1,912 stories from The New Yorker
The comedian tries his hand at captioning New Yorker cartoons.
The actor, writer, and comedian tries her hand at captioning New Yorker cartoons.
The comedian and actor tries his hand at captioning New Yorker cartoons.
The actor and comedian tackles The New Yorker's Cartoon Caption Contest.
Ira Sachs's film, starring Ben Whishaw as the renowned photographer and Rebecca Hall as his interviewer, is a personal memorial for the protagonist and his milieu.
Lyrical exchange.
In 1974, the photographer described his day to a journalist: a shoot with Allen Ginsberg, a chat with Susan Sontag. The delayed result: "Peter Hujar's Day," a film by Ira Sachs.
Cassie Donegan dreams of making it to Broadway. After seeing the new musical "The Queen of Versailles," she got some tips from an old pal, the "Wicked" alum Kristin Chenoweth.
Both composers remain intriguing outliers, notable for the stubbornness with which they have held to their youthful convictions.
The actor recalls his life, from provincial Wales to Hollywood, in stop-start rhythms with curt, unflinching reckonings.
Finding my own words.
The comedian talks about the suppression of political speech under Donald Trump, why social media doesn't mix well with democracy, and the future of "The Daily Show."
The playwright Samuel D. Hunter tailors a family drama to the actress's specific gifts; at Powerhouse: International, the artist Carolina Bianchi explores violence against women.
What's happening this season in music, movies, television, dance, art, and theatre.
Class act.
The latest reanimation of Mary Shelley's classic tale, starring Oscar Isaac and Jacob Elordi, is a labyrinthine tour of a filmmaker's career-long obsessions.
Style and substance.
High notes.
The tour kicks off in my home town of Philadelphia, where I will be yelling "Time's up!" at various A.T.M.s.
Funny ideas.
The actress stars in "Liberation," a play about feminist consciousness-raising, set in 1970. At the New York Historical, she zeroes in on the roots of the show's nude scene.
What does getting buried in Isabella Rossellini's mulch have in common with being turned into a human snack tray by Sydney Sweeney? Grant money.
Psychics predicted when the "S.N.L." alum would meet her husband. Will a stop at Amy Poehler's go-to crystal shop further clarify the future?
For most of human history, monsters were repugnant aberrations, breaches of the natural and moral order. What's behind our relentless urge to humanize them?
As a dancer-choreographer, Roberts has made astonishing work, but, since his retirement from the stage, his inspiration seems less sure-footed.
