Met Opera to cut 'Ghosts' By RONALD BLUM
Cutting costs in the wake of the economic downturn, the Met is dropping next season's highly anticipated revival of John Corigliano's "The Ghosts of Versailles" that was to feature the compa…
Cutting costs in the wake of the economic downturn, the Met is dropping next season's highly anticipated revival of John Corigliano's "The Ghosts of Versailles" that was to feature the compa…
"Sweeney Todd" star Donna Lynne Champlin keeps her non-musical career alive in "Bury the Dead."
Broadway maven Seth Rudetsky tells tales out of school on the tribal love-rock musical.
The circus makes a theatrical entrance in "Cirque Dreams Jungle Fantasy."
In directing Conor McPherson's "Port Authority," Henry Wishcamper wove singular journeys into a shared experience.
Jeremy Lawrence honors Tennessee Williams' complications in "Everyone Expects Me To Write Another Streetcar."
Katrina Lindsay's Tony-nominated costumes loom large in the layered world of "Les Liaisons Dangereuses."
From "Birdie" and "Annie" to "Marty" and "Minsky's," composer Charles Strouse writes the songs that put on a happy face.
For "Saved," a musical about Christian teens, playwright Rinne Groff worked to burst her own secular bubble.
Michael O. Smith pounds "The Bully Pulpit" as Teddy Roosevelt, in a show that's decades in the making.
Shuler Hensley is having the time of his life as the misunderstood monster in Mel Brooks' "Young Frankenstein."
Unlike the retired athlete she plays in "Deuce," Marian Seldes doesn't compete at her craft, and she has no intention to leave the arena.
This week's Tony nominations prove that Broadway is still a place where today's most pressing issues find dramatic expression.
Athol Fugard's intimate new play "Exits and Entrances" is a valentine to a late mentor, and to the ephemeral art form they share.
The Tony-winning actor takes over the lead in "The Drowsy Chaperone." If the chair fits, why not sit in it?
Once a year, the TDF Costume Collection opens its doors to some special families--and treats them like royalty.
Karen Ziemba brings all her talents--plus a dash of Betty Comden--to Kander & Ebb's "Curtains."
Priscilla Lopez returns to musicals--and to her roots--in the rousing "In the Heights."
Modern dance's preeminent innovator, and his pathbreaking company, put their best feet forward for an exciting 53rd season.
Capathia Jenkins' new show looks at the groundbreaking, and embattled, black film star Hattie McDaniel.
For native New Yorker John Palumbo, the TKTS Discount Booth is the place to work when he's not plying the acting trade.
It's standing room only in teaching artist Nilaja Sun's newest classroom
When off-duty theatre actors, led by The 25th Annual Spelling Bee's Sarah Saltzman, get onstage at Joe's Pub for "Don't Quit Your Night Job," there's no telling what will happen!