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1,715 stories from Culture Bot

A Conversation with "Sex and the Abbey" Playwright Diana Ly by Kallan Dana

Recently, the playwright Diana Ly and I spoke about her philosophical, funny, tender, deeply felt, "medieval miniature" (Helen Shaw, The New Yorker) play Sex and the Abbey, which runs at The…

SOURCE: Culture Bot at 7:02pm on September 5, 2024

New York City's God-Shaped Holes in Ian Reid's "Heaven is a place in the sky" by Kallan Dana

Purchase tickets to Ian Reid's Heaven is a Place in the Sky, running September 3-8 at The Tank! Friends premiered almost 30 years ago exactly, on September 22nd, 1994. Its omnipresence is we…

SOURCE: Culture Bot at 7:02pm on September 5, 2024

And When We Say "Expecting Immensity," What Do We Mean?: Confronting Expectant Motherhood in Sophie McIntosh's "Cunnicularii" by Sophie Frizzell

  Playwright Sophie McIntosh's latest play, Cunnicularii, which ran for two weeks in July at Chelsea's Alchemical Studios, centers on the seldom discussed 'fourth trimester'" the time bet…

SOURCE: Culture Bot at 9:00am on August 13, 2024

It's Nice to See You: An Empathetic Theatrical Experience for One by Catherine Sawoski

You " just you " walk into an empty space. The only thing visible is a note with a phone number on it, and when the voice on the other line picks up, it asks you to acknowledge that you are …

SOURCE: Culture Bot at 9:00am on August 10, 2024

On Porous Artistic Designations: In Conversation with Tess Howsam, Culture Lab LIC's Artistic Director by Eve Bromberg

One of the miraculous things about New York City is how much goes on without your ever knowing about it. Every day a piece of art is made, a performance is rehearsed and mounted, or a writer…

SOURCE: Culture Bot at 3:23pm on August 7, 2024

Toying with Irony in Volta Collective's SALT by Juliana Devaan

In SALT, a semi-interactive dance-theater work by Los Angeles-based Volta Collective, director-choreographer Mamie Green and writers Sammy Loren and Ellington Wells take on Euripides's Medea…

SOURCE: Culture Bot at 11:24am on August 2, 2024

Dialogue vs Diagnosis in Matthew Gasda's "Morning Journal" by Catherine Sawoski

  The Brooklyn Center for Theatre Research, based out of a loft in Greenpoint, is known for shows that tread the line of intellectualism and indulgence. Playwright and director Matthew Ga…

SOURCE: Culture Bot at 12:24pm on July 30, 2024

The Inner-Inarticulate of KARA & EMMA & BARBARA & MIRANDA by Frank Boudreaux

Through their inner-experience, we see that the women's profound losses and fears are surrounded by decidedly mundane and glancing frustrations - the very kind that eat away at all of our se…

SOURCE: Culture Bot at 7:54pm on July 29, 2024

Spectacular Experiments on the Great Atomic Bombreflector by Maura Nguyá»…n Donohue (she/they)

Kazakhstan's ORTA Collective presented Spectacular Experiments on the Great Atomic Bombreflector at La MaMa ETC in association with CultureHub.

SOURCE: Culture Bot at 1:18pm on July 22, 2024

Performing the Palimpsest: Electric Blue and Naked Vanguard at La MaMa Moves! by Meg Doyle

  Some performances can bring back the dead. Through references and recordings, through revivals and reenactments, they channel the spirit of the artists and choreography they cite and ca…

SOURCE: Culture Bot at 11:02am on July 17, 2024

Looking Through the Window with Mur by Catherine Sawoski

  Mur shows up at the Murray Hill coffee shop in an outfit streaked with multicolored paint and a gift for me still drying in their hand. The performance artist is best known for their mu…

SOURCE: Culture Bot at 11:36am on July 14, 2024

Binging to Bliss in "Bodhisattva Beer Run" by Maura Nguyá»…n Donohue (she/they)

A golden age is brewing for AAPI contemporary performance[i] with Glenn Potter-Takata and evan ray suzuki serving as crafty "kodama" (木霊, 木魂 or 木魅) leading us…

SOURCE: Culture Bot at 2:06pm on July 8, 2024

Highly Produced Punk Chaos in Alex Romania's FACE EATERS by Hallie Chametzky

One of the work's most shocking accomplishments is that, despite the intense volume, confounding poetic ramblings, disturbing vibes, and depressing inspiration, the audience loves it.

