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2,260 stories from Chicago Theater Beat

Top 10 Chicago Productions of 2016 by Scotty Zacher

Another year, another 12 months of great theater! 2016 blessed the Windy City with inspired new works and riveting revivals from a wide range of companies " from the largest equity houses an…

SOURCE: Chicago Theater Beat at 6:36pm on January 4, 2017

Review: Die Fledermaus (Light Opera Works) by John Olson

Stage Director Rudy Hogenmiller and Music Director Roger L. Bingaman have assembled a dream cast for the 10 principal roles in Die Fledermaus, and the outcome is near perfection. Operettas m…

SOURCE: Chicago Theater Beat at 7:24pm on January 1, 2017

Review: The Nutcracker (Joffrey Ballet, 2016) by Lauren Whalen

Christopher Wheeldon's new Chicago-centric version of Tchaikovsky's timeless ballet, set 5 months before Chicago's 1893 world's fair and beautifully executed by Joffrey Ballet, is imaginativ…

SOURCE: Chicago Theater Beat at 12:04pm on December 28, 2016

Review: Twist Your Dickens (Second City at Goodman Theatre, 2016) by Lauren Whalen

Twist Your Dickens is a must-see for hardcore Christmas Carol fans and Dickens holiday naysayers alike. Thanks to incredible writing, direction and comic timing, the Second City's tribute-pa…

SOURCE: Chicago Theater Beat at 5:54am on December 24, 2016

Review: That's Weird Grandma"The Holiday Special Returns (Barrel of Monkeys, 2016) by Lauren Whalen

Barrel of Monkey's That's Weird, Grandma--The Holiday Special Returns is a testament to the power of creativity in children and adults, a celebration of live theater and storytelling, and a …

SOURCE: Chicago Theater Beat at 7:33pm on December 22, 2016

Review: The Christmas Schooner (Mercury Theater Chicago, 2016) by John Olson

As done here, Mercury Theater's The Christmas Schooner is a perfect mid-size production, offering strong visual design and a good sized cast, while still retaining the intimacy of this gentl…

SOURCE: Chicago Theater Beat at 4:18pm on December 22, 2016

Review: The Haven Place (A Red Orchid Theatre) by Lauren Whalen

Smart, snappy and almost hyper-realistic, Levi Holloway's world-premiere The Haven Place is a road trip adventure with edge-of-your-seat action, fully-realized characters and a sense of hope…

SOURCE: Chicago Theater Beat at 7:24pm on December 19, 2016

Review: Christmas at Christine's (Silk Road Rising) by Duane Barnes

The holidays can be a hectic time, but thankfully Silk Road Rising offers some respite in the diminutive and lively persona of Christine Bunuan, who guides you through her world-premiere one…

SOURCE: Chicago Theater Beat at 5:18pm on December 19, 2016

Review: It's A Wonderful Life: Live in Chicago! (American Blues Theater, 2016) by Duane Barnes

For 15 years, American Blues Theater has treated Chicago audiences to a live 1940s radio broadcast of holiday favorite, It's a Wonderful Life. The show is always a timely and entertaining wa…

SOURCE: Chicago Theater Beat at 3:12pm on December 19, 2016

Review: The Winter's Tale (Cheek by Jowl, Chicago Shakespeare) by Scotty Zacher

Of all the plays Shakespeare wrote, The Winter's Tale is one of the most problematic. Directed by Declan Donnellan at Chicago Shakespeare, Cheek By Jowl's highly conceptual staging of the pl…

SOURCE: Chicago Theater Beat at 9:12pm on December 17, 2016

Review: The Curious Incident of the Dog in the Night-Time (Broadway in Chicago) by Catey Sullivan

Playwright Simon Stephens never explicitly mentions autism in the drama inspired by Mark Haddon's novel. But as this alternately funny, wrenching, riveting, and ultimately inspiring story un…

SOURCE: Chicago Theater Beat at 3:48pm on December 16, 2016

Review: The Other Cinderella (Black Ensemble Theater, 2016) by Lauren Whalen

A holiday tradition that's pure fun, Black Ensemble Theater's The Other Cinderella is family-friendly and incredibly enjoyable. The cast's concentrated oomph fills the stage, and the story h…

