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1,898 stories from The New Yorker

Yo-Yo Ma on What Our Descendants Will Inherit

The celebrated cellist, who has a new show on WNYC, discusses three books that have shaped his thinking on the world his generation will leave behind.

SOURCE: The New Yorker Subscription at 4:00pm on October 15, 2025

Kelly Reichardt's "The Mastermind" Reinvents the Heist Movie by Richard Brody

This action drama, set in 1970 and starring Josh O'Connor, brings political conflict and existential comedy into the finely observed details of crime and escape.

SOURCE: The New Yorker Subscription at 9:18am on October 15, 2025

Diane Keaton's Shadows and Light by Hilton Als

The actress's nuanced ambivalence.

SOURCE: The New Yorker Subscription at 5:27pm on October 13, 2025

Greg Cope White Asks and Tells by Bob Morris

The author and former marine served the country in the closet. Now, amid Pete Hegseth's anti-L.G.B.T.Q. military mission, Cope White is prouder than ever"just look at his new Norman Lear-bac…

SOURCE: The New Yorker Subscription at 6:00am on October 13, 2025

V. R. Lang, a Forgotten Queen Bee of Modern Poetry by Anthony Lane

A débutante, a burlesque dancer, and a poet, the shape-shifting V. R. Lang"who died at thirty-two"wrote some of the most aching, entrancing lines of the twentieth century.

SOURCE: The New Yorker Subscription at 6:00am on October 13, 2025

Tim Curry Does the Time Warp by Michael Schulman

The actor and singer discusses the origins of "The Rocky Horror Picture Show," his relationship with David Bowie, and the joy of working with Miss Piggy.

SOURCE: The New Yorker Subscription at 6:00am on October 12, 2025

The Making of "Adaptation" by Susan Orlean

When your quirky book becomes a quirkier movie.

SOURCE: The New Yorker Subscription at 6:00am on October 11, 2025

Misty Copeland's Ballet Send-Off by Marina Harss, Holden Seidlitz, Helen Shaw, Sheldon Pearce, Jane Bua, Hilton Als, Richard Brody, Paige Williams, Rachel Syme, Jennifer Wilson

Also: Doechii's star turn, Agosto Machado's collaged worlds, Jafar Panahi's new drama, and more.

SOURCE: The New Yorker Subscription at 6:00am on October 10, 2025

The Safe Space of "Good Hang with Amy Poehler" by Inkoo Kang

The "Parks and Recreation" star has created the ultimate comfort listen"one that hinges on making her celebrity guests comfortable, too.

SOURCE: The New Yorker Subscription at 3:27pm on October 9, 2025

Heather Christian, MacArthur's Newest Genius by Adam Green

The composer and playwright just received the coveted grant. On a visit to the Hayden Planetarium"which includes a video narrated by Pedro Pascal"she considers the cosmic collisions that got…

SOURCE: The New Yorker Subscription at 2:31pm on October 9, 2025

The "Unfit" Mothers of Ariana Harwicz by Jessica Winter

Her fiction allows us to spelunk in the cave of an unwell mind, but her latest novel is disturbing in other ways, too.

SOURCE: The New Yorker Subscription at 3:52pm on October 8, 2025

A Musical Indictment of the Harris County Jail in "Criminal"

Robe Imbriano's documentary short uses music and animation to illustrate the grave injustices taking place at Houston's notorious jail and in the cash-bail system at large.

SOURCE: The New Yorker Subscription at 6:00am on October 8, 2025

Tonatiuh Refashions Old Hollywood by Michael Schulman

The "Promised Land" actor goes window shopping as he stars in his first big movie role, opposite Jennifer Lopez, in "Kiss of the Spider Woman."

SOURCE: The New Yorker Subscription at 6:00am on October 6, 2025

Before Kimmel, the Smothers Brothers Ate It by Bruce Handy

President Nixon got the brothers' variety show cancelled after they wouldn't let up on Vietnam. In the wake of the new late-night wars, Dick Smothers is having flashbacks.

SOURCE: The New Yorker Subscription at 6:00am on October 6, 2025

Charlie Puth's Overdue Jam Session by Jane Bua

The singer of "See You Again" trained as a jazz musician but was trapped in the pop machine. Finally, he's at home at the Blue Note.

SOURCE: The New Yorker Subscription at 6:00am on October 6, 2025

A Season of Rage at the Philharmonic and the Met by Alex Ross

Gustavo Dudamel conducts John Corigliano's blistering First Symphony; Chuck Schumer faces a hostile crowd at the opening night of "Kavalier & Clay."

SOURCE: The New Yorker Subscription at 6:00am on October 6, 2025

Man Ray's Deadpan Wit on Display at the Met by Vince Aletti, Helen Shaw, Sheldon Pearce, Hilton Als, Brian Seibert, Richard Brody, Dan Stahl

Also: an immersive "Phantom of the Opera" follow-up, the Rock in "The Smashing Machine," Paris Opera Ballet, and more.

SOURCE: The New Yorker Subscription at 6:00am on October 3, 2025

The Unexpected Sweetness of Bill and Ted's "Waiting for Godot" by Helen Shaw

The British buzz merchant Jamie Lloyd directs Alex Winter and Keanu Reeves in Samuel Beckett's 1954 tragicomedy; plus, "All Right. Good Night.," from Rimini Protokoll.

SOURCE: The New Yorker Subscription at 6:00am on October 2, 2025

Carol Burnett Plays On by Rachel Syme

The ninety-two-year-old comedy legend has influenced generations of performers. In a string of recent TV roles, she has been co-starring with some of her closest comedic heirs.

SOURCE: The New Yorker Subscription at 6:00am on September 29, 2025

Gertrude Stein's Love Language by Judith Thurman

How a self-appointed genius found her ideal helpmate.

SOURCE: The New Yorker Subscription at 6:00am on September 29, 2025

Now That I Run the Zoo by Patricia Marx

The tigers eat tofu. "Child care!" / chant kang'roos. / And the sea slugs debate the best / pronouns to use.

SOURCE: The New Yorker Subscription at 6:00am on September 29, 2025

"Amarillo Boulevard," by David Wright Faladé by David Wright Faladé

Jean stepped out of the car as Nia approached"lean and arrogant, a cigarette pinched between her lips. Then her swagger slipped, her expression unsettled.

SOURCE: The New Yorker Subscription at 6:00am on September 28, 2025

Jimmy Kimmel and the Power of Public Pressure

The comedian has returned to late-night TV. What can the response to his suspension teach us about countering Trump?

SOURCE: The New Yorker Subscription at 11:59pm on September 26, 2025

Gary Shteyngart's Tragicomedy of the Penis in "The Guy Who Got Cut Wrong"

The author opens up"with pathos, humor, and props"about his experience receiving a botched circumcision.

SOURCE: The New Yorker Subscription at 6:00am on September 24, 2025

"Once Upon a Time in Harlem" Is a Film for the Ages by Richard Brody

William Greaves's great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion.

SOURCE: The New Yorker Subscription at 3:20pm on September 23, 2025
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