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2,260 stories from Chicago Theater Beat

Review: A Life Extra Ordinary (The Gift Theatre) by Catey Sullivan

With Gift Theatre's world premiere of Melissa Ross' *A Life Less Extraordinary* we get an amazingly strong director in John Gawlik and his mighty seven-person cast that cohesively elevate th…

SOURCE: Chicago Theater Beat at 6:24pm on October 17, 2016

Review: Merge (The New Colony) by Scotty Zacher

The New Colony's world-premiere *Merge* makes a promising first impression as the audience is immediately transported into a 1970's arcade game, complete with neon tones, lights and the tell…

SOURCE: Chicago Theater Beat at 7:58pm on October 15, 2016

Review: Apartment 3A (Windy City Playhouse) by Scotty Zacher

Windy City Playhouse's "Apartment 3A" by Jeff Daniels, directed by Ron OJ Parsons is an off-kilter romantic comedy with a touch of the surreal. Recommended! (read Duane Barnes' entire review…

SOURCE: Chicago Theater Beat at 6:21pm on October 12, 2016

Review: The Burials (Steppenwolf for Young Adults) by Scotty Zacher

Written and directed by female powerhouses Caitlin Parrish and Erica Weiss respectively, The Burials updates Sophocles' Antigone with strong grace and an even stronger anti-gun credo. Smart,…

SOURCE: Chicago Theater Beat at 6:49pm on October 11, 2016

Review: Visiting Edna (Steppenwolf Theatre) by Scotty Zacher

With Playwright David Rabe's poetic world-premiere, Steppenwolf Theatre and director Anna D. Shapiro have created a thoughtful world-premiere with a stellar cast that explores end-of-life is…

SOURCE: Chicago Theater Beat at 10:02pm on October 9, 2016

Review: Man in the Ring (Court Theatre) by Scotty Zacher

Court Theatre's Man in the Ring, by Michael Cristofer, dances and spars at the intersection of violence and love, two things that are inextricably twined in Emile Griffith's world. It's a wo…

SOURCE: Chicago Theater Beat at 5:15pm on October 6, 2016

Review: Miss Holmes (Lifeline Theatre) by Scotty Zacher

Lifeline Theatre's world-premiere Miss Holmes, by Christopher M. Walsh, is a refreshing female-driven portrayal of the classic detective. Katie McLean Hainsworth and Mandy Walsh are wily, ma…

SOURCE: Chicago Theater Beat at 7:09pm on October 1, 2016

Review: The Happiest Place on Earth (Sideshow Theatre, Greenhouse Theater) by Scotty Zacher

Sideshow Theatre's *The Happiest Place on Earth*, written and performed by Philip Dawkins for Greenhouse Theater's Solo Celebration! series, is an essential theatrical experience, a twisted …

SOURCE: Chicago Theater Beat at 5:08pm on October 1, 2016

Review: I Do Today (The Other Theatre Company, Greenhouse Theater) by Scotty Zacher

I Do Today is a loving and lighthearted collaboration of playwright Sarah Myers, director Jacob Harvey and solo actor (and Other Theatre Company artistic director) Carin Silkaitis, who is ut…

SOURCE: Chicago Theater Beat at 3:58pm on October 1, 2016

Review: Hand to God (Victory Gardens Theater) by Scotty Zacher

Victory Garden Theater's Hand to God, though gloriously gruesome and wildly over the top, is at its heart a probing study on how one deals with grief, faith, temptation and the daily struggl…

SOURCE: Chicago Theater Beat at 7:03pm on September 27, 2016

Review: Wonderful Town (Goodman Theatre) by Scotty Zacher

Mary Zimmerman deftly directs a lavish revival of Leonard Bernstein's classic musical, featuring a company of more than 40 actors and musicians. If you're looking for larger-than-life stagin…

SOURCE: Chicago Theater Beat at 9:16pm on September 25, 2016

Review: Amour (Black Button Eyes Productions) by Scotty Zacher

Adapted from the Frebcg short story Le Passe-Muraille by Marcel Ayme, this Tony Award-nominated musical is a Chicago premiere. And with Amour, Black Button Eyes Productions and Director Ed …

SOURCE: Chicago Theater Beat at 11:21pm on September 22, 2016

Review: life sucks. (Lookingglass Theatre) by Scotty Zacher

Though incredibly talented, not even this mighty ensemble can fully compensate for Playwright Aaron Posner's lengthy exploration of the facts that life isn't fair and unrequited love hurts. …

