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15,330 stories from DC Metro Theater Arts

Review: 'LadyM' by The Welders by Jennifer Georgia

When the audience enters the performance space at Joe's Movement Emporium, they are confronted by three women in period clothing (costumes designed by Julie Cray Leong, assisted by Kyla Carn…

SOURCE: DC Metro Theater Arts at 5:24pm on July 15, 2019

2019 Capital Fringe Review: 'All for the Union' by Caroline Bock

15 actors. 20 scenes. The Civil War. A lot is at stake in All for the Union, written by the prize-winning playwright, librettist, and historian Meredith Bean McMath and directed by Jenna Pow…

SOURCE: DC Metro Theater Arts at 5:10pm on July 15, 2019

Review: 'The Explorers Club' at Prologue Theatre by Andrew Walker White

New companies, and especially hybrid troupes whose members have a variety of artistic origins and talents, are a vital part of DC's theatrical ecosystem. The past few years have seen the lau…

SOURCE: DC Metro Theater Arts at 4:39pm on July 15, 2019

Review: 'The Things They Carried' at the Logan Festival of Solo Performance at 1st Stage by David Siegel

The Things They Carried is a personal people's history. A sharply conjured chronicle. It is told at the most granular of levels by a platoon of characters. Performed solo by David Sitler, th…

SOURCE: DC Metro Theater Arts at 4:16pm on July 15, 2019

Review: 'The Presented' at 59E59 by Deb Miller

A recurrent favorite at 59E59's annual "East to Edinburgh" line-up, California native Chris Davis returns to New York with his latest original solo show The Presented, after debuting it last…

SOURCE: DC Metro Theater Arts at 12:33pm on July 15, 2019

2019 Capital Fringe Review: 'Arcade' by Leandra Lynn

Arcade is unlike anything you will experience at Fringe. Equal parts art installation, gaming experience, and nostalgia, Arcade perfectly encapsulates the feeling of walking into a 1980s …

SOURCE: DC Metro Theater Arts at 12:02pm on July 15, 2019

2019 Capital Fringe Review: 'Iphigenia in Splott' by Ravelle Brickman

Set in a blighted corner of Wales, Iphigenia in Splott is a breathtaking one-woman show, imported from the UK and written by Gary Owen, a Welsh playwright and winner of the Meyer-Whitworth A…

SOURCE: DC Metro Theater Arts at 11:45am on July 15, 2019

Review: 'The Few' by Unexpected Stage Company by Bob Ashby

The American interior West has long been a favored setting for stories about loneliness. The visual emptiness of vast open spaces " think of your favorite John Ford film " and the emotional …

SOURCE: DC Metro Theater Arts at 11:16am on July 15, 2019

Review: 'The Mollusc' by Quotidian Theatre Company at The Writer's Center by Barbara Mackay

If you're in the mood for a drawing-room comedy exploring the social habits of the British upper class in the Edwardian era, Bethesda's Quotidian Theatre Company should be on your list. Quot…

SOURCE: DC Metro Theater Arts at 10:54am on July 15, 2019

Review: 'The Winter's Tale' at Annapolis Shakespeare Company by Andra Abramson

Summer and Shakespeare are two very different things that somehow seem to go perfectly together. Every summer, theater companies all over the country dust off their British accents and take …

SOURCE: DC Metro Theater Arts at 10:11am on July 15, 2019

Review: 'Absolutely Dead' at Bowie Community Theatre by Darby Dejarnette

Absolutely Dead, written by Michael Walker and directed at Bowie Community Theatre by Ken Kienas, is a charming and hilarious dark comedy centered around a murder mystery. I'm afraid to give…

SOURCE: DC Metro Theater Arts at 9:31am on July 15, 2019

2019 Capital Fringe Review: 'The Knights of Salisbury' by Betsy Lizotte

The Knighthood Players' Production of The Knights of Salisbury, by Tim Caron, directed by Tim Caron and Ilyana Rose-Davila, with music direction by Jason Schoenfeld, is a nostalgic, though a…

SOURCE: DC Metro Theater Arts at 11:46pm on July 14, 2019

2019 Capital Fringe Review: 'American Diet' by Julie Janson

Here's a show description you don't see often: "A dark yet whimsical exploration of food, fitness, body image, and metabolic endocrinology." And I will say, that's no lie. In American Diet's…

