38,469 stories from The New York Times
Ferri, the star ballerina who was a principal at American Ballet Theater, will run the large Vienna company and its affiliated school.
In two programs, (La)Horde and the Ballet National de Marseille introduced New York to work that taps into a youthful, rebellious spirit.
Concern is growing that a night at the theater in London is becoming unaffordable, especially when a production has starry names, like Kenneth Branagh's "King Lear."
A new production, directed by Kenny Leon, will feature a diverse cast and will aim to speak to contemporary America.
Lily Ramirez and Michael Fasano were not looking for love … until they missed a few flights and attended a Denver Broncos game.
When performers Kayla Pecchioni and Colin Barkell met at a Tonys viewing party, a kitten named Paw McCatney helped break the ice.
A London production adapted from Eliza Clark's debut novel refuses to justify its unreliable narrator's violence, but lacks narrative depth and complexity.
This new version of F. Scott Fitzgerald's classic remains largely faithful to the novel, but it trades subtle prose for a straightforward production.
Graciela Daniele and Priscilla Lopez are working together on Michael John LaChiusa's memory musical, "The Gardens of Anuncia," inspired by Daniele's early life.
In London, Lily James and Kristin Scott Thomas do their best in a new play that careers between near-slapstick one minute and speechifying the next.
In Shakespeare, music is an integral part of the action. But the First Folio, which turns 400 this year, failed to transmit how it should sound.
An acclaimed revival of the musical plans to open in March at the Nederlander Theater.
Inside a U-Haul were also dozens of masks, costumes and backdrops for the shadow puppet performance of the critically acclaimed Persian epic "Song of the North."
The Mint Theater revives Elizabeth Baker's charming 1917 comedy, which offers a gentle reminder about work-life balance.
Sankai Juku, an all-male Butoh company, returns to New York with a program of greatest hits that too often feels tedious.
For their adaptation of "Sabbath's Theater," John Turturro and Ariel Levy sought to preserve "the nasty side of existence" evoked in the book.
The playwright Renae Simone Jarrett makes her professional stage debut with a surreal reworking of a Greek myth about a river nymph.
Liang, a choreographer who has run BalletMet in Ohio for 10 years, is the first Asian American to lead a ballet company of this size and stature.
The Théâtre de la Ville, now named for Sarah Bernhardt, reopened after a seven-year renovation. But its once-radical approach to dance is now less of a calling card.
The fall dance calendar began with English National Ballet under new leadership. Then came Royal Ballet's "Don Quixote" and "Black Sabbath: The Ballet."
Spare and simple, "Aging Prelude" at the Chocolate Factory is a new beginning for the choreographic duo Chameckilerner.
This inventive, beguiling and not quite fully solved puzzle of a show is a worthy and loving farewell to the great musical dramatist.
He brought an all-embracing enthusiasm to about 4,000 articles for The New York Times on modern dance, tap, ballet and practically every other genre.
The Tony winner and author talked about the Broadway shows she'll see once she can stay up late again, and the podcast that comforted her during the pandemic.
The choreographer Rachid Ouramdane works with acrobats and a highliner in "Corps Extrêmes," a hypnotic production coming to the Brooklyn Academy of Music.
