From the moon to a mother's death in a one-man show By Louise Kennedy
Robert Lepage's new play goes to extremes at ART
Robert Lepage's new play goes to extremes at ART
Schmoozing with Sophie: One-woman show on Sophie Tucker
The strangest thing happens when Austin Pendleton takes off all his clothes. He's still in costume.
The African American Theatre Festival.
Brilliance of LeBow makes 'Rivals' highfalutin fun
When people tell Lynn Collins she is going to be the ultimate Shakespearean actress of her generation, her response is crisp and logical.
"Why do they have to put 'Shakespearean' in front of that?" she shoots back.
In "The Glass Menagerie," which begins previews tonight at the Lyric Stage Company, the actor playing Tom, the brother and narrator, is Vincent Ernest Siders, an African-American.
Award-winning writer says that early-'90s 'Quills' has relevance today
With biting humor and a wig, Pieter-Dirk Uys takes on his homeland's history
The Show Stopper By Geoff Edgers
The loudest roar in Boston's Theater District didn't come from a costumed lion but from theatergoers outraged at Josiah Spaulding's decision to replace The Nutcracker at the Wang Center with a more profitable show.
New venues, restored Opera House bring life to an improving scene
Good theater should be a communal experience By Louise Kennedy
A wooden 'Phantom' provides neither genius nor madness, just irritation By Wesley Morris
Today, "The Phantom of the Opera" lurches from Broadway to the megaplex, and it has a little something to irritate everybody.
Probably those who will get the most out of it will be those who saw the original special, Julie Andrews fans, or old television buffs. But younger audiences, used to color, clarity, and qui…
Grappling with his brothers' brutal crime, a teen finds expression in theater
Competition may kick-start a finer art By Louise Kennedy
The Rockettes are coming! The Rockettes are coming!
Playwright creates 'Binges' to share ideas