SOURCE: Chicago Theater Beat at 5:24pm on September 21, 2016

Review: Julius Caesar (Writers Theatre) by Scotty Zacher

The most memorable elements of Writers Theatre's *Julius Caesar* are its cinematic video designs and impressively versatile set. The people who propel the tragedy, however, are all too often…

SOURCE: Chicago Theater Beat at 6:44pm on September 20, 2016

Review: In the Heights (Porchlight Music Theatre) by Scotty Zacher

With Lin-Manuel Miranda's groundbreaking *In the Heights*, Porchlight Music Theatre's staging wears its dramatic heart on its sleeve, bursting with percussive flair and exuberant sensuality.…

SOURCE: Chicago Theater Beat at 4:57pm on September 19, 2016

Review: Smokey Joe's Cafe (Drury Lane Theatre) by Scotty Zacher

Per Catey Sullivan: By the time the powerhouse *Smokey Joe* ensemble goes into the reprise that (almost) closes the show, you'll feel like these people are your old friends. And when the *St…

SOURCE: Chicago Theater Beat at 8:18pm on September 15, 2016

Review: Mamma Mia! (Paramount Theatre) by Scotty Zacher

Reviewer Catey Sullivan: Paramount Theatre's Mamma Mia!, directed by Jim Corti, is the most delightfully over-the-top musicals you're apt to see this season. But unapologetically kitschy is…

SOURCE: Chicago Theater Beat at 12:27am on September 15, 2016

Review: Hot to Succeed in Business Without Really Trying (Marriott Theatre) by Scotty Zacher

Marriott Theatre's *How to Succeed in Business* looks great. But scratch the surface of strong performances and slick production values, and there's nothing resembling the human condition " …

SOURCE: Chicago Theater Beat at 4:55pm on September 12, 2016

Review: Next to Normal (BoHo Theatre) by Scotty Zacher

With Boho Theatre's stellar *Next to Normal*, there's no compromising of musicianship, with the stellar vocals of all six in the cast under the musical direction of Ellen K. Morris. Despite …

SOURCE: Chicago Theater Beat at 1:40pm on September 12, 2016

Review: Kinky Boots (Broadway in Chicago, 2016) by Scotty Zacher

Broadway in Chicago's Kinky Boots, by Cyndi Lauper and Harvey Fierstein, is back for its 2nd national tour (after first having its Broadway-bound world premiere here in 2012), and it's bigge…

SOURCE: Chicago Theater Beat at 9:49pm on August 31, 2016

Review: For Annie (The Sound) by Scotty Zacher

The Sound Chicago's world premiere of *For Annie*, by Beth Hyland, is a haunting cry for help and a meditation on the intricacies of grief. This cry and meditation just happens to involve gl…

SOURCE: Chicago Theater Beat at 8:03pm on August 29, 2016

Review: Rose (Solo Celebration at Greenhouse Theater) by Scotty Zacher

Greenhouse Theater's "Rose", part of their summer-long Solo Celebration! festival, speeds by as the audience is kept entranced by the inner workings of matriarch Rose Kennedy, a woman we thi…

SOURCE: Chicago Theater Beat at 7:04pm on August 29, 2016

Review: Bakersfield Mist (TimeLine Theatre) by Scotty Zacher

TimeLine Theatre's *Bakersfield Mist* is equal parts comedic and heartbreaking, acknowledging absurdity and cliché without ever descending into either. Thanks to playwright Stephen Sachs an…

SOURCE: Chicago Theater Beat at 5:16pm on August 27, 2016

Review: Mame (Light Opera Works) by Scotty Zacher

Light Opera Works' glitzy production of *Mame* looks great. And musically *Mame*, with its 32-member cast and 26-member full orchestra, sounds great. The score " arguably Jerry Herman's most…

SOURCE: Chicago Theater Beat at 8:27pm on August 24, 2016

Review: The Good Person of Szechwan (Cor Theatre) by Scotty Zacher

Cor Theatre's The Good Person of Szechwan, Tony Kushner's adaptation/translation of the Bertolt Brecht classic parable, shows us the difficulty of being good in a world filled with people wh…

SOURCE: Chicago Theater Beat at 11:19pm on August 22, 2016
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