Here's a treat for Dear Evan Hansen fans, Jordan Fisher fans, and anyone who's Team John Ambrose after watching To All the Boys: P.S. I Still Love You. If you fall into all three categories,…
Drag superstar BenDeLaCreme is ready to propose… that you show some love on her biggest solo tour to date. EW can exclusively reveal that the RuPaul's Drag Race icon and performing artist …
Jason Alexander is about to go to war. The award-winning actor is attached to direct a Broadway-bound adaptation of The War of the Roses. The play is based on the original novel by War…
Daralyse Lyons grew up in a place with no flexibility for racial identity, but appreciating the duality of her own background opened the door for other kinds of radical acceptance in life an…
For most of her life, Michelle Nugent was still in the closet, and dated accordingly. But exploring romance in the queer community brought her new perspectives on finding love (or being happ…
February is a good time to say it: we're smart and assertive. We're complete in our own selves. We're striving for what we want. Andrea Smith stays honest.
Angelina Weld Grimké's 1916 play, 'Rachel,' a family drama written to combat the spread of racist US propaganda in the early 20th century, is as relevant today as it was a century ago. Hana…
If a director of Hamlet wants to signal to a contemporary audience that "something is rotten in the State," she could hardly find a more efficient shorthand than to evoke the Trump family. L…
'Abigail/1702 A Twice Told Tale' imagines what happens to Abigail Williams 10 years after 'The Crucible.' Josh Herren reviews.
'Lizard of Oz,' a Philly Theatre Week offering spoofing a world of 'Wizard of Oz' stories, brings it all home to Philly. Michell Nugent reviews.
Hella Fresh Theater premieres 'Osceola,' a new play imagining a moment in the life of writer/director John Rosenberg's grandmother. Josh Herren reviews.
Ephrat Asherie's exuberant choreography in the Philly premiere of 'Odeon' brought the normally staid Annenberg audience to its feet. Gary Day reviews.
Curio Theatre Company's 'I Heart Alice Heart I' explores a decades-long partnership with humor and tenderness. Cameron Kelsall reviews.
With 'A Hundred Words for Snow,' Inis Nua mounts a gorgeous production of a flawed play. Josh Herren reviews.
EgoPo Classic Theater's production of 'Fool For Love' lacks the charged current that pulls the doomed central couple together, even as it guarantees their mutual destruction. Cameron Kelsall…
Once again, the Idiopathic Ridiculopathy Consortium explores meaning, truth, language, and absurdity in 'The Bald Soprano'. Cameron Kelsall reviews.
Beethoven loved composing piano trios, but they often get short shrift today. A Princeton University concert paired two lesser-known works with the famous "Archduke," playing with a verve th…
'Grey Rock,' from a Palestinian writer/director and cast, reminds us that some things in life are worth pursuing not because they are easy, but because they are hard. Jill Ivey reviews.
There's a new florist sprouting on Skid Row! On Wednesday, producers of the critically-acclaimed Off Broadway revival of Little Shop of Horrors announced that Jeremy Jordan (Newsies, Supe…
"I would love to pick your brain!" Yes, I've heard it before, many times, and you probably have, too. But what happens when we talk about the price, and why is this especially tough ground f…
Especially for those deep in the last 10 years of the Harlem jazz scene, one singer's international rise has been a thrill. Gregory Porter is heading for his first concert at the Kimmel. Ven…
This story about a young person forced to commodify her every moment is an endearing and compelling window on claiming space in gamer geek culture. Michelle Nugent reviews.
The Galleries at Moore present 'Emerging Philadelphia,' made up of three conceptually and materially distinct solo exhibitions by local artists Shona McAndrew, Matt A. Osborn, and Stacey Lee…
Readers respond about Verdi's 'Requiem' with Opera Philadelphia, the Orchestra at the Academy of Music, and 'The Band's Visit' at the Kimmel.
In a theatrical epic, playwright Rajiv Joseph uses Soviet history to make us look at ourselves, right now in the United States. Brad Rothbart reviews.