Work for Theaters, Orchestra, Dance Troupes and Have Student Loans Forgiven?
Is working for a nonprofit theater -- or orchestra, dance troupe or gallery -- "public service"?
Is working for a nonprofit theater -- or orchestra, dance troupe or gallery -- "public service"?
Will the cultural community in New York respond to Beck effectively? Or only half-heartedly?
To publicize 100 performers reading 100 poems, submit one haiku.
One of the stars of Broadway's Come Fly Away says the show is "in rhythm with America and what Americans will want to experience..."
Melding puppetry and burlesque, video and dance, acrobatics and installations, hip hop, rock and salsa.
Proposed cuts could be restored. Or could not be. Or could be. Or could not be. Maybe.
Bard scenes starring members of Congress, media personalities and DC insiders.
Says the actor playing 64 characters, "If you cannot love yourself for who you are - flaws and all - how can you love others?"
Being a teenager, says the actress-playwright, "is always volatile and emotional...it's the most confusing time of our lives."
"Arts Funding: A New Approach" will look awfully good to British taxpayers hungry for economic tomorrows of their own.
Why must a theater museum only be about manuscripts and documents and posters and playbills and preserving the past?
Has press coverage of Stephen Sondheim done the great man wrong?
Women have the economic power to support female playwrights, even to demand them. They seem to be choosing not to. Why?
"I think 'Ching Chong Chinaman' is a brilliant title, says Lee of Pan Asian Rep's new show. "It makes everyone stop in their tracks..."
Got $5 million to spare? You could help produce every Shakespeare play during 2012.
The actress-playwright (and wife of playwright Chuck Mee) says her play "Rescue Me" isn't a matter of Iph, but when.
Fundraising for this annual outing is no blarney.
Says spokesperson Dame Judi Dench: "World Theater Day is an opportunity to celebrate theater in all its myriad forms."
"The Brits may do 'proper' Shakespeare," says veteran theater PR Karen Greco, "but NYC companies do it kick-ass."
Forget charter schools. Forget those children never left behind. Oh, and make them study the flute?
J.R. Sullivan, the Pearl Theatre Company's new artistic director, is proving to be a classicist, a pragmatist and a realist.
The mystery: a who is boxed in -- and the box is getting smaller.
A full-time theater critic and full-time film critic are no longer indispensable necessities at Variety. Are these the days of whine and roses?
Says the "Glee Club" playwright, ""We just know that you're either on the team, or you're not, you're either for the team, or you're on your own."
If the community cannot get its act together, who will it blame if Bloomberg guts culture funding? Itself.