SOURCE: DC Metro Theater Arts at 11:14pm on July 14, 2019

Review: 'Be More Chill' at Monumental Theatre Company by Sophia Howes

If you can't get to the Broadway sensation Be More Chill, which closes August 11, there is no need to despair. Monumental Theatre Company is presenting the DMV's first professional version o…

SOURCE: DC Metro Theater Arts at 11:07pm on July 14, 2019

2019 Capital Fringe Review: 'EyeSOAR' by Julie Janson

EyeSOAR is primarily a dance performance which incorporates video, audio interviews, music, and the spoken word to tell the story of the Shirlington neighborhood in Arlington, Virginia. This…

SOURCE: DC Metro Theater Arts at 10:52pm on July 14, 2019

2019 Capital Fringe Review: 'Beyond These Walls' by Sophia Howes

Beyond These Walls is a provocative contribution to the Capital Fringe, and well worth seeing. It was originally devised in 2018 under the direction of Matt Bassett, Artistic Director of the…

SOURCE: DC Metro Theater Arts at 10:26pm on July 14, 2019

Review: 'Joy Rebel' at the Logan Festival of Solo Performance at 1st Stage by David Siegel

Joy Rebel, written and performed by Khanisha Foster, is a moving, deep dive into fluid identity and the fraught experiences of a mixed-race human being on her journey to self-understanding. …

SOURCE: DC Metro Theater Arts at 9:59pm on July 14, 2019

2019 Capital Fringe Review: 'This Place of Ours' by Julie Janson

When done well, dance has a unique ability to tell a compelling narrative through themes that audience members can then adapt to their own perspectives and stories. Moving Body Dance Company…

SOURCE: DC Metro Theater Arts at 9:52pm on July 14, 2019

Review: 'American Spies and Other Homegrown Fables' by The Hub Theatre by Bob Ashby

Playwright Sam Hamashima is described in his program bio as working in the "collision  between his queer identity and his Japanese-American identity." In American Spies and Other Homegrow…

SOURCE: DC Metro Theater Arts at 9:28pm on July 14, 2019

2019 Capital Fringe Review 'What Wasn't' by Guest Author

By Rebecca Kurtz Perhaps it is a matter of personal preference that at Fringe I am often more taken by the comedies than by the dramas. The intensely self-involved process of making and perf…

SOURCE: DC Metro Theater Arts at 12:39am on July 14, 2019

2019 Capital Fringe Review: 'Nothing Broken' by Julie Janson

Nothing Broken is an autobiographical one-woman show written and performed by Amanda Haddock, directed by Cathy Reinking. It tells the story of Hope, who is grappling with the end of her ten…

SOURCE: DC Metro Theater Arts at 8:09pm on July 13, 2019

2019 Capital Fringe Review: The Little Senator That Could by Andy Arnold

The Little Senator That Could held its world premiere at Capital Fringe on July 12, 2019, and it is nearly perfect for Washington, DC. Billed as a comedy, playwright Kirsten Grady's show is …

SOURCE: DC Metro Theater Arts at 7:48pm on July 13, 2019

2019 Capital Fringe Review: 'Six Months of Winter' by Guest Author

By Helen Ganley Conjuring up images of day and night, one imagines the sun cascading into a pink and purple horizon while the moon excitedly and stoically takes its place in the sky. The pic…

SOURCE: DC Metro Theater Arts at 7:17pm on July 13, 2019

2019 Capital Fringe Review: 'Good & Kissed' by Julie Janson

Ladies, grab your closest friends, make a post-show dinner reservation, and head to Capital Fringe's Good & Kissed for a night out that will make you laugh, cry, and spur your own storie…

SOURCE: DC Metro Theater Arts at 4:30pm on July 13, 2019

2019 Capital Fringe Review: 'Flirting Like an American' by Andy Arnold

George Washington University researcher Sufian Zhemukhov is a popular guy around Washington. He has several awards for his storytelling and some of the stories he relies on in Flirting Like …

SOURCE: DC Metro Theater Arts at 4:02pm on July 13, 2019
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