1,715 stories from Culture Bot
This fall, NYCB kicked off the celebration of their 75th anniversary dedicating the entire season to the work of George Balanchine, the company's co-founder and artistic realizer. On the nig…
Adaku's forced departure forever alters her connection to reality " she is absorbed into the unknown, which marks the start of our inquiry. Her trauma, epistemically, is our starting point.Ã…
Active reflection and associations should comprise our meditative state. If there were moments during the piece that disturbed us, we should return to the breathing exercise to find calm.ÂÂ
Being a witness of many of the referenced breakthroughs, Rosenboom, the pioneer of brainwave music, embodied the spirit of the legacy we aspired to dust off.
the beauty of the play is that things get really weird, really fast at times, but always go back to the tune
Edelman always wanted to be white. 'I know, I know. Dream achieved!' he says.
Jerry's keen ear is tuned to productions of un-meaning"the kinds of nonsense, half-sense, and anti-sense that enable and mask violence, particularly violence committed in the names of patrio…
PQ has "evolved into a platform, which explores progressive approaches, new media, virtual spaces and interdisciplinary relations."
Two choreographers navigate the strangeness of the stage in works developed through a new residency in Red Hook, Brooklyn.
It makes me become like my gaze, a promiscuous saccade. I am jostled and stilled. I'm curled around the strange heat of my own body, a feverish REM cycle.
Okay.  I wrote a really long discursive essay about The Theater(s) We Need Now " and I didn't even dive too deep into the arts admin weeds " but I know how things are, I know what life is…
The flower we touch as children in awe burns. The only chide needed to withdraw. With undeniable power to flaw, fire will still flicker and die. For it lives, as do You and I. …a heap of v…
...strange, messy, and masterful. It might even restore one's faith in independent theater.
On the ambivalent legacy of January's premier festival
Put Away the Fire, dear pt.2 (in draft form) at La MaMa Moves last month moves in and out of cinematic and live performance structures, often jump-cutting from internal narratives to vigo…
Confluence. Storage. Breach. Darvejon A. Jones on Kari Hoaas's "Shadowland" at La MaMa Moves
How for the next few weeks these actors get to tackle conflicts onstage and then return to their everyday lives, undeniably altered. Meanwhile, before me, a performance was taking place. We …
Hunter Dance MFA, Zakiya Harris interviews Abdel R. Salaam about Dance Africa 2023
one of our designers said it was "strangely interesting" at our first run-through
Hunter College MFA Eve Jacobs (in conversation with Ethan Kogan) ruminates on Bobbi Jene Smith's "Broken Theater" at La MaMa Moves 2023
Cory Villegas rinde homenaje a la oratoria en una respuesta de audio en español para el programa en español "Lunch with Sonia" de Loco 7 and Muriel Peterson offers her take too
That's the mission of Young Krones. That's Krone advocacy.
Hunter MFA in Dance student, Austin Marquez, writes about a shared program at La MaMa Moves/NY Arab Festival
Hunter College Dance MFA Darvejon Jones writes about a program at the La MaMa Moves 2023 Festival.
the female golem as child rang true to me as I questioned my own creative potential
