1,060 stories from Clyde Fitch Report
New strategies for cultural production? Submit your group's idea on line.
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Tacoma raffle, Kaiser baffles.
The goal of "reprogamming" homosexuals, says the playwright-director, is shameful.
The Nora of a '50s version of A Doll's House considers cross-gender Ibsen and more.
Are there risks for the Women's Project in hammering away publicly that it was "NEA-rejected"?
When we say "Off-Off-Broadway," who do we mean? Generally poor, white, single people.
Before regional theaters, the business model of the actor-manager was, by definition, about the star.
What is better than beer, stripper poles and hot naked chicks? Mix them all up, make it funny and put it on stage?
Think of it this way: During the 2008-09 Broadway season, 97.6 percent of ticket-holders were not African-American.
Why are Sens. Coburn and McCain attacking a Philadelphia theater troupe?
Why would the man from Stratford visit the small Italian town of Bassano, far off the usual tourist trail?
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: California dreamin', New York City schemin'.
Finkle's admittance is a major step forward for the NYDCC, which styles itself L'Académie française of the NYC stage but appears musty-fusty as Voltaire's tomb.
When the soldiers were ordered to shoot, they'd aim high or the artillery crews would deliberately drop shells into no-man's-land instead of on the enemy.
The debut of a terrific new column gives deference, perhaps, to the great, if forgotten, Charles Caleb Colton.
Why should the public participate in the arts? Have the reasons been sufficiently articulated to taste-makers, educators and elected officials?
"Don't you know there's a new law?" asked the usher. "You can't talk on your cell phone inside the theater."
"Who doesn't want to be mysterious?" asks the actor playing Durang's version of Scrooge.
Would more critics like more shows -- or at least be kinder to them -- if more of them actively drank?
Laughing Daughter concerns a young, contemporary Native American woman who, "in order to find her roots, has to pull them up."
A distillation of Arts Watch, the weekly e-blast of Americans for the Arts. This week: Kentucky brains, Rhode Island gains, DC pains.
HARP nurtures hybrid artists and their audiences through cross-disciplinary exchange, peer-driven discussions and long-term development.
