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38,469 stories from The New York Times

'Bérénice' Review: Crushed by Isabelle Huppert's Star Power by Laura Cappelle

Romeo Castellucci's production of the classic play by Jean Racine is all about the lead performer " and that's it.

SOURCE: The New York Times Subscription at 10:48am on March 6, 2024

Denzel Washington and Jake Gyllenhaal to Lead Broadway 'Othello' by Michael Paulson

Kenny Leon will direct a starry revival of Shakespeare's tragedy in the spring of 2025.

SOURCE: The New York Times Subscription at 10:12am on March 6, 2024

Review: For 'Jack Tucker,' Failure Is the Only Option by Jason Zinoman

Zach Zucker delivers a raucously funny portrait of a catastrophically dim stand-up comic at SoHo Playhouse.

SOURCE: The New York Times Subscription at 8:42pm on March 5, 2024

Edward Bond, Whose Brazen Work Freed British Drama From Royal Censors, Dies at 89 by Benedict Nightingale

His first play, "Saved," though it drew outrage, led to the end of more than 200 years of state control over the theater.

SOURCE: The New York Times Subscription at 11:02am on March 5, 2024

Hussein Smko's Journey to the Joyce by Brian Schaefer

Hussein Smko's encounter with an American soldier in Iraq led him to become a dancer. This week he performs in Pontus Lidberg's work at the Joyce Theater.

SOURCE: The New York Times Subscription at 10:30am on March 5, 2024

Bringing 'Teeth,' a Feminist Awakening With a Lethal Bite, to the Stage by Erik Piepenburg

Michael R. Jackson is helping adapt the darkly comic horror film into a musical. But can a show about a teenager with vagina dentata sing?

SOURCE: The New York Times Subscription at 10:32am on March 4, 2024

Why Is There No Oscar for Best Choreography? by Margaret Fuhrer

Imaginative dance abounds in Hollywood, but its creators remain unheralded at awards time.

SOURCE: The New York Times Subscription at 5:02am on March 4, 2024

Composer, Uninterrupted: Christian Wolff at 90 by Steve Smith

Wolff, the last representative of the New York School that included John Cage and Morton Feldman, will celebrate his birthday with a concert at Judson Memorial Church.

SOURCE: The New York Times Subscription at 5:01am on March 2, 2024

Flamenco Festival, With Olga Pericet, Includes Paco de Lucía Tributes by Marina Harss

Olga Pericet's "La Leona" and a dance panorama by Ballet Nacional de España look to the past, with an eye to recovery and invention.

SOURCE: The New York Times Subscription at 5:01am on March 2, 2024

Jacqueline Woodson's 'The Other Side and 'Show Way' Go to BAM by Alexis Soloski

A dance performance of "The Other Side" and a musical adaptation of "Show Way" head to the Brooklyn stage for young audiences.

SOURCE: The New York Times Subscription at 5:36pm on February 29, 2024

Forbidden No More: 'Forbidden Broadway,' Scrappy Spoof, Bound for Broadway by Michael Paulson

The long-running parody show, which has been staged in New York and on tour, will open this summer at the Hayes Theater.

SOURCE: The New York Times Subscription at 1:06pm on February 29, 2024

Cast Album Roundup: 'Sweeney Todd,' 'Parade,' 'Camelot' and More by Jesse Green

Recordings of Broadway musicals are often better than the shows they preserve. Here's a ranking of last year's crop, with samples and bonus tracks.

SOURCE: The New York Times Subscription at 11:54am on February 29, 2024

René Pollesch, Provocative Force in German Theater, Dies at 61 by A.J. Goldmann

His avant-garde work, short on character and plot but long on verbal high jinks, could be irreverent, even goofy, but it was always intellectually serious.

SOURCE: The New York Times Subscription at 10:48am on February 29, 2024

Review: In 'Brooklyn Laundry,' There's No Ordering Off the Menu by Laura Collins-hughes

John Patrick Shanley's new play, starring Cecily Strong and David Zayas, is a romantic comedy with a penchant for the resolutely dismal.

SOURCE: The New York Times Subscription at 9:24pm on February 28, 2024

Review: 'Behind the South: Dances for Manuel' by Sankofa Danzafro by Brian Seibert

The Afro-Colombian company Sankofa Danzafro presents "Behind the South: Dances for Manuel" at the Joyce Theater.

SOURCE: The New York Times Subscription at 3:54pm on February 28, 2024

Louis Armstrong Musical 'A Wonderful World' Set for Broadway by Michael Paulson

"A Wonderful World," featuring Armstrong's songs, is set to begin previews at Studio 54 in October after previous runs in Miami, New Orleans and Chicago.

SOURCE: The New York Times Subscription at 12:42pm on February 28, 2024

In Justin Peck's 'Illinoise,' Dance On and Feel It by Melena Ryzik

This narrative dance musical, set to Sufjan Stevens's album, is a coming-of-age story and a meditation on death, love, community, politics and zombies.

SOURCE: The New York Times Subscription at 5:12am on February 28, 2024

'The Ally' Review: Social Justice as a Maddening Hall of Mirrors by Jesse Green

Itamar Moses's play offers eloquent arguments on all sides of the Israeli-Palestinian conflict. But it doesn't offer much drama.

SOURCE: The New York Times Subscription at 10:06pm on February 27, 2024

New York's School of American Ballet Celebrates 90th Anniversary by Sarah Bahr and Dolly Faibyshev

The institution co-founded by George Balanchine celebrated at Lincoln Center on Monday night.

SOURCE: The New York Times Subscription at 4:15pm on February 27, 2024

Review: 'Oh, Mary!' Turns an Unhinged Bit Into Real Theater by Joshua Barone

Cole Escola's play, which imagines Mary Todd Lincoln as a frustrated cabaret singer, surprisingly pulls off stretching a stupid joke to its extremes.

SOURCE: The New York Times Subscription at 1:36pm on February 27, 2024

Netflix Becomes a Broadway Producer With Peter Morgan's 'Patriots' by Michael Paulson

The streamer is co-producing a play about Putin's Russia from the creator of "The Crown" while also developing a screen adaptation.

SOURCE: The New York Times Subscription at 1:36pm on February 27, 2024

In 'The Effect,' Investigating Love and Other Drugs by Reggie Ugwu

Jamie Lloyd's revival of Lucy Prebble's 2012 play, starring Paapa Essiedu and Taylor Russell, heads to the Shed after a celebrated run at the National Theater, in London.

SOURCE: The New York Times Subscription at 5:18am on February 27, 2024

Review: Fiasco Theater's 'Pericles,' the Cruise of a Lifetime by Alexis Soloski

If Fiasco Theater has mixed results in its production of this Shakespearean tragicomedy, it celebrates actors supporting and delighting in one another's work.

SOURCE: The New York Times Subscription at 9:54pm on February 26, 2024

Review: Cynthia Nixon Is Nowhere and Everywhere in 'Seven Year Disappear' by Naveen Kumar

A sleekly designed production, starring Cynthia Nixon and Taylor Trensch, aims to skewer the art world but falls flat.

SOURCE: The New York Times Subscription at 8:06pm on February 26, 2024

Joan Holden, 85, Playwright Who Skewered Rich and Powerful, Dies by Alex Williams

As the principal writer for the Obie-winning San Francisco Mime Troupe, she created iconoclastic left-wing satire that courted both chuckles and outrage.

SOURCE: The New York Times Subscription at 2:48pm on February 26, 2024
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