38,468 stories from The New York Times
In "Until the Lion Tells the Story…," Lacina Coulibaly walks in his ancestors' footsteps.
The choreographers Baye & Asa usher the Sphinx puzzler into a vaguely menacing landscape.
Jesús I. Valles's prizewinning play gets a stage at the Flea, but the ambitious work about queer history proves too difficult to wrangle.
Will the Who's rock opera about a traumatized boy hit the jackpot again?
Creating the sex scenes for the horror musical required close attention to detail, extra communication and some strategically placed silicone.
The Trisha Brown Dance Company returned to the Joyce Theater with an enthralling premiere by the French choreographer Noé Soulier.
The British director Rebecca Frecknall's immersive revival of the Kander and Ebb musical was a hit in London. This spring, she's bringing it to Broadway.
Ivo van Hove's stage adaptation of the 1977 John Cassavetes film, with music by Rufus Wainwright, turns a taut character study into a corny melodrama.
The playwright thought News International's phone-hacking scandal could make for a sweeping thriller. Twelve years later, here it is.
Kate Taney Billingsley's play starts with a fictional apology, but then segregated choirs and a racist waitress create tonal dissonance.
"For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy" and "Red Pitch" offer generous portrayals of male bonding.
A new work, "The White Feather" is inspired by the history of the Iranian National Ballet, which went dark during the Islamic Revolution and was never revived.
The revival, birthed in London, is a radically reimagined version of the 1993 Andrew Lloyd Webber musical based on a 1950 Billy Wilder film.
The performer stopped dancing after the death of her husband, Stephen Boss. Now she's a judge on "So You Think You Can Dance," the show where they met.
A new production of the ballet sets it in 1930s Hollywood instead of a mythic India, eliminating Orientalist clichés while embracing American ones.
He's also still working through his childhood trauma. Considering his musical's legacy, he sees a story about how "we prevail ultimately, by turning toward the light."
"I love 'I heard a Fly buzz " when I died,'" said the actress, currently performing Off Broadway in "The Seven Year Disappear." "That one gets me every time."
The duo will lead the cast of "Left on Tenth," a stage adaptation of Delia Ephron's best-selling memoir.
In his solo show, the screen and stage star shines a light into his formative dark corners and on the people who made an impression.
The circus-themed love story, already a novel and a movie, becomes a gorgeously imaginative Broadway musical.
With the singer Harry Belafonte, she was one half of a celebrated (and sometimes denounced) interracial power couple who pressed the cause of civil rights in the 1960s
Mark Morris's "The Look of Love" at the Brooklyn Academy of Music is uneven, but you can't fight its swing.
Despite debuting 125 years ago, Anton Chekhov's drama of claustrophobia, resentment and despair feels perfectly suited to present day America.
The creators of "The Band's Visit" reunited to tell the story of an outlaw whose body toured carnivals for decades.
In Charles Busch's satire of Henrik Ibsen's plays, a widow faces a rather catty fight to save her husband's legacy.
