The Toronto Theatre Review: Coal Mine Theatre's Fullfillment Centre By Ross Something deeply uncomfortable is happening inside the Coal Mine Theatre in Toronto, an unease that truly is the h…
The Toronto Theatre Review: debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun) at Tarragon's Mainspace By Ross With no apologies, debbie tucker green's a…
The Toronto Theatre Review: Dandelion Theatre's An Orchid and Other Such Lilies and Lies By Ross Truth be told, I love going to the Red Sandcastle Theatre on Queen Street East in Toronto bec…
The Toronto Theatre Review: b current, Crow's Theatre, and Studio 180's The Christmas Market By Ross Caribbean music slides into the space, playing up against all the frivolities of the holi…
The Broadway Theatre Review: Two Strangers (Carry a Cake Across New York) By Ross Two Strangers (Carry a Cake Across New York) arrives on Broadway with the kind of gentle confidence that fee…
The Broadway Theatre Review: Oedipus on Broadway By Ross The moment that Mark Strong's handsome frame fills that massive opening screen, a sensation passes through Broadway's Studio 54 Theat…
Frontmezzjunkies reports: Audible Theater to Present 25th Anniversary Reading of Laramie Project There are plays that you see, and there are plays that change you. And then, there's The L…
The Broadway Theatre Review: Art on Broadway By Ross "You're missing the serious point," he says as a tidy bit of irony creeps its way into Art, the starry revival that recently opened on Br…
Frontmezzjunkies reports: The New Group Announces First Season in New Home at The Theater at St. Clement's The award-winning, artist-driven company ushers in a new era with the laun…
The Toronto Theatre Review: Predictable Holiday Rom-Com: The Musical at Second City Toronto By Ross The new Christmas show, Predictable Holiday Rom-Com: The Musical, may arrive wrapped in th…
The TIFF Film Review: Bobby Farrelly's "Driver's Ed" By Ross Sometimes a movie doesn't need to reinvent the wheel; it just needs to keep driving down the well-paved road with the passenger s…
The Ontario Theatre Review: Wonderful Joe By Ross Ronnie Burkett builds worlds from wood, string, and spirit, and his Wonderful Joe is no exception. I've been wanting to make Joe's acquainta…
The Frontmezzjunkies Interview: The Unauthorized Hallmark(ish) Parody Musical Conducted by Ross It's beginning to look a lot like a Hallmark(ish) holiday in Toronto"only this time, the snow …
The Off-Broadway Theatre Review: Prince Faggot By Ross Prince Faggot strides forward, not with a golden crown but an actor's confession, based on childhood photos seen under a microscope, qu…
The Toronto Theatre Review: Bowtie Productions' tick, tick…BOOM! at Alumnae Theatre By Ross "The sound you are hearing is not a technical problem. It is not a musical cue. It is not a joke…
The Toronto Theatre Review: Soulpepper's The Comeuppance and Icarus Theatre's DNA By Ross Death has been lurking on the edges of Toronto's stages lately, threatening and messing with the liv…
The Toronto Theatre Review: The Far Side of the Moon at Bluma Appel Theatre, Toronto By Ross Robert Lepage, who masterfully brought motorcycles and mayhem to his Stratford Festival productio…
The Toronto Theatre Review: Doc Wuthergloom's Little Lib'ary of the Damned at the Red Sandcastle Theatre By Ross We're warned before we even take our seats: doom is imminent. A committed, po…
A Netflix Film Review: "The Twits" By Ross "Once upon a time, there were two terrible Twits." This is the seemingly generic opening of this excitingly non-generic nighttime story told by a f…
The Off-Broadway Theatre Review: Romy & Michele: The Musical By Ross "God, I wish I had your discipline," she says, as the movie turned musical opens with a flash of colour, a flurry of …
The Off-Broadway Theatre Review: Samuel Beckett's Endgame By Ross He stands, staring, questioning the room and, in a way, his own existence. Each movement is deliberate, one halting step at …
The Off-Broadway Theatre Review: Bat Boy: The Musical By Ross The night was Halloween, and the theatre was primed for chaos. And as the storm rolled in across the stage at New York City Cent…
The Off-Broadway Theatre Review: Lincoln Center Theater's Kyoto By Ross "The times you are living in are fucking awful." The statement drops early and direct in Kyoto, echoing through the re…
A Front Mezz Interview: Mark Shanahan Discusses the Westport Country Playhouse If running a theater is anything like hosting a dinner party, Mark Shanahan has found himself presiding over th…
The Broadway Theatre Review: Ragtime By Ross An upright piano still stands silently in a pool of light, waiting to unleash the epic heartbeat of Ragtime. A young boy approaches, tentative bu…