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38,469 stories from The New York Times

Book Review: "Cocktails With George and Martha" by Philip Gefter by Alexandra Jacobs

With Burton and Taylor as stars and a writer and director feuding, adapting the scabrous play wasn't easy. "Cocktails With George and Martha" pours out the details.

SOURCE: The New York Times Subscription at 5:06am on February 11, 2024

Haunted by War in Ukraine, a Choreographer Steps Into New York City Ballet by Marina Harss

Alexei Ratmansky, arguably the most important ballet choreographer today, has made a deeply personal first work as artist in residence that reflects his Ukrainian roots.

SOURCE: The New York Times Subscription at 5:02am on February 10, 2024

'Hills of California' Review: A Stage Mother's Unhappy Brood by Houman Barekat

Jez Butterworth's new play explores the family dynamics of a song and dance troupe that didn't make the big time.

SOURCE: The New York Times Subscription at 10:24am on February 9, 2024

'Russian Troll Farm' Review: A Stream of Memes, Eroding Trust in Democracy by Jesse Green

An unlikely dark comedy imagines the people pushing #PizzaGate, Donald Trump and who knows what next.

SOURCE: The New York Times Subscription at 9:06pm on February 8, 2024

Sutton Stracke Travels to Spain With Merce Cunningham's Ashes by Gia Kourlas

The current season of "The Real Housewives of Beverly Hills" meets Merce Cunningham in an incongruous mash-up of reality TV and modern dance.

SOURCE: The New York Times Subscription at 2:25pm on February 8, 2024

'Bark of Millions' Review: Taylor Mac's Rock Opera at BAM by Laura Collins-hughes

If Taylor Mac and Matt Ray's four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.

SOURCE: The New York Times Subscription at 10:18pm on February 7, 2024

Mary Todd Lincoln, Thwarted Cabaret Star? That's Cole Escola's Take. by Erik Piepenburg

"Oh, Mary!," which follows a boozing, romance-starved first lady, is the latest entertainment about the Lincolns, illustrating their staying power as irreverent genre figures.

SOURCE: The New York Times Subscription at 3:18pm on February 7, 2024

Review: Swizz Beatz and Alicia Keys Show 'Giants' in Brooklyn by Will Heinrich

The Brooklyn Museum exhibits art works collected by the musical superstars Swizz Beatz and Alicia Keys " and it makes a show of the collectors, too.

SOURCE: The New York Times Subscription at 12:56pm on February 7, 2024

Review: Showing Off Rock-Solid Technique and Some Erotic Acrobatics by Brian Seibert

Philadanco! returns to New York with four premieres that highlight the dancers' skills without revealing much deeper artistry.

SOURCE: The New York Times Subscription at 12:38pm on February 7, 2024

The Vocal Coach Who Keeps Broadway (and Patti LuPone) in Tune by Alexis Soloski

"She saved my career," Patti LuPone said of this indispensable vocal therapist and coach whose clients include Madonna and Billy Porter.

SOURCE: The New York Times Subscription at 5:18am on February 7, 2024

'The Connector' Review: When Fake News Was All the Rage by Jesse Green

An Off Broadway musical about the sins of journalistic fabrication might benefit from more make-believe.

SOURCE: The New York Times Subscription at 7:18pm on February 6, 2024

Tyne Daly Withdraws From 'Doubt' on Broadway, Citing Health by Michael Paulson

Amy Ryan will replace her in the show, which also stars Liev Schreiber and began previews on Saturday.

SOURCE: The New York Times Subscription at 5:36pm on February 6, 2024

'Hors Pistes' Is an Arts Festival About Sports, for People Who Don't Like Sports by Laura Cappelle

A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.

SOURCE: The New York Times Subscription at 9:02am on February 6, 2024

Los Angeles Works to Build Its Dance Muscles by Robin Pogrebin

Companies are cropping up and expanding. Is the city on the cusp of a fertile chapter in its dance history?

SOURCE: The New York Times Subscription at 5:01am on February 6, 2024

Inger McCabe Elliott, Who Famously Became Con Man's Victim, Dies at 90 by Richard Sandomir

She was a successful designer. But she was probably best known for being duped in a scheme that inspired the play "Six Degrees of Separation."

SOURCE: The New York Times Subscription at 5:24pm on February 5, 2024

Hinton Battle, Three-Time Tony Winner in Musicals, Dies at 67 by Richard Sandomir

He won awards for his roles in "Sophisticated Ladies," "The Tap Dance Kid" and "Miss Saigon" " the most ever in the category of best featured actor in a musical.

SOURCE: The New York Times Subscription at 3:36pm on February 5, 2024

'Some Like It Hot' Wins Grammy for Best Musical Theater Album by Michael Paulson

The new jazz age musical adaptation of the classic 1959 Billy Wilder film closed in December.

SOURCE: The New York Times Subscription at 6:42pm on February 4, 2024

The Musical Force Behind the Communal, Queer 'Bark of Millions' by Joshua Barone

Matt Ray is a prolific songwriter and the musical nexus of New York's alt-cabaret scene. His next project: Taylor Mac's latest marathon performance.

SOURCE: The New York Times Subscription at 1:32pm on February 4, 2024

From Ballet to Blackjack, a Dance Pioneer's Amazing Odyssey by Siobhan Burke

George Lee was the original Tea in "George Balanchine's The Nutcracker." A documentary filmmaker found him and a lost part of ballet history in Las Vegas.

SOURCE: The New York Times Subscription at 5:02am on February 4, 2024

Remembering Chita Rivera's Unique Voice by Alex Barron, Lynn Levy, Diane Wong and Jesse Green

Our theater critic on some of the Broadway legend's greatest vocal performances.

SOURCE: The New York Times Subscription at 6:32pm on February 2, 2024

Don Murray, a Star in Films That Took on Social Issues, Dies at 94 by Robert D. McFadden

An Oscar-nominated role opposite Marilyn Monroe in "Bus Stop" led to a long career in film and TV and onstage, in productions that grappled with race, drugs, homosexuality and more.

SOURCE: The New York Times Subscription at 3:06pm on February 2, 2024

Overlooked No More: Henry Heard, Tap Dancer and Advocate for People with Disabilities by Meisha Rosenberg

With one arm and one leg, he upended assumptions that disabled people could not lead fulfilling lives, and his artistry had audiences clamoring for more.

SOURCE: The New York Times Subscription at 1:58pm on February 2, 2024

Review: At City Ballet, Tiler Peck Lets the Music Show the Way by Gia Kourlas

Peck's choreographic debut for the company, the lively "Concerto for Two Pianos," shares the spotlight with Alexei Ratmansky's mysterious, wonderful "Odesa."

SOURCE: The New York Times Subscription at 12:01pm on February 2, 2024

Review: In 'Jonah,' Starring Gabby Beans, Trust Nothing, and No One by Laura Collins-hughes

Gabby Beans shines as a time-hopping protagonist tracing her trauma in Rachel Bonds's slip-slidey new Off Broadway play.

SOURCE: The New York Times Subscription at 9:42pm on February 1, 2024

Review: In These Dances, the Themes Are Lines and Curves by Siobhan Burke

Molissa Fenley's "From the Light, Between the Lamps," a collection of short works, is a steady, rigorous exploration of movement to music.

SOURCE: The New York Times Subscription at 3:12pm on February 1, 2024
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