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3,488 stories from The Arts Desk

The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival by Gary Naylor

★★★★ THE MAIDS, JERMYN STREET THEATRE Master and Servant, poison & procrastination Class, in its 21st century manifestation, colours much performed play There ar…

SOURCE: The Arts Desk at 9:18pm on January 12, 2025

Titanique, Criterion Theatre review - musical parody sinks despite super singing by Gary Naylor

★ TITANIQUE, CRITERION THEATRE Celine! Tina! Jack and Rose! But no wit at all Affectionate piss-take set for cult status at best This Celine Dion jukebox musical has been a big hit in …

SOURCE: The Arts Desk at 9:24pm on January 9, 2025

Best of 2024: Theatre by Matt Wolf

BEST OF 2024: THEATRE The classics reclaimed afresh, the acting often astonished The classics were reclaimed afresh, and the acting more often than not astonished It's the images that linge…

SOURCE: The Arts Desk at 2:42pm on January 8, 2025

Best of 2024: Theatre (London) by Matt Wolf

The classics were reclaimed afresh, and the acting more often than not astonished

SOURCE: The Arts Desk at 6:35am on December 28, 2024

Twelfth Night, Royal Shakespeare Theatre review - comic energy dissipates in too large a space by Gary Naylor

★★★ TWELFTH NIGHT The winter comedy provides more chills than chuckles despite a funny fool Too much thinking; not enough laughing It is not just Twelfth Night, it's Twe…

SOURCE: The Arts Desk at 8:42pm on December 21, 2024

You Me Bum Bum Train, secret location review - a joyful multiverse of anarchic creativity by Rachel Halliburton

This latest incarnation of the show is a wild, spinning ride through different forms of reality This feels like the theatrical equivalent of being in a centrifuge " a wild, spinning ride thr…

SOURCE: The Arts Desk at 7:42am on December 20, 2024

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world by Heather Neill

Magic is minimised in Jamie Lloyd's pared-back version Shakespeare must have relished the opportunities brought by the indoor Blackfriars Theatre in 1611: sound magnified in a way impossible…

SOURCE: The Arts Desk at 7:24pm on December 19, 2024

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End by Gary Naylor

★★★★ NATASHA, PIERRE & THE GREAT COMET OF 1812, DONMAR WAREHOUSE Broadway show takes eight years to traverse the Atlantic, but proves worth the wait War and Pe…

SOURCE: The Arts Desk at 3:02pm on December 17, 2024

The Invention of Love, Hampstead Theatre review " beautiful wit, awkward staging by Aleks.sierz

Tom Stoppard's classic evocation of Victorian golden age Oxford stars Simon Russell Beale Can men really love each other " without sex? Or, to put it another way, how many different forms of…

SOURCE: The Arts Desk at 2:02pm on December 17, 2024

Swan Lake, Sadler's Wells review - 30 years on, as bold and brilliant as ever by Helen Hawkins

Matthew Bourne's masterly reinvention has become a classic itself How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake, Matthew Bourne seems to have ch…

SOURCE: The Arts Desk at 1:48pm on December 15, 2024

The Little Foxes, Young Vic review - timeshifted production that blurs the play's focus by Helen Hawkins

Lillian Hellman's family feud set in 1900 Alabama doesn't survive a confused updating The Young Vic has opened under a new artistic director with a puzzle play. The puzzle is, why stage this…

SOURCE: The Arts Desk at 2:48pm on December 13, 2024

The Legends of Them, Royal Court review " reaching out for serenity by Aleks.sierz

Gig theatre piece about the pain and redemption of a pioneer reggae artist I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Ch…

SOURCE: The Arts Desk at 12:36pm on December 13, 2024

The Devil Wears Prada, Dominion Theatre review - efficient but rarely inspired by Matt Wolf

Relaunch of Elton John musical needs further tinkering still It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film fr…

SOURCE: The Arts Desk at 5:02pm on December 12, 2024

A Midsummer Night's Dream, RSC, Barbican review - visually ravishing with an undercurrent of violence by Rachel Halliburton

This psychedelic mashup conveys a sci-fi-style alternate reality Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a …

SOURCE: The Arts Desk at 7:18am on December 11, 2024

The Producers, Menier Chocolate Factory review - liberating taboo-busting fun for grown-ups by Helen Hawkins

Director Patrick Marber does Mel Brooks's 1967 musical proud There is something deliciously perfect about the timing of The Producers' arrival at the Menier Chocolate Factory. In these twitc…

SOURCE: The Arts Desk at 4:06am on December 11, 2024

Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times by Gary Naylor

★★★ HANSEL AND GRETEL, SHAKESPEARE'S GLOBE More wicked witch, less sunny siblings please Songs and sweeties, but insufficient sourness and sadism for fans of fairytales …

SOURCE: The Arts Desk at 8:18pm on December 6, 2024

The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delight to tantalise your sensibilities by Rachel Halliburton

Oscar Wilde speaks just as strongly to the 21st century as he did to his own If Harold Pinter's work represents, as he slyly joked, the weasel under the cocktail cabinet, then Oscar Wilde…

SOURCE: The Arts Desk at 8:18am on November 30, 2024

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem by Heather Neill

Shakespeare's comedy of identity confusion benefits from a 1940s setting It's all too easy to underplay the melancholy of Shakespeare's comedy of divided twins, misplaced " sometimes narciss…

SOURCE: The Arts Desk at 6:06am on November 30, 2024

The Lightning Thief: The Percy Jackson Musical - all Greek to me by Gary Naylor

★★ THE LIGHTNING THIEF, THE OTHER PALACE One for fans of the franchise Myths and monsters make for a curiously bland and bloodless musical Percy Jackson is neither the missing…

SOURCE: The Arts Desk at 3:48am on November 30, 2024

Expendable, Royal Court review - intensely felt family drama by Aleks.sierz

New play about a paedophile ring foregrounds the voices of British-Pakistani women British theatre excels in presenting social issues: at its best, it shines a bright light on the controver…

SOURCE: The Arts Desk at 12:31pm on November 29, 2024

The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke by Helen Hawkins

Dan McCabe's play about ageing hiphop stars makes a winning European debut Watching Dan McCabe's 2019 play, older folk might be reminded of the Bonzo Dog Doo-Dah Band's indelible lyrics, "Ca…

SOURCE: The Arts Desk at 11:18am on November 29, 2024

The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibrium by David Nice

Joyce's great short story fully realised for 'invited guests' by a perfect ensemble James Joyce's Misses Morkan have gone up in the world for their Christmas gathering this year, from the up…

SOURCE: The Arts Desk at 5:42am on November 28, 2024

All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable by Gary Naylor

★★★ ALL'S WELL THAT ENDS WELL, SAM WANAMAKER PLAYHOUSE Despite its compansations, the play is hard to watch New production lands on shaky ground in 2024 "All's well that…

SOURCE: The Arts Desk at 10:48pm on November 24, 2024

King James, Downstairs at Hampstead Theatre review - UK premiere drains a three-pointer by Gary Naylor

★★★★ KING JAMES, HAMPSTEAD THEATRE Two Cleveland lads bond, break and bond again in perceptive dramedy Beautifully crafted play tracks two men's relationship, as LeBr…

SOURCE: The Arts Desk at 9:31pm on November 22, 2024

Wicked review - overly busy if beautifully sung cliffhanger by Matt Wolf

Musical theatre behemoth becomes an outsized film - and this is just part one "No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes tw…

SOURCE: The Arts Desk at 12:48pm on November 22, 2024
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