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2,260 stories from Chicago Theater Beat

Review: Bootycandy (Windy City Playhouse) by Catey Sullivan

At times funny, at others disturbing and increasingly intriguing the deeper you get into the two-hour production, Windy City Playhouse's Bootycandy sneaks up on you, drawing you into the cha…

SOURCE: Chicago Theater Beat at 8:24pm on February 21, 2017

Review: The Assembled Parties (Raven Theatre) by Lauren Whalen

Richard Greenberg's The Assembled Parties thoroughly captures family life in all its funny tragedy, and has a stunning lead performance by Loretta Rezos in her Raven Theatre debut. Like the…

SOURCE: Chicago Theater Beat at 8:06pm on February 16, 2017

Review: The History Boys (Eclectic Full Contact Theatre) by Lauren Whalen

The History Boys by Alan Bennett is epic, funny, tragic and more than a little dark. Bennett's script is specific in themes and casting, and very, very difficult to present effectively. Ecl…

SOURCE: Chicago Theater Beat at 7:06pm on February 12, 2017

Review: Gloria (Goodman Theatre) by John Olson

Playwright Branden Jacobs-Jenkins makes his points clearly and viciously in this sharply-observed satire of contemporary life, his primary target being millennials in the workplace. His dial…

SOURCE: Chicago Theater Beat at 7:06pm on February 9, 2017

Review: Wit (The Hypocrites) by Lauren Whalen

Director and Chicago favorite Marti Lyons has assembled a beautiful, low-key yet epic, production of Margaret Edson's Pulitzer Prize winner about an academic with cancer and the last two hou…

SOURCE: Chicago Theater Beat at 2:03pm on February 1, 2017

Review: Blues for an Alabama Sky (Court Theatre) by Catey Sullivan

Pearle Cleage's Blues for an Alabama Sky offers pretty much everything you could want in a drama - thrilling story, unforgettable character and mesmerizing dialogue. The emotional spectrum i…

SOURCE: Chicago Theater Beat at 9:18pm on January 31, 2017

Review: Prelude to a Kiss (The Comrades) by Scotty Zacher

The Comrades' Prelude to a Kiss is acted with resonance and skill, along with lots of laughs, and clever use of popular music along the way. Aptly directed by artistic director Derek Bertel…

SOURCE: Chicago Theater Beat at 6:24pm on January 30, 2017

Review: Psychonaut Librarians (The New Colony) by Lauren Whalen

There's a lot to like about Psychonaut Librarians. Though inconsistent at times, the story of a mother, a daughter and drug trip-induced time travel is both entertaining and compelling. Than…

SOURCE: Chicago Theater Beat at 10:36pm on January 29, 2017

Review: The Tall Girls (Shattered Globe Theatre) by Catey Sullivan

If you look hard enough, there are glimmers of potential buried in Meg Miroshnik's Depression-era drama of teenage girls trying to escape an oppressive world by teaming up to play basketball…

SOURCE: Chicago Theater Beat at 2:48pm on January 29, 2017

Review: The Baltimore Waltz (Brown Paper Box Co.) by Lauren Whalen

A tragedy handled with fantasy and comedy, Brown Paper Box Co.'s The Baltimore Waltz is mournful, vulnerable and memorable. Short but effective, Playwright Paula Vogel's play is both univer…

SOURCE: Chicago Theater Beat at 6:42pm on January 28, 2017

Review: Priscilla, Queen of the Desert (Pride Films and Plays) by Catey Sullivan

Priscilla, Queen of the Desert is an unapologetic campfest of fabulous drag-queen proportions, and an homage to 70's disco music. Though Honey West does a star turn in this produciton, Pris…

SOURCE: Chicago Theater Beat at 4:12pm on January 26, 2017

Review: The Hunter and the Bear (Writers Theatre) by John Olson

Writers Theatre's world premiere The Hunter and the Bear, created by PigPen Theatre, may be a tad long for what it has to say, but with just a little judicious trimming it can have legs for …

SOURCE: Chicago Theater Beat at 10:12pm on January 23, 2017

Review: Winter (Rivendell Theatre) by Catey Sullivan

Winter is coming - we all reach the point where there is far more behind us than ahead. Rivendell Theatre's Winter, by Julie Jensen, exploring one woman's personal winter as she comes to gri…

SOURCE: Chicago Theater Beat at 5:54pm on January 23, 2017

SNL takes on Chicago the Musical: "Roxie" becomes "Conway", as in Kellyanne Conway by Scotty Zacher

In Saturday Night Live's parody of Chicago the Musical's "Roxie", Kellyanne Conway (played by Kate McKinnon) reveals the real reason she joined Donald Trump's campaign. Hilarious!

