6,572 stories from HowlRound
By Ramona Rose King, HowlRound Theatre Commons. The HowlRound team reflects on 2024 and what's to come in the new year.
By . Free and open to the public, this dynamic gathering brings together global arts leaders, cultural innovators, and a vibrant community of over 350 professionals to explore bold visions f…
By Jeffrey Mosser, Maya Malan-Gonzalez, Alexandra Meda. Current members of Studio Luna chronicle their twenty-five-year history and the evolution of their practice, programming, and location…
By Amelia Parenteau. Theatre Advocay Project (TAP) offers a wealth of tools to create safer and more equitable working conditions for all theatre professionals.
By Marina Johnson, Nabra Nelson. There are so many cool Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) performance artists out there!
By Susan Stroupe. Philip Arnoult was one of the diplomats of the theatrical profession"those who made it their life's work not to make the work but to make connections between people who mak…
By Jeffrey Mosser, Jaclyn Backhaus. You on the Moors Now was the first foray by Jaclyn Backhaus into committing the improvisations and musings of an ensemble to the page while developing her…
By . Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity.
By Melissa Lin Sturges. The premise of the immensely popular solo show ha ha ha ha ha ha ha is simple: Julia Masli will seriously solve the audience's problems through comedy.
By Marina Johnson, Nabra Nelson, Basma al-Sharif . Palestinian filmmaker Basma al-Sharif dives into her award-winning pieces to discuss film as performance art.
By Emily Kitchens. Performing artist and teacher Emily Kitchens highlights the discrimination against fat people within theatre and discusses the need to advocate for fat acceptance by liter…
By Jeffrey Mosser, Sara Billmann, Mary Roeder. Universities and museums are some of the last strongholds of festival circuits providing rare exposure to international and avant-garde artists.
By Nabra Nelson, Marina Johnson, Laila Abdo. This episode analyzes narrative podcasts as a form of performance.
By Jeffrey Mosser, Mark Weinberg. Focusing on the overlaps between Ensemble and Applied Theatre practices, this podcast highlights Mark Weinberg's work with Theatre of the Oppressed pillar A…
By Marina Johnson, Nabra Nelson, Riham Isaac. Palestinian performance artist Riham Isaac discusses her site-specific performances, which understand performance as a medium for change.
By Alexis Wilner. Access for disabled theatre artists within the theatre industry is lacking, and pathways for those in production disciplines to enter the industry are particularly neglecte…
By . Mourning Machine is a low-stakes participatory ritual designed to honor the history and resilience of the NYC theater community/ies during a time of uncertainty and reconfiguration.Â
By . The Segal will be marking International Migrants Day by showcasing the work of a diverse group of artists and organizations with projects that foreground migrant narratives.
By . For more than four decades, PAJ has explored innovative works in theatre, performance art, dance, video, writing, technology, sound, and music through wide-ranging cultural dialogue and…
By Jeffrey Mosser, JOHN SCHNEIDER. A vital contributor to the theatre landscape in Milwaukee, Theatre X created ripples throughout the national theatre scene.
By Citlali Pizarro. Citlali Pizarro draws on her own experience working with incarcerated poets, and learnings from the film Sing Sing about Sing Sing Correctional Facility's Rehabilitation …
By Marina Johnson, Nabra Nelson, Leyya Mona Tawil. This episode explores Arab experimentalism and futurism with artist Leyya Mona Tawil, also known as Lime Rickey International.
By Talia Rodriguez.
By Jeffrey Mosser, Deb Margolin. After beginning her theatrical work by writing for a collective, Deb Margolin has had an expansive solo career. She shares her comedic impulses, political pr…
By Alison Kopit, Ann Marie Dorr, Maggie Bridger. Access dramaturgy is a practice of integrating access creatively and collaboratively in performance from the earliest moments of the creative…
