27,455 stories from TDF
Why Jim Brochu brought Zero Mostel's life to the stage
Call it half a smile. The first Broadway revival of A Little Night Music, the enchanting, moonstruck musical based on the Ingmar Bergman film Smiles of a Summer Night, is a curious affair. There are some lovely moments, most of them supplied by Angela Lansbury, but too much of this adult, sophisticated show, which opened Sunday at the Walter Kerr Theatre, seems forced, boisterous and a little crude.
This spectacular group performs at the Union Square Theatre until Jan. 3.
The award-winning playwright on the inspiration for "In the Next Room (or the vibrator play)"
How David Alan Grier mastered the language in "Race"
Wasserstein Prize-winner Marisa Wegrzyn adjusts to her increasing notoriety
Ayckbourn wrote and directs this witty, thoughtful farce, which includes the original British cast from the Stephen Joseph Theatre in Yorkshire, England.
The Wingspace collective puts a new spin on design
Surely there are not many opening numbers better than the intoxicating first moments of Ragtime, the stage version of E.L. Doctorow's best-selling novel. The show's themes and characters are introduced lickety-split in a thrilling combination of song, story and movement that goes a long way toward explaining what musical theater is all about. It also sets the bar very high for what is to follow at Broadway's Neil Simon Theatre, where a respectful, recalibrated revival of the musical opened Sunday. If nothing else quite reaches that joyous proclamation of theatricality, so be it.
"Xanadu's" Tony-nominated leading lady goes back to the 80's in "Rock of Ages"
Oblivion toward the less fortunate, lack of reproductive freedom, and rationing of medical care are just some of the timely themes of Ann Marie Healy's thoughtful new satire, "What Once We F…
Taylor Mac heads "The Lily's Revenge", a five-hour epic at HERE Arts Center
The playwright and director of "What Once We Felt" listen to their script
After seven years, the actor returns to New York theatre with "The Understudy"
Mark-Paul Gosselaar is a self-professed theater novice and not afraid to admit it.
Still one of the funniest plays-about-a-play that you'll see, "Love Child" has resurfaced at the off-Broadway New World Stages, following a successful New York premiere a year ago at Primary…
