Responsible Theatremaking
By Sydney Isabelle Mayer. Sydney Isabelle Mayer discusses the importance of terminology when it comes to "trigger" warnings, how artists can best offer warnings for their shows, and what it …
By Sydney Isabelle Mayer. Sydney Isabelle Mayer discusses the importance of terminology when it comes to "trigger" warnings, how artists can best offer warnings for their shows, and what it …
By . The Martin E.
By . Professional Association of Canadian Theatres presents the keynote speech from PACTcon 2019Â livestreaming on the global, commons-based peer produced HowlRound TV network at howlround…
By Pearl Cleage. Playwright Pearl Cleage reflects on the power of truth-telling to find common ground and discusses how Alliance Theatre in Atlanta, GA is working to confront the legacy o…
By Bri Ng Schwartz. Bri Ng Schwartz looks at the importance of companies doing the hard work when it comes to equity, diversity, and inclusion conversations and initiatives.
By Howard Shalwitz. Howard Shalwitz, Karen Houppert, and Yury Urnov reflect on the productions they saw at this year's Golden Mask Theatre Festival in Moscow, Russia.
By . Theatre Communications Group presents their 2019 National Conference livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv from Tuesday 4 June…
By . Livestreaming a performance of Sorry by Via Negativa and Sploh Institute (Slovenia) at Prestopi / Crossings: The International Festival of Independent Performing Arts, Ljubljan…
By verity healey. verity healey discusses themes and productions from Ghent's new theatre festival called same same but different.
By Vera Starbard (Tlingit/Dena'ina). Playwright and Editor, Vera Starbard (Tlingit/Dena'ina), reflects on her journey through rural Alaskan Native communities to reawaken the ancestral…
By Sean Anthony Chia. Sean Anthony Chia discusses Kristiana Rae Colón's good friday, placing it within what he calls "theatre of the unashamed."
By Anne Hamburger. Anne Hamburger, founder of En Garde Arts, talks about the beginnings of her company, and, with it, the beginnings of site-specific theatre in New York City.
By . As part of the inaugural CrossCurrents festival, The Laboratory for Global Performance and Politics at Georgetown University in Washington, D.C.
By . The Martin E.
By . Kansas City Repertory Theatre presents two New Works Panels from the ORIGINKC New Works Festival livestreaming on the global, commons-based peer produced HowlRound TV network at howl…
By Carl(os) Roa. Carl(os) Roa offers thoughts on how organizations can create healthier workspaces, weaving in ideas from artists at Philadelphia Young Playwrights and Applied Mechanics.
By Kirsten Greenidge. Adapted from a keynote address at the Kennedy Center American College Theatre Festival (KCACTF) Region One on 29 January 2019,
By Jeffrey Mosser, Lindsay Puckett, MD. "What makes you even think that you could begin to attack the question that you want to attack?" "Lindsay Puckett
By . The Public Theater presents Suzan-Lori Parks' Mezzanine Performances livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Sunday 28 April …
By Chris Coleman, Marya Sea Kaminski. Artistic
By . The Hawaiian Theatre Program in the Department of Theatre and Dance at the University of Hawai'i at MÄnoa presents HÅŒ'IKE: NÄ Mo'olelo Mai ka Papa Hana Keaka Hawai'i, a Hawa…
By Jesse LaVercombe.
By . Watch Me Work is a play with an action and dialogue " it's also a meta-theatrical, free writing class! Come join us.
By Maev Beaty, Bahia Watson. Toronto performers Maev Beaty and Bahia Watson discuss being women in theatre, covering everything from the differences between male-led rooms and female-led one…
By Rhiannon Collett. Playwright and performer Rhiannon Collett examines the queer theatre landscape in Toronto.