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38,468 stories from The New York Times

Review: An Affair to Dismember, in the Gory Musical 'Teeth' by Jesse Green

A cult horror film about a teenage girl with a surprise set of chompers gets another surprise: the song-and-dance treatment.

SOURCE: The New York Times Subscription at 9:42pm on March 19, 2024

'Illinoise,' a Sufjan Stevens Dance Musical, Is Moving to Broadway by Michael Paulson

The production will make its transfer unusually fast, with an opening set for April 24, just 29 days after it wraps up a sold-out run at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 10:06am on March 19, 2024

Emma Portner's Busy Ballet Era by Margaret Fuhrer

The choreographer, who has spent her career mixing genres and disciplines, comes to ballet with an eye on its sometimes calcified gender relations.

SOURCE: The New York Times Subscription at 5:03am on March 19, 2024

Review: Ibsen's 'Enemy of the People,' Starring Jeremy Strong by Jesse Green

The "Succession" star headlines a Broadway revival of Ibsen's play about a lifesaving doctor and the town that hates him.

SOURCE: The New York Times Subscription at 10:02pm on March 18, 2024

On the Menu at Flamenco Fest, Tradition With a Side of Nuttiness by Brian Seibert

At City Center, performers like Olga Pericet and Manuel Liñán knew the rules they were bending.

SOURCE: The New York Times Subscription at 2:17pm on March 18, 2024

Hollywood Actors Are Leaping Into Video Games by Just Lunning

Onscreen stars have increasingly been going virtual. Jodie Comer and David Harbour are making their video game debuts in a remake of the 1992 horror game Alone in the Dark.

SOURCE: The New York Times Subscription at 5:24am on March 18, 2024

Climate Protesters Disrupt Broadway Play Starring Jeremy Strong by Michael Paulson

A performance of a new production of Ibsen's "An Enemy of the People" was interrupted by protesters who shouted "no theater on a dead planet."

SOURCE: The New York Times Subscription at 1:12pm on March 15, 2024

Irish Dance for All Levels, All Bodies, All Genders by Siobhan Burke and Yael Malka For The New York Times

Gayli, a dance night at a Brooklyn bar, provides a welcoming atmosphere for Irish social dancing, an exacting art form known for high-pressure competition.

SOURCE: The New York Times Subscription at 5:02am on March 15, 2024

'The Notebook' Review: A Musical Tear-Jerker or Just All Wet? by Jesse Green

The 2004 weepie comes to Broadway with songs by Ingrid Michaelson and a $5 box of tissues.

SOURCE: The New York Times Subscription at 9:06pm on March 14, 2024

American Ballet Theater Names Dance Veteran as Executive Director by Javier C. Hernández

Barry Hughson, a leader at the National Ballet of Canada, will join the company as it tries to get beyond financial woes.

SOURCE: The New York Times Subscription at 11:15am on March 14, 2024

'The Effect' Review: Dissecting the Science of Desire by Naveen Kumar

In Jamie Lloyd's revival of Lucy Prebble's play, Paapa Essiedu and Taylor Russell are a couple who fall in love during a pharmaceutical trial.

SOURCE: The New York Times Subscription at 10:18pm on March 13, 2024

Review: Rennie Harris Brings Chicago House to the Joyce Theater by Gia Kourlas

Hubbard Street Dance Chicago presents the first of two programs at the Joyce Theater, including a sparkling New York premiere by the hip-hop choreographer Rennie Harris.

SOURCE: The New York Times Subscription at 12:02pm on March 13, 2024

'Illinoise': A Place of Overflowing Emotion, but Little Dance Spirit by Gia Kourlas

Justin Peck, who directs and choreographs a narrative dance musical to Sufjan Stevens's concept album "Illinois," resorts to his usual standby: community.

SOURCE: The New York Times Subscription at 5:36am on March 13, 2024

A Broadway-Bound 'Sunset Boulevard' Leads Olivier Award Nominations by Alex Marshall

The musical, starring Nicole Scherzinger, secured 11 nominations at Britain's equivalent of the Tony Awards.

SOURCE: The New York Times Subscription at 10:18am on March 12, 2024

'Corruption' Review: Onstage, a Scandal's Human Drama Is Muffled by Laura Collins-hughes

A new play by J.T. Rogers goes behind the scenes of the shady "news-gathering" that rocked Rupert Murdoch's British media empire over a decade ago.

SOURCE: The New York Times Subscription at 10:18pm on March 11, 2024

'Dead Outlaw' Review: Not Much of a Bandit, but What a Corpse by Laura Collins-hughes

The creators of "The Band's Visit" return with this mischievous ghost story of a musical based on an odd slice of Old West history.

SOURCE: The New York Times Subscription at 8:02pm on March 10, 2024

How Ingrid Michaelson Made 'The Notebook' Into a Musical by Rob Tannenbaum

Family history is "wrapped up in these songs," said the singer-songwriter Ingrid Michaelson, who is making the leap to Broadway with an adaptation of the popular romance novel.

SOURCE: The New York Times Subscription at 3:36pm on March 8, 2024

Dominique Blanc, at 67, Is in Her Prime by Laura Cappelle

After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she's making a rare appearance in Manhattan.

SOURCE: The New York Times Subscription at 5:06am on March 8, 2024

At City Ballet, 2 Sparkling Premieres and Many Moments to Remember by Gia Kourlas

New works, by Alexei Ratmansky and Tiler Peck, and revivals brought solace and sadness, beauty and humor " and full-out, thrilling dancing this winter season.

SOURCE: The New York Times Subscription at 5:03am on March 8, 2024

Review: In 'Doubt,' What He Knows, She Knows, God Knows by Jesse Green

Liev Schreiber and Amy Ryan star in a revival of John Patrick Shanley's moral head spinner about pride, the priesthood and presumptions of pedophilia.

SOURCE: The New York Times Subscription at 9:18pm on March 7, 2024

Review: Welcome to 'Illinoise,' Land of Love, Grief and Zombies by Jesse Green

Sufjan Stevens's 2005 concept album has become an unlikely and unforgettable dance-musical hybrid, directed and choreographed by Justin Peck.

SOURCE: The New York Times Subscription at 8:02pm on March 7, 2024

Review: A Gentle Nightmare (Paging Dr. Freud) by Brian Seibert

Pontus Lidberg's "On the Nature of Rabbits" at the Joyce Theater is a dance haunted by AIDS.

SOURCE: The New York Times Subscription at 12:58pm on March 7, 2024

Review: Lucid Dreaming, Person to Person by Siobhan Burke

In Ursula Eagly's "Dream Body Body Building" at the Chocolate Factory, the dancers seem to be transmitting a dream state to the audience.

SOURCE: The New York Times Subscription at 2:38pm on March 6, 2024

Paper Bag Players Celebrate 65 Years of Making Magic Out of the Ordinary by Laurel Graeber

The children's theater company will bring its latest production, "It's a Marvelous Paper Bag World!," to stages in New York this spring.

SOURCE: The New York Times Subscription at 1:36pm on March 6, 2024

'Bérénice' Review: Crushed by Isabelle Huppert's Star Power by Laura Cappelle

Romeo Castellucci's production of the classic play by Jean Racine is all about the lead performer " and that's it.

SOURCE: The New York Times Subscription at 10:48am on March 6, 2024
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