38,469 stories from The New York Times
In London, transforming Chekhov's "Uncle Vanya" into a one-man show is an impressive feat, but it costs the play its pathos.
In Max Wolf Friedlich's nimble play, a crisis therapist tries to connect with a tech worker who is broken by her profession.
His pending departure, in 2025, means that there are job openings for the top artistic positions at three of the four nonprofits operating Broadway theaters.
In Abhishek Majumdar's tense play at 122CC Theater in Manhattan, every sound underscores what's left unsaid after a shellshocked veteran's homecoming.
Theresa Rebeck's play, a Primary Stages production at 59E59 Theaters, is a beautifully acted dramedy exploring the truth and warped perceptions of it.
In Donald Margulies's heavy-handed new play, Reed Birney is terrific as a farmer forced by his wife, played by Karen Allen, to face his grief.
The original lead actor and director withdrew from the Phoenix production of a show about the 1989 pro-democracy protests, a topic that China aggressively censors.
"Prometheus Firebringer" and "Bioadapted" test the waters, while the abstract "Psychic Self Defense" is a warm and pulsing counterpoint.
New York City Ballet kicked off its 75th anniversary season with George Balanchine's full-length triptych "Jewels" and a poignant onstage tribute.
The nonprofit, a singular institution in New York's theatrical ecosystem, has presented acclaimed works like "Between Riverside and Crazy" and "Next to Normal."
The American choreographer has 46 engagements this year, including a monthslong retrospective of his work in Paris. But he is making plans for a "second act" away from the dance world.
"I know that I am about to give up one of my primary ways of being me," Russell Janzen writes about retiring from New York City Ballet after 16 years.
The festival presents a violent Shakespearean interaction with fruit, dance for neurodiverse and neurotypical audiences and showers of (play) money.
Stars like Suzanne Farrell and Edward Villella celebrated alongside dancers of today, many born years after the death of George Balanchine, the company's revered founder.
The stars Leslie Odom Jr. and Kara Young and the director Kenny Leon discuss the revival, and why its satirical take on racism is still so timely.
Rebecca Gilman's play, set in a rural farmhouse, sees an image of the decline of Americans' interdependence in the death of wildflowers.
The production, about the slow rewards of romance, starring the musician serpentwithfeet, premiered at the Joyce Theater in Manhattan on Friday.
Original cast members talk about their experiences making the three-part plotless ballet, which opens New York City Ballet's 75th anniversary season.
The Colorado congresswoman previously denied vaping during the performance, but could be seen doing so on surveillance video.
The singer, who brings her autobiographical show to Broadway this month, on her longtime love for the Kansas City Chiefs and what she's looking forward to in New York.
He clanged coconuts in the Monty Python stage musical in 2005; seven years later, he won a Tony for "Nice Work if You Can Get It."
In books, articles and lectures across Europe and America, he broadened an international appreciation of his native country's rich dance tradition.
The styles in "Jaja's African Hair Braiding," in previews on Broadway, require a wig designer, several braiders, some synthetic hair and lots of patience.
The writer-performer wanted to avoid the pandemic, but couldn't. Her new solo show dives into birth, death and cosmic confusion.
"What the theater gives me is the feeling that I'm using everything," the actress said of returning to the stage after a decade away.
