1,060 stories from Clyde Fitch Report
Do institutional theaters, asks one prominent arts marketer, "expect audiences to disconnect and remain in a dome of silence"?
"I've lost count of the number of people who've said to me, 'You're writing a musical about what?'"
Standing up for rigorous arts journalism is smart. But you must publish rigorous arts journalism to have credibility.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Michigan money; Baltimore booms; Hawaii gets a high-five.
Perhaps this musical-theater maven is hiding in an undisclosed intellectual bunker.
TCG's Teresa Eyring mentions segregated seating for Tweeters. Yet it will be Twitter-only performances that confer cool.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Whim you less, stimulus.
Commercial theater downtown? Yes, it can be done.
With varied audience participation could come ticket discounts and other incentives.
A new initiative makes you wonder if the New York Times' second-string theater critic is having an effect.
No one idea will revolutionize Broadway marketing. But music videos are a start.
One of Soho's great spaces will close Aug. 31. The arts community itself is to blame.
Larry Kramer, Paul Rudnick and Elizabeth Ashley headline post-play talkbacks.
A March 8 benefit for a theater company producing women artists for 32 years.
Gov. Paterson is recommending what one arts advocate calls a "back to the future budget."
Showing leadership when it comes to fixing the very white theatergoing audience of New York City.
The Harlem Globetrotters do not always win, says the actor.
Said has discovered "that many, many people seem to have a violent reaction to the word 'Palestine.' "
We may need fewer arts nonprofits and more alternatives for artists to receive whatever funding exists.
In the second of a series, blogger Thomas Garvey, revisiting Emily Glassberg Sands' report on women playwrights, says the problem is in theater, there aren't any widgets.
Help Hôpital Albert Schweitzer continue its mission in Haiti's Artibonite Valley.
For $5 million, you can pay for all the Shakespeare that Charles Isherwood wants.
Ten grants of $10,000 each.
The "theatrical archives" of the American Play Company/Century Play Company is for auction.
