four of whom appear…

SOURCE: www.theaterscene.net at 3:06pm on September 23, 2024

The Roommate by Victor Gluck, Editor-in-chief

Of course, with Farrow and LuPone under the direction of six-time Tony Award winner Jack O'Brien, this is an occasion for cheering although this comedy drama, a cross between a female versi…

SOURCE: www.theaterscene.net at 10:44pm on September 19, 2024

Beyond the Horizon (Teatro Grattacielo) by Victor Gluck, Editor-in-chief

The libretto by the composer and musicologist Walter Simmons is very faithful to the O'Neill play, almost entirely dialogue taken from the original script. Unfortunately, they chose to short…

SOURCE: www.theaterscene.net at 10:06pm on September 17, 2024

Counting and Cracking by Victor Gluck, Editor-in-chief

While "Counting and Cracking" is an unforgettable epic of a family and a country, it is also a study of the fight for democracy and the lengths people will go to fight for their beliefs. The…

SOURCE: www.theaterscene.net at 10:00pm on September 14, 2024

Twist of Fate by Victor Gluck, Editor-in-chief

Levin's lyrics have unusual and surprising rhyme patterns which add to their interest. The powerful score with music by Ron Abel (who also plays a mean piano with the orchestra of five which…

SOURCE: www.theaterscene.net at 11:05pm on September 10, 2024

Lifeline by Victor Gluck, Editor-in-chief

However, instead of telling Fleming's story in chronological order, it travels backwards and forwards in time beginning with Fleming's Nobel Prize acceptance speech in Stockholm in 1945, the…

SOURCE: www.theaterscene.net at 9:47pm on September 5, 2024

Now Comes the Fun Part by Victor Gluck, Editor-in-chief

The revue alternates between skits by James Hindman and Lynne Halliday and songs with music by Jeffrey Lodin (who is also the music director at the piano) and lyrics by Mark Waldrop, the int…

SOURCE: www.theaterscene.net at 6:16pm on September 2, 2024

Hurricane Season by Victor Gluck, Editor-in-chief

"Hurricane Season" is the sort of vanity production in which one assumes that the author thinks he or she has invented the next step in the avant-garde. Unfortunately, Estes' production will…

SOURCE: www.theaterscene.net at 7:07pm on August 26, 2024

Once Upon a Mattress by Victor Gluck, Editor-in-chief

Foster is a joy as the princess from the swamps who can swim, lift weights, dance all night, commit multiple contortions as she tries to get a good night sleep, and field any disaster that c…

SOURCE: www.theaterscene.net at 10:58pm on August 17, 2024

Someone Spectacular by Victor Gluck, Editor-in-chief

Doménica Feraud who has also written "Rinse, Release" has made a career of writing about very human psychological problems. While "Someone Spectacular" is rather untheatrical in its present…

SOURCE: www.theaterscene.net at 9:58pm on August 13, 2024

Cats:"The Jellicle Ball" by Victor Gluck, Editor-in-chief

The dynamic and exciting dances include the five elements of voguing: catwalk, duckwalk, hand performances, floor performances and spins and dips in various combinations. The competitions wh…

SOURCE: www.theaterscene.net at 4:48pm on August 8, 2024

The Meeting: The Interpreter by Victor Gluck, Editor-in-chief

Seemingly not trusting the material, director Brian Mertes has used all kinds of stage gimmicks including having the two actors photographed live by a team of three videographers whose equip…

SOURCE: www.theaterscene.net at 11:16pm on August 5, 2024

The Sabbath Girl: A New Musical by Victor Gluck, Editor-in-chief

When was the last time you saw a new play in which you cared about the characters and wanted them to end up together? "The Sabbath Girl: A New Musical" is that kind of show. A delightful and…

SOURCE: www.theaterscene.net at 3:26pm on August 1, 2024

Bringer of Doom by Victor Gluck, Editor-in-chief

The play doesn't tell us enough about any of the characters which gives the actors little to work from. What does Lotte do for a living or is she a trust fund kid? As Lena Drake plays her, s…

SOURCE: www.theaterscene.net at 4:46pm on July 31, 2024
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