Review: Jitney at curtainup.com/
August Wilson's early play play finally gets the Broadway production it deserves
August Wilson's early play play finally gets the Broadway production it deserves
Tightly structured and intense, the interaction of the three characters is beautifully developed
Druid Theatre Company engrossing revival of Martin McDonagh's horror tale with humor makes a stop in Brooklyn to commemorate the twentieth anniversary of the play's 1996 premiere,
Harold Prince directs a Leonard Bernstein's perennial favorite at the newly revived New York City Opera.
a wonderful opportunity to see the play that inspired Paula Vogel's Broadway bound Indecent.
TV's James Bond plays a malevolently cool Iago in the NYTheatre Workshop's modern day version of the Bard's green-eye-monster haunted soldie
No doubt that fans will swoon and sway hoot and holler to the music Read More
EV Crowe's new drama stitches us into an unexpected tapestry . . .
The General as a hip-hop mogul...and it works
Nicky Silver's new play is a case of The Lyons/Redux. .
TNFA's production of Carlo Goldoni's farce will be heaven for spectators swept up in its silliness . . .
smartly streamlined - Sutton Foster is a delightful Charity Hope Valentine in this smartly streamlined reviva
Natasha, Pierre & The Great Comet - The little musical engine that could makes a triumphant landing on Broadway -- with review of Groban's substitute
Anna Deveare Smith's provocative new 17-character solo
Pulitzer Prize winner Lynn Nottage takes theater goers into the world of blue collar Americans faced with downsized and disappearing manufacturing jobs
a rather cuddly little domestic comedy in which two couples, friends for thirty years, have been set up to reexamine their marital bonds and re-explore their friendship
Janet McTeer and Liev Schreiber bring the bored, sexual predators of pre-revolutionary France back to Broadway
sometimes funny, occasionally exasperating and totally confounding play
Adam Bock's cautionary tale about committing ourselves to life while we can still change
Carrie Cracknell directs Ella Hickson's play about women through 200 years of dwindling resources. .
perhaps the most insightful portrait of manipulative motherhood in recent times
David Hare's play gets a stylish revival at the same theater where it premiered in 1982.
Brtish playwright Mike Bartlett's latest play gets a well cast, smoothly directed American production
Daniel MacIvor directs the American premiere of his play at Urban Stages
a brittle discursive rebuttal to the bad images of black women that have prevailed for so long on TV and in the movies