27,455 stories from TDF
Is there a more appealing, entertaining argument for motherhood than La Cage aux Folles?
Kate Moira Ryan's new play gleefully pushes boundaries
Adam Cork composes for the unspoken parts of a Broadway play
Ghrai DeVore dances with Ailey II
Joe Iconis makes a spaghetti western rock show with his favorite gang
This high-energy entertainment, which opened Sunday at the Nederlander Theatre, is part jukebox concert, part history lesson of '50s pop music and part cautionary tale about the ups and down…
In attempting to give Charles Addams' macabre characters a life beyond the brilliant single-panel cartoons that appeared for years in The New Yorker, the creators of this schizophrenic music…
Charlie Neshyba-Hodges uses dance to tell stories in Come Fly Away
Behind Cass Morgan's feisty performance in the Broadway musical Memphis
The frantic foolishness that fuels Lend Me a Tenor has not diminished in the two decades since the Ken Ludwig comedy's initial New York appearance. If anything, the play's desperation quotient—a prime ingredient of any farce worth its belly laughs—has only increased in the show's first Broadway revival, which opened Sunday at the Music Box Theatre.
Why a high school English teacher petitioned to bring TDF's Stage Doors program to her school
Tharp's lively dance extravaganza, which opened Thursday at Broadway's Marquis Theatre, may be short on plot but it makes up in motion what it lacks in story, ostensibly the tale of four cou…
How emo rock became the soundtrack for a musical about our seventh president.
After twenty years, Ken Ludwig reconnects with his hit Broadway farce
An Australian troupe finds meaning in the circus (in less than an hour)
Kia Corthron's latest play divines the political power in water
"The Book of Grace" feels scattered, not nearly as tightly focused as Parks' other works such as "Topdog/Underdog" and "In the Blood." If it weren't for Marvel's command of the stage, "The B…
Ambroise Thomas' "Hamlet" was last performed at the Metropolitan Opera in 1897, and it's easy to see why more than a century passed before its revival.
The ladies in red brought down the house.
Tallulah Bankhead always knew how to make an entrance. And so does Valerie Harper, who plays the flamboyant actress in Looped, a fictional recreation of one of Bankhead's less celebrated moments—the re-recording of some botched dialogue from her last film, a campy 1965 horror fest called Die! Die! My Darling! Out of this real-life misadventure, playwright Matthew Lombardo has fashioned a frequently funny but at times labored little play.
Stars and colleagues honor Broadway producer Stuart Thompson
"Next Fall" is expertly cast, enormously entertaining and even laugh-filled despite the underlying seriousness of its subject matter.
The Tony-nominated actress discusses her starring role in George Bernard Shaw's "Candida"