SOURCE: Chicago Theater Beat at 7:48pm on December 13, 2016

Review: Uncle Philip's Coat (Greenhouse Theater) by Lauren Whalen

In Greenhouse Theater's Uncle Philip's Coat, by Matty Selman, actor Gene Weygandt gives excellent interpretations of struggling actor Selman, his loving but judgmental father and his eccentr…

SOURCE: Chicago Theater Beat at 3:04pm on December 10, 2016

Review: Tonya and Nancy"The Rock Opera (Underscore Theatre) by Lauren Whalen

Unless you made your home under a rock in the early 90's, or weren't born yet, you remember the ice-skating drama of Tonya Harding and Nancy Kerrigan. Underscore Theatre's Tonya and Nancy - …

SOURCE: Chicago Theater Beat at 9:06pm on December 9, 2016

Review: This Way Outta Santaland (Theater Wit) by Catey Sullivan

Mitchell Fain is putting his pointy-toed, jingle-belled foot down. Instead of yet another foray into Sedarisland, Fain is offering up his own take on Christmas. Theater Wit's This Way Outta …

SOURCE: Chicago Theater Beat at 8:18pm on December 6, 2016

Review: The Little Mermaid (Paramount Theatre) by John Olson

Though not produced by Disney, it clearly feels and looks like a Disney-style production in the tradition of their big shows. The original film score has been greatly (and nicely) expanded b…

SOURCE: Chicago Theater Beat at 5:12pm on December 6, 2016

Review: Pygmalion (Remy Bumppo Theatre) by Lauren Whalen

Most people know George Bernard Shaw's Pygmalion through its musical adaptation My Fair Lady. Fortunately, thanks to Shawn Douglass' elegant direction and two phenomenal leads in Nick Sandys…

SOURCE: Chicago Theater Beat at 7:24pm on December 3, 2016

Review: STOMP (Broadway in Chicago, 2016) by Lauren Whalen

Created in 1991 by Luke Cresswell and Steve McNicholas, STOMP is an hour and forty-five minutes of pure energy and stage craft. No special effects, just movement and music with ordinary hous…

SOURCE: Chicago Theater Beat at 7:18pm on December 2, 2016

Review: Electra (Court Theatre) by Catey Sullivan

In Sophocles' Electra at Court Theatre, Director Seret Scott makes all of the over-the-top grandeur and affectation work. The talented cast goes huge, creating a beautiful exploration into t…

SOURCE: Chicago Theater Beat at 4:06pm on December 2, 2016

Review: Finding Neverland (Broadway in Chicago) by John Olson

With Broadway in Chicago's Finding Neverland about J.M. Barrie's journey to write Peter Pan, director Diane Paulus has conceived the piece as a most family-friendly entertainment. There's ev…

SOURCE: Chicago Theater Beat at 4:36pm on November 30, 2016

Review: Cinderella at the Theater of Potatoes (The Hypocrites) by Catey Sullivan

Sometimes loud, sometimes garish, and never especially subtle, The Hypocrites' world premiere Cinderella at the Theater of the Potatoes is a confection of an operetta. Throughout, it makes j…

SOURCE: Chicago Theater Beat at 12:02pm on November 26, 2016

Christmas Theaters offer up stocking-full of holiday shows in 2016! by Scotty Zacher

The Chicago theater community will again produce a wide array of holiday plays, musicals, ballets and comedies in 2016, all to put you in a festive mood. Find the entire list of holiday off…

SOURCE: Chicago Theater Beat at 8:24pm on November 23, 2016

Review: The Nutcracker (House Theatre of Chicago, 2016) by Lauren Whalen

The House Theatre of Chicago's "The Nutcracker", directed and choreographed by Tommy Rapley, is a beloved annual production, and this year its message is more important than ever. With a mos…

SOURCE: Chicago Theater Beat at 7:06pm on November 22, 2016

Review: [Trans]formation (Nothing Without A Company) by Duane Barnes

The goal of world-premiere [Trans]formation, co-produced and co-developed by Nothing Without A Company and The Living Campus, was to celebrate the diversity of identity, to have the spectato…

SOURCE: Chicago Theater Beat at 2:42pm on November 22, 2016

Review: The Fundamentals (Steppenwolf Theatre) by Catey Sullivan

At first, Erika Sheffer's world premiere The Fundamentals seems as if it will be a razor-sharp parody/expose of the grimy inner workings of an outwardly gleaming luxury hotel. But the drama,…

SOURCE: Chicago Theater Beat at 6:42pm on November 21, 2016
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