SOURCE: Culture Bot at 6:24pm on July 5, 2024

On the Possibility of Life in Contemporary Performance: A Conversation with Audrée Juteau by Givens Parr

Audrée Juteau's methods are fungal. She is breaking down detritus in our societal soil and making it into art. Dance is the mushroom in Mystic-Informatic, which Audrée and her human co-cre…

SOURCE: Culture Bot at 3:54pm on June 28, 2024

Pioneer Go East Collective at Judson: Queer Artists Make Big Sounds in A Big Room In A Church. by Nadia Pinder

For two nights, Judson Church hosted the Crossroads Series with varied programming each evening. On Tuesday, April 23rd, three very different performances were presented by Pioneers Go East …

SOURCE: Culture Bot at 2:06pm on June 20, 2024

A Conversation with Architectural Historian and Balletomane Thomas Mellins on "Excellence and Innovation: New York City Ballet at 75" by Eve Bromberg

  I've always known that the David H Koch Theater, once known as The New York State Theater, was made to George Balanchine's specifications. Still, until sitting down to speak with Thomas…

SOURCE: Culture Bot at 6:12pm on June 11, 2024

Attention, Salvation, and Celebration: Three Emerging Choreographers of La MaMa Moves! by Meg Doyle

There is a moment in Samuel Beckett's Waiting for Godot that I return to whenever I think about the relationship between dance and language. It's an often misquoted scene, but it happens whe…

SOURCE: Culture Bot at 4:12am on June 11, 2024

In Colt Coeur's "Still," Politics Aren't Quite Personal Enough. by Eve Bromberg

  My interest in theater, and acting, came from what I perceived as an intellectual limitation in ballet, where training is relegated to silence. While discussions of technique and aesthe…

SOURCE: Culture Bot at 10:12am on June 4, 2024

Dispatches from Abroad: Thomas Ostermeier's Sanitized People's Revolution in "An Enemy of The People" by Leila Gordon

I saw Thomas Ostermeier's An Enemy of the People at the Duke of York Theatre twice, on purpose. It's a sublime text to be working on today, wrought with all the conflict currently comprising…

SOURCE: Culture Bot at 5:32pm on May 30, 2024

Ancestral cycles in Alethea Pace's "between wave and water" by Maura Nguyá»…n Donohue (she/they)

Alethea Pace's "between wave and water," presented recently at BAAD!, honors the memory of the ancestors buried there in a potent passage of works that resist the urge to erase America's his…

SOURCE: Culture Bot at 4:32pm on May 24, 2024

The Animate Breath of Ka Baird's Live Performance by Talia Shiroma

Ka Baird stalks the stage like a phantom: hungry, unsettled, irrepressible. Wielding a microphone and sometimes a flute, they sway and swing at the air, moving with the zeal of a mind posses…

SOURCE: Culture Bot at 10:54am on May 24, 2024

READY, SET // A response to Esmé Boyce Dance's creation of The Humbling or Chapter of Mama: Part 1 by Amy Shoshana Blumberg

Racing with the gravity of children, the adults ricochet around this room built for great art, cackling. A narrow dodge. Cori's it. A swipe across the belly.            MAM…

SOURCE: Culture Bot at 3:36pm on May 23, 2024

In Katy Early's Hysterical "Dance Nation," Girlhood is Not for the Faint of Heart by Catherine Sawoski

For young women on social media and the real world alike, girlhood has become somewhat trendy in recent months. Apprehensive of adulthood, increasing numbers of individuals have clung to the…

SOURCE: Culture Bot at 6:02pm on May 22, 2024

Ready Set by Amy Blumberg

Racing with the gravity of children, the adults ricochet around this room built for great art, cackling. A narrow dodge. Cori's it. A swipe across the belly.             …

SOURCE: Culture Bot at 4:54pm on May 21, 2024

Circling the Creator in "Third Law" by Catherine Sawoski

The audience, a group of ten people padding along in their socks, line up silently along the back wall. The glowing outline of a circle appears on the floor. Someone is brave enough to step …

SOURCE: Culture Bot at 7:36pm on May 20, 2024
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