38,669 stories from The New York Times
The actress has received a Tony nomination for "Appropriate," in which she portrays a woman who makes a sport out of verbally eviscerating her family members.
A quirky and joyful play based on J.R.R. Tolkien's books joined weightier works at this year's Theatertreffen drama festival.
Suzan-Lori Parks's play is the latest work by a Black writer seeking to prioritize Hemings's life and perspective to make her fully dimensional.
Lindsay Mendez, nominated for a Tony in "Merrily We Roll Along," married actor J. Alex Brinson in a Monday ceremony officiated by castmate Jonathan Groff. Daniel Radcliffe was their ring bea…
"They're snapshots of the past: first-night gifts, holidays abroad, memories of lost friends and loved ones," the award-winning actress says. Her latest, written with Brendan O'Hea, is "Shak…
A stage production of the beloved Studio Ghibli movie is big on spectacle, but rarely grabs the heart.
The mogul Barry Diller, who paid for the park, will finance a summer season of music, dance, theater and more, shaped in part by the Broadway producer Scott Rudin.
The Gibney Company's program at the Joyce Theater includes two Twyla Tharp dances from the 1970s.
Maleah Joi Moon almost gave up on theater. Now, in her first professional role, the "Hell's Kitchen" star is a Tony nominee.
Fresh Tracks, at New York Live Arts, showcases early-career dance makers. This year's talented crop wonders about next steps.
The Oscar-winning actor will star as an A.I.-curious author in "McNeal," starting performances in September at Lincoln Center Theater.
This play about a lonely, emotionally damaged man resonated with audiences returning to the theater after the pandemic.
A founding dancer with the groundbreaking company, she served not only as a principal dancer but also as its first ballet mistress.
Carol Mullins, who has been lighting boundary-pushing shows at Danspace Project since the 1970s, will be honored at its 50th anniversary.
Abigail and Shaun Bengson muse on death in their latest work, but its looseness makes it hard to get a handle on.
This Molière in the Park production doesn't have the sharp satirical bite of the original.
The two premieres " one by Justin Peck, one by Amy Hall Garner " were gala-style pieces that felt more fresh than rote.
Benedict Andrews's production in London offers perfectly pitched comedy where other directors find somber tragedy.
The first show to fall in the wake of the Tony nominations on Tuesday, this musical about an art world individualist was years in the making.
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
The Royal Shakespeare Company's co-artistic directors have put together a challenging debut season. But many visitors come to Stratford-upon-Avon seeking something more traditional.
The production is to begin performances Aug. 29 at the Booth Theater.
