How Did His Life Become a Musical?
The fascinating journey of Benjamin Scheuer’s The Lion — There’s an old theatre adage that a show doesn’t really become itself until it’s had several production…
The fascinating journey of Benjamin Scheuer’s The Lion — There’s an old theatre adage that a show doesn’t really become itself until it’s had several production…
Chiara Atik’s Five Times in One Night is the latest atypical offering from EST/Youngblood — Playwright Chiara Atik does not like watching sex. On stage at least. “I always …
How Ben Rosenfield plays an avatar in The Nether — There are two worlds in Jennifer Haley’s The Nether. One is reality—a dark, cold place. The other is The Hideaway, a Vict…
Inside Elizabeth Dement’s transformative performance in Social Security — Actors are often told to make a character “their own.” But what exactly does that mean? And …
Broadway veteran Mary Louise Wilson breaks the fourth wall and brings down the house in On the Twentieth Century — Welcome to Building Character, our ongoing look at performers and how…
A taste of the hundreds of productions arriving this spring — As the snow melts on the streets of New York, we’ll have easy access to hundreds of productions aimed at every imagi…
Welcome to Meet the Theatre, our film series about interesting theatre companies in New York City! Today we’re featuring Lesser America, which celebrates the USA’s cultural under…
A new program reintroduces New Yorkers to his early choreography — Modern dance icon Merce Cunningham was an innovator not only in angular shapes etched in otherwise flowing movement, …
In a new show, the peerless performer distills her remarkable life — Distilling a nearly seventy year career into a taut, 70 minute performance is no easy task, especially when the art…
In The Insurgents, Lucy Thurber fuses personal and political history for an examination of what ails us — On the surface, Lucy Thurber’s new drama The Insurgents, now at th…
Welcome to Geek Out/Freak Out, where theatre fans get super enthusiastic about things. This week, Mark Blankenship geeks out (via Google Doc), with Jennifer Ashley Tepper, who is both a musi…
The musical Brooklynite breaks the superhero mold — Composer Peter Lerman was working on a movie with director Michael Mayer when Mayer offered him an unexpected opportunity. Would Ler…
Why The Groundling is set in a Long Island garage — It’s no accident that The Groundling takes place in a guy’s garage. Marc Palmieri’s new comedy, now at Axis Theatr…
Anna Camp plays an artist in crisis in Verité — “This play is definitely keeping me up at night,” says Anna Camp, the star of Verité, Nick Jones’s unsettling new co…
In Application Pending, Christina Bianco plays an entire community of stressed out parents — Welcome to Building Character, our ongoing look at performers and how they create their rol…
Welcome to Geek Out/Freak Out, where theatre fans get super enthusiastic about things. This week, Rachel Carpman, a writer and dramaturg, geeks out (over the phone) with Ethan Heard, freelan…
Magic invades the everyday in Little Children Dream of God — Some demons are imaginary and some of them are real, and during a climactic moment in Little Children Dream of God, they al…
In Rasheeda Speaking,Tonya Pinkins navigates race, class, and the power of kindness — Welcome to Building Character, our ongoing look at performers and how they create their roles You …
A new play uses Syrian conflict to explore the universal cycle of revenge — What starts as a simple game of dice explodes into rage, torture, and revenge in Shesh Yak, now at Rattlesti…
Race and music collide in Texas in Paris — When Osceola Mays sings “Oh Freedom,” we can feel what it means to her. One of two characters in Texas in Paris, a play with musi…
Welcome to Geek Out/Freak Out, where theatre fans get super enthusiastic about things. This week, Kelly Kerwin, an MFA Dramaturgy student at the Yale School of Drama, geeks out (via Google D…
Feelings become facts in Anton Dudley’s new play — Of course Dash’s arm falls off. When you lose someone, it can feel like losing a limb, and in City Of, now at the Peter J…
Check out our latest Theatre Dictionary videos for Upstaging (made with New York Neo-Futurists), Improv (made with F*It Club and The PIT), and Italian Run (made with Clubbed Thumb.) Want mor…
Danny Gardner learns from Fred Astaire and Gene Kelly — The most famous song and dance men—the Fred Astaires and Gene Kellys—are synonymous with debonair style, majestic mo…
Welcome to Meet the Theatre, our film series about interesting theatre companies in New York City! Today we’re featuring Flux Theatre Ensemble, which works year-round to feel close to …