James Thierree's latest offering is an another polarising work from theatrical experimentalists Compagnie du Hanneton. Having previously presented work in London in 2007 and 2014, Thierree a…
It's plain to see why Jewels, Balanchine's work that marks it's half century this year, has an enduring appeal. It's a pure, glossy, glittering spectacle to be devoured and enjoyed by those …
One will rarely see Sadler's Wells brimming with more anticipation than at the premiere of a Sergei Polunin triple bill. Fans will always flock to see the Ukrainian star alongside his real-l…
This year's triple bill marks Ballet Black's sixteenth year since Cassa Pancho founded the company in 2001. Their message remains the same as their fan base continues to grow diversity. This…
Matthew Bourne's protege Arthur Pita returns to The Place with the dark but thrilling double bill StepmotherStepfather. Stepfather is a revisit of the work Pita first created in 2007 for Can…
The Strictly Tour has now been an annual fixture in fans' calendars for ten years. Each time the casual enthusiast mentally prepares themselves for a some full on fluff and scripted jovialit…
English National Ballet are undoubtedly a company in need or a decent break. Having thrilled audiences with a new take on Giselle from Akram Khan back in November, a full run of Nutcracker o…
Lucky Londoners are now treated to a Matthew Bourne extravaganza every festive season and in comparison to recent year's revivals of previously seen Bourne works, the excitement is palpable …
Opening the programme to discover your evening's viewing is set is a psychiatric clinic doesn't especially fill one with hope for an entertaining evening, however Boris Eifman and his chic S…
London has had to bide its time in waiting for the premiere of Akram Khan's Giselle. With it's first warmly received performance back in Manchester in September, fans have had to be patient …
Mark Baldwin, artistic director and choreographer of The Creation describes Haydn's oratorio as perfect dance music. Combined with subject matter no less than the creation of the world, and …