1,898 stories from The New Yorker
What's happening this season in music, movies, television, dance, art, and theatre.
Class act.
The latest reanimation of Mary Shelley's classic tale, starring Oscar Isaac and Jacob Elordi, is a labyrinthine tour of a filmmaker's career-long obsessions.
Style and substance.
High notes.
The tour kicks off in my home town of Philadelphia, where I will be yelling "Time's up!" at various A.T.M.s.
Funny ideas.
The actress stars in "Liberation," a play about feminist consciousness-raising, set in 1970. At the New York Historical, she zeroes in on the roots of the show's nude scene.
What does getting buried in Isabella Rossellini's mulch have in common with being turned into a human snack tray by Sydney Sweeney? Grant money.
Psychics predicted when the "S.N.L." alum would meet her husband. Will a stop at Amy Poehler's go-to crystal shop further clarify the future?
For most of human history, monsters were repugnant aberrations, breaches of the natural and moral order. What's behind our relentless urge to humanize them?
As a dancer-choreographer, Roberts has made astonishing work, but, since his retirement from the stage, his inspiration seems less sure-footed.
The comedian discusses flying in Jimmy Kimmel's jet, beefing with Jerry Seinfeld, and the "weight" of talking about Palestine on his new standup special, "Wild World."
Eli Durst's images of activities that instruct and influence children"R.O.T.C., school plays, cheer practice"resist conformity.
Also: idiosyncratic bookstores, a retrospective for Vaginal Davis, the new Springsteen movie, and more.
As the Trump Administration tries to rescue symbols of the Lost Cause, an exhibition in Los Angeles, led by Kara Walker, finds meaning in their desecration.
The poet joins Kevin Young to read and discuss "Vita Nova" by Louise Glück, and his own poem "Figs."
The late German conductor, who came from a heroic anti-Nazi family, made one believe in the inherent virtue of the core repertory.
Readers respond to Anthony Lane's essay about Christopher Marlowe, Lauren Collins's report on Uniqlo, and Dhruv Khullar's article about A.I. and medical diagnosis.
The musician, born Annie Clark, is following in the footsteps of Eartha Kitt and Bobby Short at Café Carlyle. But which of her songs will make the set list?
The late actor's son, Chris Candy, reflects on his father's drives and demons in the Hall of Ocean Life with Colin Hanks, the director of the new documentary "John Candy: I Like Me."
Adoration, exploitation, and the strange afterlife of being celebrated too soon.
Heather Christian and Jordan E. Cooper create two very different versions of spiritual inquiry.
The director talks with Justin Chang about his latest work on artistic genius. One dramatizes the decline of Lorenz Hart; the other details the triumphant début of Jean-Luc Godard.
This compelling adaptation of Ibsen's classic play, starring Tessa Thompson and moving the action to nineteen-fifties England, expands and arguably deepens the original.
