On Diversity Hiring: Choosing the "Best" Person for the Job
By Carol Ann Tan. Director Carol Ann Tan explores her reaction to the question of whether it's easier for her to get work because she's Asian.
By Carol Ann Tan. Director Carol Ann Tan explores her reaction to the question of whether it's easier for her to get work because she's Asian.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Classix : A Reading Series Celebrating Classic Plays By Black Playwrights livestreaming on the global, commons-b…
By Andrea Lepcio. Calling for more female-driven musicals.
By Andrew Watkins. Director Andrew Watkins writes about getting to the heart of Strindberg's problematic classic.
By verity healey. UK contributor verity healey looks at how Doorstep Arts is bringing access to the theatre arts to Torbay.
By Billy Flood. Actor Billy Flood discusses his performance as the Earthworm in StageOne Family Theatre's production of James and the Giant Peach , sharing how he engaged with the role to re…
By Michael Lueger. Michael Lueger talks with curator Annemarie van Roessel about scenic designer Jo Mielziner's work.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Dramaturgy in the Making with Katalin Trencsényi, Peter Eckersall, Bertie Ferdman livestreaming on the global, …
By Meghan Randolph. Meghan Randolph surveys theatregoers to consider best practices to market lesser-known plays.
By Eli Keel. Airness uses air guitar to ask what is real. The answer: the families we make.
By Robert Stanton. Robert Stanton for #FairWageOnstage considers the recent success of negotiations for salary increases for Off-Broadway actors and how theatre can support and lead the resi…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents 50 Years of Theatre of the Ridiculous​ livestreaming on the global, commons-based peer produced HowlRound…
By Tom Block. Tom Block writes about how Taoist philosopher Chuang Tzu's ideas can provide inspiration for theatre artists.
By Tara Brooke Watkins. Director and playwright Tara Brooke Watkins discusses the process of creating The Bible Women's Project, which fuses women's stories from the Bible and the stories of…
By Ryan Donovan. Ryan Donovan considers the critical reception of casting an actor with a disability in the current Broadway revival of Tennessee Williams's The Glass Menagerie.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Andrzej Wirth: A Century in the Landscape of Theatre livestreaming on the global, commons-based peer produced Ho…
By HowlRound TV. The VORTEX in Austin, Texas presents Promised Land: A Radical Queer Revival " conceived, written, and performed by Rudy Ramirez"livestreaming on the global, commons-based pe…
By HowlRound TV. Weyard Ensemble Theater presents a performance of Much Ado About Nothing: A Reading in the Original Pronunciation at Arts at the Armory in Somerville, Massachusetts, livestr…
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Approaching Dance: Transdisciplinary Methodologies and Modalities of the Moving Body in Performance at The Docto…
By Irene Loy. In this last installment, Irene Loy discusses a character's drive to renounce their desire, and advocates for diversifying how desire is written for stage and film.
By Bari Hochwald. Bari Hochwald of the Global Theatre Project discusses the need for artist activists today to "inflame the civic temper" and address the refugee crisis.
By Cassandra Snow. Cassandra Snow writes about the challenges and opportunities involved in producing theatre in non-traditional spaces.
By Pearl Cleage. Playwright Pearl Cleage shares her ritual at the groundbreaking ceremony for the Alliance Theatre's new theatre space on March 30, 2017.
By Jonathan Mandell. Jonathan Mandell looks at the Broadway season that just ended, dividing it into escapist entertainment and socially engaged theatre, and wondering which is more needed i…
By Rivka Rocchio. Rivka Rocchio shares her approach to an acting exercise, reflecting on the nature of performance and its political implications.