4,170 stories from Broad Street Review
Director Alex Timbers tells EW about the new musical based on the beloved Tim Burton film, with Alex Brightman in the title role
For a story about dead people, Beetlejuice has never felt so lively. Tim Burton's 1988 supernatural comedy has been reincarnated as a new Broadway musical (opening April 25) with Tony nomine…
Gabriel Jason Dean's 'Heartland,' at InterAct Theatre Company, gets awkwardly stuck between kitchen-sink drama and didactic political play. Cameron Kelsall reviews.
All you have to do is glance at the photo up top to see why Burn This is one of the hottest tickets of the season. The revival of Lanford Wilson's erotically charged 1987 play stars real-lif…
"Is there a British equivalent for 'machismo'?" asks the American."No. None at all," replies his English friend, who then reconsiders: "Maybe Glenda Jackson."
There are any number of quotes …
New York's Classic Stage Company revives the legendary 'The Cradle Will Rock', by Philadelphia-born composer Marc Blitzstein. Cameron Kelsall reviews.
Quintessence uses a diverse cast and versatile set to interpret the Shakespearean classic while staying faithful to the Bard's work. Jill Ivey reviews.
Consider this your official invitation to the Jellicle Ball.
Universal unveiled the first look at its upcoming Cats movie at Wednesday's CinemaCon presentation in Las Vegas. Tom Hooper (L…
Being a teen who gave speeches about the U.S. Constitution paid Heidi Schreck's college tuition but also gave her something perhaps even more important: her voice. "It taught me not to be af…
To young fans, he was the voice of villainous Prince Hans in Disney's Frozen (though five years later, he says he's still never been recognized). To millennials, he was the face of sarcastic…
Feeling energized, stargazers? That's Aries season talking. Let your adventurous side take over this month, in the true spirit of the ram, and kick off the astrological new year with some br…
All she cares about is love… and maybe those feather fans.
Broadway star Kelli O'Hara swapped her Kiss Me, Kate costumes for a sleek white suit Monday when she took the stage at MCC Theate…
Readers respond about social justice, Phyllis Mills Wyeth, and 'Marvin's Room' from Isis Productions.
Philadelphia Artists' Collective's 'Tis Pity She's a Whore' is revenge tragedy done rippingly right. Cameron Kelsall reviews.
Prepare to be rocked once more. Hot on the heels of Bohemian Rhapsody and its multiple Oscar wins, the rock musical We Will Rock You, inspired by the music of Queen, will launch a Nort…
Lea Michele is heading under the sea for a two-night musical performance of The Little Mermaid.
The Hollywood Bowl announced Monday it will host a revival of the popular live production of D…
'How to Catch Creation' launches an ambitious, important push for greater representation at Philadelphia Theatre Company, but Christina Anderson's play feels frustrating and predictable. Cam…
Here's your shocker of the century"the editor-in-chief of BSR was never one of the cool kids. What does that mean for our mission? Alaina Johns considers.
'The Few' considers the desolate lives of long-haul truckers, but Theatre Horizon's production of Samuel D. Hunter's play sets an inconsistent tone. Cameron Kelsall reviews.
With its annual spring Shakespeare production, the Lantern tackles 'Measure for Measure,' a notorious problem play still onstage in the #MeToo era. Jill Ivey reviews.
EgoPo Classic Theater concludes its South African season with two perspectives on life under apartheid. Cameron Kelsall reviews.
'Marvin's Room,' presented in a revival by Isis Productions, considers the emotional labor of familial obligation. Cameron Kelsall reviews.
Alice Yorke and the artists of Lightning Rod Special tackle abortion with 'The Appointment,' their latest premiere at FringeArts. Alaina Johns reviews.
A strong production of 'Curious Incident' at Walnut Street Theatre marks a step in the right direction for inclusive theater, but how does it compare to other efforts on the scene? Alix Rose…
'Fishskin Trousers,' the latest in Inis Nua's Pop-Up Play in a Pub series, offers too many dangling threads that never fully coalesce. Cameron Kelsall reviews.
