1,085 stories from Show Showdown
There is a unique satisfaction that comes from watching a solid revival of a well-made play from the early or middle 20th century. This is why I have long been a fan of The Mint Theater Comp…
There is a certain gravitas that automatically attaches to a play about dementia starring Deanna Dunagan and Peter Friedman and produced at Playwrights Horizons. Because of this gravitas, it…
Yes, I know, that does sound like the dryest name for the most boring play, ever, but I'm not discussing a show, here: this is the (admittedly fairly dry) title of my latest book, which was …
I saw John Doyle's production of As You Like It at the CSC at an early preview, and this isn't a review per se. It's just some thoughts.Yes, some of the performers do play instruments.I…
I'm late to the A Doll's House, Part 2 bandwagon, and I nearly missed it entirely. But a friend saw the show and raved, so I decided to finally check it out.And, yes, it's as good as ev…
At the very start of I Am Antigone, Antigone says to us,I know what you're thinking. Not her again. We've heard enough out of her. The fact is you've heard nothing from me at all. It's not A…
The New York Theater Workshop's Mary Jane doesn't open officially until September 25, but I suggest you get your tickets now, before they become unavailable or you have to pay way more …
There's a lot going on in Girl from the North Country, Conor McPherson's play with songs by Bob Dylan that's running through the first week of October at the Old Vic in London. Set in a…
The press info for Thomas Klingenstein's play, If Only, includes the following description:In 1860 Abraham Lincoln came to New York City where he befriended a well-educated ex-slave, and a y…
Playwright Teresa Deevy lived from 1894 to 1963. The youngest of 13 children, she lost her hearing in her late teens, roughly at the same time that her family's financial situation became mu…
Waiting for Van Gogh's Ear to start is a pleasure, since it gives you time to really examine Vanessa Jame's open and elegant set. It's all black and white, with dramatic strips of …
Humorless buzzkill that I am, I've never been a big fan of the 1993 movie Groundhog Day, even though just about everybody else on the planet seems to think that it's one of the most bri…
I was not a huge Barbara Cook fan. It would never occur to me to play a CD of hers. I certainly didn't consider her the premiere cabaret singer ever or the best interpreter ever.Yet every ti…
My latest essay is up at Art Times:I walked out on a production of the brilliant comedy Cloud Nine the other night. The problem? The performers were trying too hard to be funny.I r…
It is telling that the line from which this play's title comes is "No pity in history." It's the 17th Century, during a civil war in Britain, and of course the war is not remotely civil…
Just twice in four decades of theatre have I bought the show's script duringintermission, and Tom Stoppard's Arcadia in 1995 was one of them (Shadowlands byWilliam Nicholson was the other). …
Tom Stoppard always offers scrumptious meals for the head, but not always for the heart. Arcadia, his brilliant play about literature, history, math, science, gardening, and sex, featur…
I was recently interviewed by the Dean of the Weissman School of Arts and Sciences at Baruch College. Here's the resultant clip. Also, here is a nice picture, which I'd combine with the clip…
Forty years ago, on July 13, 1977, I was at the Delacorte Theater in Central Park, watching Threepenny Opera starring Ellen Greene, Philip Bosco, Caroline Kava, and Tony Azito. I was st…
Don't tell anyone, but until earlier this month, I'd never seen the stage or film version, or even listened to the score, of Hello, Dolly! This is kind of like a Vermeer specialist…
What is a disability? Does it define a person? What does it mean to care about someone? To care for someone? What is trust? How is it earned?Sullivan, WilliamsPhoto: Joan MarcusThese are jus…
Marvin's Room lost me quickly. Perhaps it's because I've been dealing with bunches of doctors recently and they've been wonderful, but I found Marvin's Room's jokey, stupid physici…
In spring of 1973, I saw a sweet new musical called Shelter written by Gretchen Cryer and Nancy Ford, who would later write I'm Getting My Act Together and Taking it on the Road. I like…
My latest essay is up at Art Times:The original title of this essay was "Is Broadway Committing Suicide? And Does It Matter?" But the more I thought about it, the more I came to admire Broad…
The stage version of George Orwell's 1984, grippingly adapted by Robert Icke and Duncan Macmillan, might not be the masterpiece the book is, but it's pretty damned good just the same. I…
