38,669 stories from The New York Times
Gov. Ron DeSantis gave no explanation for zeroing out the $32 million in grants that were approved by state lawmakers.
Many remarkable performances fueled the Royal's mini-festival of ballets by Frederick Ashton, the company's founding choreographer.
The playwright Annie Baker shares the artistic influences behind her feature film debut.
Resetting the "Memory" musical in the world of ballroom competitions makes for a joyful reincarnation.
He turned "an insignificant trade house" into a powerhouse, publishing best sellers like "The Silence of the Lambs" and "All Creatures Great and Small."
BAM, which has faced cutbacks in recent years, unveiled a reorganization as it announced its Next Wave Festival for the fall.
Marin Ireland's play opens with Tatiana Maslany in a rotating cast of stars, and "What Became of Us" continues its own experiment with changing casts.
Mayfield Brooks explores grief and decomposition in the hull of a 19th-century cargo ship.
Samar Haddad King's premiere at the Shed tells a layered story of trauma, dislocation and resilience.
First as a journalist and later as a professor at Yale, she provided the intellectual tools to help actors, directors and audiences understand challenging work.
Maria and Sonia Friedman discussed their long history with "Merrily We Roll Along," after a bittersweet Tony Awards.
"The Heart of Rock and Roll" is the first new Broadway musical to announce a closing plan following Sunday's Tony Awards.
A new play from the writers of "The Jungle" dramatizes the 1997 Kyoto Protocol, a landmark climate agreement preceded by years of arguments over its wording.
As part of a wave of reimagined Andrew Lloyd Webber musicals, a new revival of "Cats" unfolds as a ballroom competition.
A play from Denmark, with a South African cast, turns the heroic tropes of horse operas into the tools of tragedy at St. Ann's Warehouse in Brooklyn.
The event gave Broadway stars a chance to step out of their costumes and into outfits that showcased personal style.
The two stars brought down the house with "Empire State of Mind," their 2009 love song to New York City, which they had recorded earlier on a grand marble staircase outside the auditorium.
Spirited celebrations that included an official after-party at Lincoln Center and a gathering at the Carlyle Hotel, where revelers broke out in show tunes, continued until nearly 5 a.m.
All of the actors who took home Tonys were first-time winners. Here's what they had to say after their wins.
The two stars brought down the house with "Empire State of Mind," their 2009 love song to New York City, which they performed on a grand marble staircase outside the auditorium.
Alicia Keys and Jay-Z's high-wattage performance was a highlight, as were first-time wins for Kecia Lewis, Jonathan Groff and David Adjmi.
Jawole Willa Jo Zollar, who founded Urban Bush Women four decades ago, says goodbye to it with a final work.
Stephen Sondheim's "Merrily We Role Along," long considered a flop, was named best musical revival, and Branden Jacobs-Jenkins's "Appropriate" won best play revival.
Moon, 21, made her Broadway debut in the Alicia Keys musical "Hell's Kitchen."
The musical by Stephen Sondheim follows the implosion of a three-way friendship in reverse chronological order.