SOURCE: Chicago Theater Beat at 10:54pm on January 22, 2017

Review: The Temperamentals (About Face Theatre) by Lauren Whalen

The sad irony regarding The Temperamentals is how achingly relevant it feels today. Though Playwright Jon Marans' acclaimed off-Broadway play takes place in the early 1950s, many themes ring…

SOURCE: Chicago Theater Beat at 8:36pm on January 22, 2017

Review: Mr. and Mrs. Pennyworth (Lookingglass Theatre) by John Olson

Lookingglass Theatre's Doug Hara has fashioned a charming and touching fable, presented with the help of some highly inventive multi-media stagecraft in this charming and touching world prem…

SOURCE: Chicago Theater Beat at 7:42pm on January 20, 2017

Review: The Weir (Irish Theatre of Chicago) by Lauren Whalen

Playwright Conor McPherson's writing captures the quintessential nature of the Irish, though I wish The Weir's sole female character was more broadly defined and less of a stereotype. Overal…

SOURCE: Chicago Theater Beat at 3:12pm on January 19, 2017

Review: The Christians (Steppenwolf Theatre) by Catey Sullivan

Lucas Hnath's latest drama, The Christians, is packed with the sort of provocative questions that fuel all-night philosophical discussions. As a debate, Steppenwolf's production has merit. A…

SOURCE: Chicago Theater Beat at 2:12pm on January 18, 2017

Review: La Gringa (UrbanTheater Company) by Lauren Whalen

This La Gringa is worth the trip west, with an energetic cast and a lovely message about home and family. A solid production from beginning to end, La Gringa is heartwarming but not sappy, p…

SOURCE: Chicago Theater Beat at 9:36am on January 17, 2017

Review: Her America (Greenhouse Theater, Solo Celebration) by Catey Sullivan

Part of Greenhouse Theater's Solo Celebration! series, Her America, by Brett Neveu, has a troubling premise regarding women's choices. That being said, Kate Buddeke is an actor of fierce ab…

SOURCE: Chicago Theater Beat at 1:06am on January 16, 2017

Review: What of the Night? (Cor Theatre & Stage Left Theatre) by Scotty Zacher

Nominated for a Pulitzer Prize when it first premiered in 1990, Cuban-American playwright María Irene Fornés's What of the Night? is an important, but rarely produced, work of unconventi…

SOURCE: Chicago Theater Beat at 6:33pm on January 15, 2017

Review: Honky Tonk Angels (Theo Ubique Cabaret Theatre) by Catey Sullivan

Despite a winning roster of country favorites and powerful, talented voices to serve them up, Honky Tonk Angels is all but done in by the barrage of clichés that creator Ted Swindley has mu…

SOURCE: Chicago Theater Beat at 6:12pm on January 14, 2017

Review: The Sundial (City Lit Theater) by Lauren Whalen

Despite a few strong performances, City Lit Theater's The Sundial fails to fully deliver. Though based on the novel by influential author Shirley Jackson, it's clear here that not every lite…

SOURCE: Chicago Theater Beat at 7:24pm on January 13, 2017

Review: Men on Boats (American Theater Company) by Catey Sullivan

There's power in the image of women working together to ensure each other's survival, all the while refusing to be categorized in terms of traditional gender norms. Unfortunately, that power…

SOURCE: Chicago Theater Beat at 10:33pm on January 12, 2017

Chicago's Best Theater of 2016 by Scotty Zacher

         See our picks below the fold                Chicago's best theater of 2016 (in alphabe…

SOURCE: Chicago Theater Beat at 2:36pm on January 9, 2017
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