By HowlRound TV. The Martin E. Segal Theatre Center presents the Prelude 2017 festival livestreaming on the global, commons-based and peer-produced HowlRound TV network at howlround.tv on We…
By Shelby-Allison Hibbs. Shelby-Alison Hibbs analyzes Matthew Paul Olmos' so go the ghosts of mexico , part 2 .
By Claire Glubiak. Clarie Glubiak talks with several theatre companies at the forefront of the inclusive theatre industry asking about sustainability.
By Laura Marriott. Laura Marriott considers The Eurydice Project in Dublin in the context of Ireland's Repeal the Eighth movement.
By Katy Koop. North Carolina based theatremaker Katy Koop reflects on the impact of the Women's Theatre Festival on Raleigh's theatre community since its launch in 2016.
By P. Carl, Taylor Mac. P Carl talks with Taylor Mac about drag, aesthetics, gender, performance, and politics.
By Colleen Murphy. Canadian playwright Colleen Murphy writes about the importance of including Indigenous characters in plays and Indigenous artists in the process of making them.
By Eric Schorr. While researching and developing his musical The Rising Sea , playwright Eric Schorr reflects on the parallels between the historical narrative of slavery and the modern narr…
By David Finnigan. In the third installment of this series, Australian playwright David Finnigan discusses how he navigated the attacks of climate deniers on his provocatively titled play.
By Jennie Hahn. Maine artist Jennie Hahn explores environmental stewardship in Maine's Penobscot River Watershed with the performance project IN KINSHIP and shares her three guiding principl…
By Lanxing Fu. In the second installment of this series, Lanxing Fu discusses The Living Stage NYC, an intergenerational collaboration between Superhero Clubhouse and the community of Meltze…
By Chantal Bilodeau. Chantal Bilodeau kicks off this week's series on Theatre in the Age of Climate Change, and argues that we as a theatre community need to recognize when our practices and…
By Brett Aresco. Brett Aresco discusses Radical Evolution's New York City production of Loving and Loving, inspired by the famous 1967 Loving v. Virginia case.
By Michael Lueger. Madeline Sayet joins us to talk about how she's producing Shakespeare's work with Native American artists to place them in a new, more diverse context.
By HowlRound TV. The Office of Arts and Cultural Programming at Montclair State University hosts a Roundtable Discussion about The Merchant of Venice, livestreaming on the global, commons-ba…
By Carey Purcell. Carey Purcell engages the complications of sex in The Sex Myth, presented at HERE Arts Center in New York City.
By Marilyn Millstone, Ari Roth. An interview with Ari Roth, artistic director of Mosaic Theater Company in Washington, DC.
By Sara Brookner, Emily Mann. Dramaturg Sara Brookner kicks off a new series of interviews with theatremakers with chronic illnesses.
By Robert Hubbard. Robert Hubbard reports on reimagining Shakespeare at the Minnesota Fringe Festival.
By Martha Steketee, Ethan Lipton. Ethan Lipton returns to his artistic home at Public and Joe's Pub in New York City to play with toys, musical storytelling, and space travel.
By Jonathan Mandell. Jonathan Mandell runs down the recent past and present dramatization of dystopian novels on stage, including 1984 , and asks whether what's on stage is reflected in the …
By Jamie Macpherson. Fight instructor Jamie Macpherson addresses objections to teaching stage combat to young people.
By Brendan McCall. In the fourth installment of this series, Brendan McCall discusses the work of Czech-born, Norway-based artist Nela Kornetová, and her performance collective T.I.T.S.
By Anne Bogart, Tadashi Suzuki. Tadashi Suzuki and Anne Bogart in conversation at the Symposium on the Suzuki Method with SITI Company"New York City, June 3, 2017.
By Heather A. Beasley. Producer, dramaturg, and grant writer Heather A. Beasley writes about the challenges and ethics of collecting audience demographic data, and offers a radical propositi…