The Jury Is In on Virtual Theatre
Most theatres found that COVID-era digital offerings have lost money, a new survey shows, though some continue to value the access and experimentation.
Most theatres found that COVID-era digital offerings have lost money, a new survey shows, though some continue to value the access and experimentation.
From America's first Black celebrity to Alice Childress's Broadway turn in 'Anna Lucasta,' from Susan Glaspell opening 'The Verge' to raves for Canada Lee.
How we can make the most of the possibilities of liveness, technology, and human innovation.
The summit, to be held at the Public Theater in December, will address humane practices and caregiver support in the performing arts.
For the Broadway League's first director of Equity, Diversity, and Inclusion, action is going to be as important as words.
Nkenna Akunna, Dina El-Aziz, Isra Elsalihie, Abhishek Majumdar, and Tidtaya Sinutoke will receive free legal assistance in applying for an O-1B Artist Visa.
As Anna Deavere Smith's theatrical document of the 1992 L.A. uprising returns in a new form, it may feel so in touch with our moment because it helped to define it.
Robert Walsh steps down and Paula Plum will serve as interim artistic director.
The embattled artistic director will be replaced by interim leader Jenny Gersten.
We won't achieve equity for marginalized voices by pitting themselves against each other, as Theresa Rebeck's recent column seemed to suggest.
Manhattan Theatre Club has extended commissions to several writers and launched a new Groundworks Lab program.
Staged within a D.C. neighborhood block party, Pan Underground's production of Caridad Svich's play is designed connect local community members.
Some Washington, D.C., theatre leaders gathered last month to discuss their anti-racism work, both individually and collectively.
Last month Madison Mae Williams, a dramaturg with a focus on new plays, did the field proud in a national TV appearance.
Phantoms playing hide-and-seek, lighting with a mind of its own, floating shadows, and more fill our annual assortment of tales about haunted theatres.
The schedule includes virtual events in October, December, and January, and an in-person gathering in November.
Lloyd Suh's play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
A co-production among Woolly Mammoth, the Huntington, and Pasadena Playhouse gives new life to Mike Lew's disability-themed spin on 'Richard III.'
This month Brian talks to the Brooklyn-based playwright about fighting back against abuse, hustling past gatekeepers, and finding her authentic voice.
For this episode, the editors talk to the artistic director of Atlanta's True Colors Theatre about the city, the theatre, and the art form.
Haddad, an actor, playwright, and autobiographical performer, will be presented with the award on Nov. 12.
O'brian will receive the Founders' Award and Bocanegra will receive the Pfaelzer Award.
Director, playwright, and screenwriter Emily Mann is honored for her lifetime achievement and distinguished service to the national nonprofit theatre.
When the L.A. theatre announced a season light on women playwrights, a protest led to change and greater transparency.
The $50,000 award goes to Minnesotan who has made significant contributions to the state's culture.