23 stories by "William Coyle"
Zach Helm's use of Spalding Gray's style turns out to be less than the best form of flattery . . .
In an important and startling way, Geoffrey Rush, David Holman and Neil Armfield have enhanced the original Gogol story as all great adaptations should. . . .
a sampler of five of this annual festival's offerings . . .
another Marathon series concludes this year's offerings
Guillermo Calderon and company do so much with a small light at the foot of the tiny stage that one realizes that moving theater can be made anywhere " even on a small, dim stage, behind the…
Even if you aren't an opera fan, you will become enamored with the spectacle of this full-scale production of painstakingly high quality.
- Thomas Bradshaw doesn't shy away from graphic depictions of sex, violence, and depravity and in his new play, Job, such inclinations have met a natural partner. . . . Read More
Anyone who has children, or knows children, has heard something like the exchange above. It's kind of cute, sometimes precious. When grown adults do it. . .not so much, especially when they …
You'll immediately recognize the set of David Adjmi's 3C as a dead ringer " down to the ubiquitous house plants and rounded wooden door" for the set of the 1970s-1980s television show Three'…
A formidable trinity of actors make this production, crisply directed by Christopher Morahan, an absolute must-see.
All of Williams' major themes are here, as is the archetype of the domineering matronly doyenne in the character of "Babe." .
Director J.R. Sullivan has played this O'Neill revival too safely, almost as a museum piece.
David Crabb will abduct you into the world of his unusually decadent yet incisive youth and, happily complicit, you'll jump in for the joyride
According to Theatre for a New Audience, this John For play has not seen a New York City production in 30 years, so now's the time to acquaint yourself with the immediate post-Shakespeare li…
the chief accomplishment of Young Jean Lee's show, in my mind, was to steal away any body shame or embarrassment, either on the part of the performers or the audience
Gerard Mannix Flynn's James is a natural, amiable Irish story teller, yet much of his humor is distracting
still a strong and entertaining play executed it in a way that will still appeal to contemporary audiences
the Pearl Theatre has deftly handled Shakespeare's difficult (and long), history play
The Pearl Theatre's production masters Ionesco's mad comedy and sense of fun, while resisting the urge to interpret it or posit its potential meanings
two plays in site specific setting for 20 viewers at a time only . . .
Anyone interested in James Baldwin or the history of the civil rights era should take the time to see this plucky performance
one of 3 plays by the invaluable Belarus Theater Company in repertory at LaMama.
Is this really Shakespeare? Why not judge for yourself and be one of those lucky few to have seen a professional production in many generations. . . .
