38,468 stories from The New York Times
Living with a disability, I shielded myself from dance. Then I met him.
Shaina Taub's new Broadway musical about Alice Paul and the fight for women's suffrage is smart and noble and a bit like a rally.
The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in the 19th-century Texas.
Almost 50 years after it debuted, this classic Black take on "The Wizard of Oz" tries to update its original formula.
She pivoted from painting to lighting exhibitions, performance art, graphic design and minimalist music, performed with her husband, the composer La Monte Young.
In "Staff Meal," in previews at Playwrights Horizons, a restaurant becomes a refuge as the world ends.
The Sydney Dance Company's "ab [intra]" at the Joyce Theater is impressive but chilly.
"Agreement," at Irish Arts Center, and "Philadelphia, Here I Come!," at Irish Repertory Theater, have a timeless feel, rooted in their eras and resonant in ours.
In Bekah Brunstetter's new play "The Game," women withhold sex from their partners who are obsessed with a Fortnite-like game. Her previous work includes "The Oregon Trail."
The 30-year relationship between Sally Hemings and Thomas Jefferson is the basis for Suzan-Lori Parks's hilarious and harrowing nesting doll of a play.
Once a young bunhead, the acclaimed musical artist is taking the stage with the Martha Graham Dance Company. For her, this is holy grail territory.
He brought worldwide attention to a radical yet elemental form of contemporary dance that emerged in the wake of wartime destruction.
New York City Ballet will present a mix of old and new works, including premieres by Justin Peck, Alexei Ratmansky and Caili Quan, and introduce fewer intermissions.
Our theater critics and a reporter discuss the big winner " "Sunset Boulevard" " and the rest of the honorees at Britain's equivalent of the Tonys.
As Harlem Stage's E-Moves dance series turns 25, Bill T. Jones and other major choreographers discuss its impact on Black dance in New York.
A musical about the groundbreaking Art Deco painter is vocally thrilling but historically a blur.
The musical, which stars Nicole Scherzinger, won seven awards at Britain's version of the Tonys. And Sarah Snook won best actress for "The Picture of Dorian Gray."
The theater says that allowing the assassination to be recreated there would undermine the gravity and significance of Abraham Lincoln's death.
The Wooster Group's staging of Richard Foreman's play operates like a delightful love letter from one giant of experimental theater to another.
The company performed its first New York City Center season under the direction of Robert Garland in a program including George Balanchine's "Pas de Dix."
In Robert Icke's adaptation of Parts 1 and 2 of "Henry IV," the veteran stage actor's performance belies his age.
The classic coming-of-age novel has become a compelling, if imperfect, musical about have-not teenagers in a have-it-all world.
Commercial Off Broadway, a long-dormant sector of the city's theater economy, is having a banner season. But can it last?
"The Heart of Rock and Roll," a Broadway show built around the songs of Huey Lewis and the News, has given the singer a reason to "get out of bed."
Rick Miramontez, a veteran theater press agent, is gearing up for the craziest stretch of the Broadway season.
