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1,715 stories from Culture Bot

Lorraine Hansberry's "The Sign in Sidney Brustein's Window" Offers Up Complex Women and Self-Criticism in a Quasi-Solipsistic Depiction of the by Eve Bromberg

There are those cultural events that feel too good to be true " many stars align to create a perfectly satisfying contribution, almost all-encompassing in its thoughtoutness.

SOURCE: Culture Bot at 7:32pm on April 3, 2023

The Chaos Porn of Gelitin, Young Boy Dancing Group, and Alex Tatarsky by Sam Max

we come to performance to watch people get wrecked and wreck each other in a simulated way, while remaining in the comfort of our own private spectatorship

SOURCE: Culture Bot at 12:25pm on March 14, 2023

Thinking "La Machine de Turing" at La MaMa by Maura Nguyen Donohue

There is an insidious thrum of accelerated timelines smashing together at the messy intersection of computational expansiveness, human fear, militaristic state intervention and governmental …

SOURCE: Culture Bot at 2:56pm on March 4, 2023

Sure, Critique Ballet and Balanchine, but Erika Lantz Does it Wrong by Eve Bromberg

Pain has been felt in the halls of Balanchine's house, but joy and beauty exist too. Neither outweighs the other.

SOURCE: Culture Bot at 10:00am on March 1, 2023

War Dreamers, War Nightmares by Peter Filichia

Stevens and Treadway gravitate towards original plays that, like WAR DREAMER, look at extreme human behavior and have an experimental edge

SOURCE: Culture Bot at 8:40am on February 25, 2023

A Celebration of the Life & Art of Mikéah Ernest Jennings by Jeremy M. Barker

Livestream the Chocolate Factory's memorial event Monday, Feb. 6 at 5:30pm eastern

SOURCE: Culture Bot at 3:08pm on February 6, 2023

No Dance Schools in Anatevka: Fidler Afn Dakh's Staś Kmieć interviewed by Hallie Chametzky by Hallie Chametzky

There is no audience. There is a community and you're connected to the community and you're not playing to the audience. There happens to be an audience and they're looking through a keyhole…

SOURCE: Culture Bot at 2:53pm on February 1, 2023

American Ghoul at Suite/SPACE 2022 by Theo Armstrong

Something was exhumed on the stage that night" what it was still haunts me.

SOURCE: Culture Bot at 10:23am on January 17, 2023

Ontroerend Goed's "Are we not drawn onward…" at Under the Radar 2023 by Jeremy M. Barker

Heading into BAM's Fishman Space for Ontroerend Goed, part of the Public's 2023 Under the Radar Festival, felt like finally getting to a long-delayed date. I'd been looking forward to catchi…

SOURCE: Culture Bot at 3:29pm on January 14, 2023

Between Dreaming and Real in DES MOINES by Sam Max

...embodies what I'll describe as a challengingly lateral Death-drive dramaturgy...

SOURCE: Culture Bot at 11:36am on December 23, 2022

Performing Precarity: Young Boy Dancing Group at Pageant by Sam Max

The discomfort of navigating precarity is not merely a state of being, but more truthfully, a continuous fact of life.

SOURCE: Culture Bot at 10:32am on November 30, 2022

the single most remarkable work of 2022 by Andy Horwitz

600 Highwaymen's "A Thousand Ways, Part 3: An Assembly" is one of 2022's most remarkable works of theater.

SOURCE: Culture Bot at 6:36am on November 21, 2022

"Dr. G's Bingo Extravaganza" at the Oregon Shakespeare Festival by Julian Carter

Sifting through that experience over time we keep finding ourselves holding out our hands, cupped, like we had caught a firefly. It's the gesture that says we too received a gift.

SOURCE: Culture Bot at 4:24pm on November 10, 2022

The National Gallery's "Homecoming" and a Love Letter Between the Lines by Tyler Cunningham

Let us, then, be the dreamers of the empty space between repetitions that sows fertile soil for difference and kinship.

SOURCE: Culture Bot at 10:03am on October 30, 2022

Sha Creative Outlet: XS at The Center at West Park by Theo Armstrong

Like a giant notebook portfolio or a crumpled map in the glove box of a borrowed car, the paper endures, holds the changes, shows the history of Sha and Sarah's togetherness" and our witness…

SOURCE: Culture Bot at 10:03am on October 30, 2022

Perkins & Borinsky | THE GOLD ROOM by Agnes Borinsky

Rehearsing it felt like having conversations with a ghost. Jacob from 4 years ago still has something to say to Jacob now. Jacob will always be becoming Jacob.

SOURCE: Culture Bot at 8:49am on October 28, 2022

Queer Joy on the Beach by Theo Armstrong

Waves crashed on the sand and ambient beats wafted from the DJ tent. Rainbow flags marked a sacred circle on the beach: beyond the luxurious summer homes and expensive restaurants, a brave q…

SOURCE: Culture Bot at 2:33pm on September 6, 2022

PAGEANT Presents: Duet Night by Anna McColley

For us, the dancers translate a shared archive into movement.

SOURCE: Culture Bot at 3:37pm on July 12, 2022

Learning With and From Baltic artists in the Shadow of the War on Ukraine by Meghan Moe Beitiks

I hope Putin understands "Fuck War" in not only Russian, but Estonian, Latvian and Lithuanian as well.

SOURCE: Culture Bot at 2:33pm on July 12, 2022

the land remembers, do you remember the land? by Maura Donohue

maura re/members with george emilio sanchez's "In the Court of the Conquerer" & zavé martohardjono's "TERRITORY: the Island Remembers"

SOURCE: Culture Bot at 1:12pm on June 19, 2022

Francesca Dominguez's "Galvanizing Steel" is Capable by Thomas Ford

"...one dancer's hands on the foreheads of the other two, leading the paths of their movement; a dancer leaning on another who was kneeling on the floor, using them as an anchor, stability; …

SOURCE: Culture Bot at 3:18pm on June 15, 2022

Hyperfantasia at The Brick Theater by Theo Armstrong

Question everything. Laugh often. And be proud as peacocks, amoebas and hominids"you're alive, and it's June!

SOURCE: Culture Bot at 1:06pm on June 14, 2022

Main Character Syndrome by Theo Armstrong

If performance is an intersection between the realness of live embodiment and the fantastical suspension of reality, then this is true performance.

SOURCE: Culture Bot at 12:12pm on April 26, 2022

"P I N E" by m i c c a @ Beach 81st, Far Rockaway by Dot Armstrong

I put my arms around the dry branches, sunk my face between the needles. I remembered holding you like this before you left. I remembered when we did this without thinking.

SOURCE: Culture Bot at 6:54pm on January 18, 2022

Looking to a "Beautiful Future" with Rita Kalnejais by Katie Birenboim

I'm interested in setting myself as big a challenge as I can when I'm writing, saying to myself, "How can I love you?"

SOURCE: Culture Bot at 12:12pm on January 17, 2022
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